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Winsor & Newton Watercolour MediumsSave Up to43%Off listFull Range Of Watercolor Mediums! Watercolor Mediums are used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes… Full Range Of Watercolor Mediums! Watercolor Mediums are used to create an even wider variety of techniques and effects for your work; from increasing drying time, improving flow, and changing gloss and texture, they provide limitless opportunities. The Winsor & Newton range also includes masking fluids to protect areas of your paper that you want to keep white. Click on the item number to view more information on each medium Key Features: * Limitless opportunities * Increasing drying time * Improving flow * Changing gloss and texture Perfect For: * Professional watercolorists * Altering the characteristics of watercolor * Exploring watercolor effects * Keeping areas of your paper clean See More
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Old Holland Oil Painting MediumsSave Up to25%Off list…Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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Jacquard Pearl Ex Pigment MediumsSave Up to29%Off list…Gum arabic binder * Binder produces a glossy easy-to-brush color * Water-based varnish * Use varnish as a medium or topcoat * Cleans up easily with water Perfect For: * Washes, glazes, and stamping * Metallic watercolor * Pearl Ex Powdered Pigments * Wider variety of watercolor effects * Protective… Create custom watercolor paints with Gum Arabic! Pearl Ex Powdered Pigments can be mixed into any media and applied to any surface! The variety of finishes Pearl Ex Powdered Pigments can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. If you mix Pearl Ex pigments with Jacquard's Pearl Ex Gum Arabic, you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables Pearl Ex users to show off the lustrous metallic finish of mixed Pearl Ex paints. The durable varnish also protects artwork on a variety of surfaces. Works great on paper, clay, metal, wood, or plastic and cleans up easily with water. Key Features: * Gum arabic binder * Binder produces a glossy easy-to-brush color * Water-based varnish * Use varnish as a medium or topcoat * Cleans up easily with water Perfect For: * Washes, glazes, and stamping * Metallic watercolor * Pearl Ex Powdered Pigments * Wider variety of watercolor effects * Protective topcoat over your painting See More
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Chroma Atelier Interactive Mediums And AdditivesSave Up to40%Off list…a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive… Do more with your acrylic paints! With Chroma Atelier Interactive Mediums, you can control more of the painting process and do more with your acrylic paints! Revisit and awaken touch-dry Atelier Interactive paint with the Unlocking Formula, or extend the open time and blend-ability of your acrylics with Slow Medium. Traditional gels and pastes are excellent for adding texture and structure to your painting while also extending your paints. All of the Chroma Atelier Interactive Mediums offer limitless creative possibilities. Key Features: * Thin or thicken paint viscosity * Increases color transparency * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Chroma Atelier Interactive paints Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Pouring painting techniques * Faux finishers * Experimenting with different textures and techniques Unlocking Formula: is used to reopen touch-dry layers of Atelier Interactive Acrylic paint when water no longer reopens the paint. It's sprayed onto touch-dry paint to soften edges, blend colors, and remove paint. Please note that the Unlocking Formula will not work on cured paints. Pouring Medium: Designed for extreme fluid effects and pouring techniques. Self-leveling and dries to a gloss finish. The best paint to use with this medium is Atelier Free Flow. Fast Medium/Fixer: Is designed to speed up the Interactive Acrylic painting process by quickly fixing a paint layer. You can use it to dilute the paint for glazing and thin painting techniques. Fast Medium/Fixer will speed up the layering process. Excellent for fast glazing and quick layering techniques. Slow Medium: Atelier Slow Medium slows down the drying time when added to Atelier Interactive Acrylic paint. You can thin the viscosity of your Interactive paint while also giving yourself more time to work. Ideal for larger paintings. It tacks up quickly, but it can easily be brought back to a more fluid stage by spraying it with water. Thick Slow Medium: has a gel-like consistency that is useful when artists want to have more blending time but do not want a thinner paint. You can use Thick Slow Medium for spreading and diluting paint without making it thin or runny. The concentrated medium is best used in small amounts. Just add to your palette when you want to maximize viscosity, and keep your Atelier Interactive Acrylic paints open for an extended period. Heavy Gel Gloss: A thick, water-based, glossy acrylic gel medium designed to create texture in acrylic painting. Heavy Gel Gloss creates a more translucent and buttery paint and increases gloss levels. It can also be used as an adhesive to bond other materials to the painting. *Note that the Heavy Gel Gloss uses conventional fast-drying technology, but it can take quite some time to dry when they are applied thickly. Clear Painting Medium: is one of the most popular mediums in acrylic painting. It is used with the paint to dilute the viscosity and blend colors without losing pigment intensity. This mid-viscosity medium allows the paint to spread over a surface for more blendable gradations of color. Retarder: slows down the drying process when added to acrylics and mediums. Retarder is particularly useful when painting wet-over-wet or wet-over-dry techniques. About 10% addition to any of the three mediums above can be useful for painting outdoors or in very dry conditions. See More
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Matisse Antiquing Patina and Marbling MediumsSave Up to50%Off list…Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Winsor & Newton Artists' Painting MediumsSave Up to43%Off listNon-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the… Non-yellowing medium reduces oil paint viscosity Winsor & Newton Artists' Painting Medium is a slow-drying, gloss medium ideal for glazing and smoothing blended areas. The medium reduces brush strokes and improves flow, boosting the durability of the paint film. Add more oil or solvent to the mix to change the consistency of your paint. Key Features: * Slows down the drying process * Reduces viscosity and improves flow * Non-yellowing * Dries to a flexible film * Less likely to yellow, wrinkle, or crack Perfect For: * Oils and alkyds * Reducing brush strokes * Oiling out and enriching dull patches * Glazing and blending techniques * Painting fine details Painting tip – Wipe the neck of the bottle after use to ensure the safety cap remains secure. See More
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Holbein Duo Aqua Water Soluble Oil MediumsSave Up to35%Off listSpecial blend of mediums to enhance transparency and aid flow! Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional… Special blend of mediums to enhance transparency and aid flow! Holbein DUO offers a whole line of mediums to enhance the Duo Aqua line of water-soluble oil paints. Duo Aqua Oil Color is an artist-grade water-soluble oil color that offers the same lightfast and archival pigments found in traditional oil paints. The Holbein laboratory adds a surfactant that coats the molecule of the DUO linseed oil, which permits water thinning and soap & water clean-up. DUO Aqua is compatible with all media such as traditional oil color and mediums, watercolor, gouache, acrylic gouache, and traditional acrylic paints. Key Features:* Thin with water* Milky appearance dries clear* Cleans up with soap and water Perfect For:* Professional artists and Teachers* Compatible with all media* Exceptional teaching materials Holbein DUO Aqua Linseed Oil increases the transparency and glossy finish while slowing the drying time of DUO Aqua Oil Paint. As with Holbein DUO Aqua Oil Colors, add water to thin DUO Linseed Oil. Adding water may cause the oil to become cloudy but will dry clear. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml and 200ml bottles. Holbein DUO Aqua Oil Stand Linseed Oil is a highly polymerized, viscous medium that increases the transparency of the water-soluble oil paint and produces a leveled gloss effect with an elastic, durable film. Like all DUO Aqua Mediums, thin with water. The solution may become milky but will clear when dry. While DUO Linseed Oil may become milky over time, its performance will not be affected. Available in 55ml bottles. Holbein DUO Aqua Oil Quick Drying Medium - Pastes and Liquids - will enhance transparency, accelerate drying time, and create a final surface finish. Mixing with DUO Aqua Oil Colors in equal parts, the substrate surface becomes tacky in approximately 30 minutes. When thinned with water, the resulting milky appearance becomes clear when dry. Thick layers may cause wrinkling. Available in Gloss finish and Matte finish. Pastes are available in 50ml and 110ml tubes and Liquids are available in 55ml and 200ml bottles Holbein DUO Aqua Brush Cleaner is an odorless, non-flammable cleaning solution formulated for Holbein DUO Aqua Water-Soluble Oils. It is also perfect for use with other water-soluble oil colors. This mild cleaner helps brushes stay in top shape by adding extra protection to the bristles. DUO Aqua Brush Cleaner works well with acrylic paints and can even be used with traditional oils, though the brushes should be allowed to dry completely before the next painting session. Available in a 200ml bottle and a 500ml jug. See More
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DANIEL SMITH Water Soluble Oil MediumsSave Up to40%Off list…solvents! If you love the feel, control, and rich appearance of classic oil mediums, but don't like the toxic solvents and tedious clean up, you need to try DANIEL SMITH's line of water-soluble oil mediums! Water-soluble mediums are the perfect solution for artists who work in poorly ventilated… Specially developed alternatives to toxic solvents! If you love the feel, control, and rich appearance of classic oil mediums, but don't like the toxic solvents and tedious clean up, you need to try DANIEL SMITH's line of water-soluble oil mediums! Water-soluble mediums are the perfect solution for artists who work in poorly ventilated spaces with small children or pets. If you paint in Plein Air, you will relish the convenience of thinning and cleaning your brushes with water. The mediums complement the Daniel Smith Water-Soluble Oil Color range and are also entirely compatible with other water-mixable paint brands. Key Features: * Professional quality oil mediums * Available in 2oz bottle * Cleans up easily * Accelerates drying time * Increases gloss & translucency * For information, click on the yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss * Painting without harsh chemicals * Cleaning work surfaces with water * Very easy to work with Water Soluble Fast Drying Linseed Oil, 2 oz - This modified linseed oil has a drying agent that significantly speeds drying time. It also thins the paint consistency while enhancing flow and gloss. Water Soluble Fast Drying Painting Medium, 2 oz - This medium makes colors more transparent and flexible while speeding drying time. It is non-yellowing and practically odorless. Water Soluble Modified Linseed Oil, 2 oz - This is the same water-soluble linseed oil used as the binder in Daniel Smith Water-Soluble Oils, making them so rich and creamy. Use it to thin their consistency, enhance flow, and improve gloss. Water Soluble Painting Medium - Low-odor, non-yellowing medium that increases the transparency and flexibility of Water-Soluble Oils and reduces drying time. Water Soluble Safflower Oil 2 oz - A water-soluble version of our low-yellowing oil, great for thinning whites and light colors. See More
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LUKAS Oil Painting Mediums – VarnishesSave Up to61%Off listThe Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More
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Creative Inspirations Acrylic Mediums & VarnishesSave Up to65%Off list…Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used to create acrylic glazes. For the perfect final protective… Versatile Acrylic Mediums For Artists At An Amazing Price Due to their large 1.8L size, low prices, and reliable quality, Creative Inspirations Acrylic Mediums and Varnishes are ideal for classrooms, social art parties, and art party businesses. An added convenience of these mediums is that each 1.8L jug container accepts a standard pump dispenser, which helps teachers quickly and precisely dispense liquid medium or varnish for artists. The Creative Inspirations Polymer Medium and Varnish in Gloss or Matte is a versatile acrylic medium that extends colors, provides an even uniform finish, enhances translucency, and increases film integrity. Gloss Polymer Medium can also be used to create acrylic glazes. For the perfect final protective coating for a finished acrylic painting, you can use Creative Inspirations Acrylic Polymer Medium and Varnish in a 250 Ml or 1.8L jug. To maintain the integrity of your paints, we recommended to use these mediums to thin down your paint over using water. Key Features: * 250 Ml or 1.8L size * 1.8L jug accepts a standard pump dispenser * Acrylic mediums and varnishes * Medium extends colors * Enhances translucency and increases film integrity * Provides an even uniform finish * Varnish provides a final protective coating * Clean up with soap and water * Not watered down * Perfect For: * Artists* Teachers and students* Classrooms and workshops * Art party businesses * Higher quality medium at an amazing price * Maintaining the integrity of your acrylics * Creating glazes, enhancing colors * Extending translucency of colors * Better painting experience See More
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Pebeo 4Artist Marker Mediums and VarnishesSave Up to20%Off list…Medium for 4Artist Markers! Pebeo has created an Odorless Medium and Varnish series made exclusively for the 4Artist Pebeo marker line. The odorless medium can be used to dilute, fade and shade 4Artist Markers or other Pebeo Mixed Media products once fully dry. You can even use the odorless medium… Versatile Varnish and Medium for 4Artist Markers! Pebeo has created an Odorless Medium and Varnish series made exclusively for the 4Artist Pebeo marker line. The odorless medium can be used to dilute, fade and shade 4Artist Markers or other Pebeo Mixed Media products once fully dry. You can even use the odorless medium to erase marker designs from a dry, nonporous surface without altering the lower layers of a painting. The Pebeo 4Artist Marker varnishes are specially formulated to protect oil-based paint designs, but can also be used to protect mixed media and acrylic work. 4Artist Varnishes are available in Matte, Satin, and Gloss effects. Key Features:* Formulated for 4Artist Markers* Fast drying formula Perfect For:* Mixed Media Artists* Oil Paint See More
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DecoArt Pouring Mediums and Top CoatsSave Up to20%Off list…Pouring Medium and Top Coat! DecoArt Pouring Medium is a fluid additive uniquely formulated to improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic… Waterbased Pouring Medium and Top Coat! DecoArt Pouring Medium is a fluid additive uniquely formulated to improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic paints to create stunning effects on wood or canvas panels. Ratios of medium to paint can be adjusted for a variety of effects. Use DecoArt Clear Pouring Topcoat to create a smooth, glossy finish for your poured acrylic paintings. DecoArt topcoat is a lacquer-like, crystal clear, high-gloss finish. This one-step formula eliminates the need to mix harsh chemicals and flows into a self-leveling, crystal clear coat that will not yellow, leaving your artwork with its original vibrancy! Key Features: * Waterbased, no unpleasant fumes * Non-yellowing * Will not alter color or slow drying time * Lacquer-like, crystal clear, high-gloss finish. * Create stunning effects. * One-step formula Perfect For: * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Preserving artworks original vibrancy * Professionals and students * Teachers See More
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GOLDEN GAC Mediums - Specialty Acrylic PolymersSave Up to30%Off list…polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More
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Winsor & Newton Galeria Acrylic Gel MediumsSave Up to30%Off list…with Galeria Gel Mediums! Winsor & Newton’s Galeria Acrylic Gel Mediums are texture additives that pair perfectly with their Galeria line. Explore the full range of Gel Mediums to create different textures with acrylic paint. An extensive and versatile range, the Galeria Gel Mediums provide great… Push the performance of Acrylics further with Galeria Gel Mediums! Winsor & Newton’s Galeria Acrylic Gel Mediums are texture additives that pair perfectly with their Galeria line. Explore the full range of Gel Mediums to create different textures with acrylic paint. An extensive and versatile range, the Galeria Gel Mediums provide great value and are easy to use. Key Features: * Additives for Different Effects * Alter Texture and Paint Structure * Designed for Galeria Acrylics * Economical Gel Mediums Perfect For: * Students and budgeting artists * Adding texture to your acrylic paintings * Adding weight and structure to paint * Dimensional build-up of Acrylics Black Lava Texture Gel - Granular paste containing fine particles of black flint. It can be used alone or mixed with acrylic paint. The gel allows you to achieve a heavier and more pronounced texture. Glass Beads Texture Gel - This medium comprises small, spherical glass beads suspended in a thick, clear acrylic gel. When used with transparent color, the effects are arresting and jewel-like. Heavy Structure Gel - The heaviest gel available in the Galeria range. Ideal for creating strong surface texture and very high peaks. Smooth and flexible. Heavy layers are easily and quickly built up. Satin finish prevents thick layers from looking too plastic. Sand Texture Gel - Helps you create a finer and more consistent texture. The gel contains refined and purified sand to ensure the most interesting sand grain texture. Structure Gel - Add to acrylic color to create high peaks. Smooth and flexible, it provides a gloss finish with good clarity. See More
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Williamsburg Oil Painting Drying Oils and MediumsSave Up to30%Off list…mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums*… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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SoHo Urban Artist Acrylic Varnish & MediumsSave Up to41%Off list…To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images, or building… Infinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images, or building soft textures. The use of acrylic polymer gels and varnishes helps to broaden the possible outcomes for your painting. Brilliant for gloss impasto effects, SoHo Gloss Gel Medium holds moderate peaks and retains brush strokes. You can use SoHo Satin Varnish as an over varnish to protect the completed acrylic painting and add a satin finish to your artwork. Key Features:* Acrylic polymer emulsion gel* Satin varnish* Add texture, enhance color* Create a variety of effects* Perfect For:* Modifying paint handling characteristics* Changing the finish of a painting* Extending acrylic paint* Soft impasto, relief, effects* Gel works as a glue for collaging SoHo Satin Varnish: Use as an over varnish to protect the completed acrylic painting and to add a less than glossy, satin finish to the painting. Gloss Gel Medium : Acrylic gel with a smooth, buttery consistency. Ideal for glazing and brilliant gloss impasto effects. Mix with paint to increase body or apply directly for a transparent textural effect. Holds moderate peaks and retains brush strokes. See More
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Winsor & Newton Galeria Acrylic MediumsSave Up to30%Off list…in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for… Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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DecoArt Americana Decor Chalky Paint and MediumsSave Up to6%Off listGive your vintage finds and discount treasures a modern bohemian distressed look with easy-to-use chalk paint! DecoArt Americana Chalky Finish Paint is a versatile chalk paint with an ultra-matte finish. Requiring no priming, sanding or complicated prep work, this chalky finish paint adheres to the… Give your vintage finds and discount treasures a modern bohemian distressed look with easy-to-use chalk paint! DecoArt Americana Chalky Finish Paint is a versatile chalk paint with an ultra-matte finish. Requiring no priming, sanding or complicated prep work, this chalky finish paint adheres to the slickest surfaces, and needs only one coat to achieve full coverage on most surfaces. This American-made, water-based paint is easier to distress than other chalk paints and cleanup is quick and easy. Dilute it to create a wash or mix any of the 43 available colors for a truly one of a kind piece of work! Key Features: * Ultra-matte finish available in 43 intermixable colors * One coat coverage with most colors on most surfaces * Adheres to slick surfaces and easy to distress * Water-based and easy to clean up Perfect For: * Refurbishing vintage furniture * Home decor DIYers * Distressing new furniture pieces * Mixed media artists See More
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Da Vinci Professional Oil Color MediumsSave Up to50%Off list…Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications.… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More
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Van Aken Kato Polyclay Mediums & AccessoriesSave Up to20%Off list…Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste… Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More
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Jack Richeson Shiva Signature Oil MediumsSave Up to35%Off list…heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Liquitex Acrylic Gesso Surface Prep MediumsSave Up to39%Off list…or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create… Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Pebeo Mat Pub Acrylic Mediums and VarnishesSave Up to26%Off list…transparency and build collages. Key Features: * Translucent & non-yellowing * Pebeo acrylic colors, inks, and other mediums * Waterproof upon drying * Can be diluted with water Perfect For: * Mixed media applications * Canvas & paper * Glazing & creating texture * Students & professional artists Explore unlimited possibilities with professional quality acrylic mediums and varnishes! Pebeo Acrylic Mediums and Varnishes give artists the freedom to experiment with the qualities of the paint, slowing down or speeding up the drying time, improving flow, adding gloss, and creating texture. These acrylic mediums and varnishes are translucent, non-yellowing, and mix well with Pebeo acrylic colors, inks, and other mediums, and can be diluted with water. Upon drying they become waterproof, displaying amazing flexibility and film softness. Each medium allows artists to create new textures, modify brilliance, alter transparency and build collages. Key Features: * Translucent & non-yellowing * Pebeo acrylic colors, inks, and other mediums * Waterproof upon drying * Can be diluted with water Perfect For: * Mixed media applications * Canvas & paper * Glazing & creating texture * Students & professional artists See More
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Schmincke Norma Blue Water-Mixable Oils & MediumsSave Up to36%Off list…Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Gamblin Solvent-Free Gel, Fluid & Safflower Oil MediumsSave Up to40%Off listGamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil,… Gamblin Solvent-Free Painting Mediums Solvent-Free Gel and Solvent-Free Fluid are painting mediums made from safflower oil and alkyd resin with no solvent. Why safflower? We chose safflower for these mediums because of its paler color. The alkyd resin, which is essentially a highly polymerized oil, accounts for the faster drying rate of these materials, compared to either linseed or safflower oils used alone. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation. Both Solvent-Free Fluid and Gel increase the flow of oil colors, increase transparency, gloss and color saturation Solvent-free-Mediums:* Gamblin Solvent-Free Gel gives colors more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates.Solvent-Free Gel is available in the following size: 37 ml, 150 ml * Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Solvent-Free Fluid is available in the following sizes: 4.2oz, 8.5 oz & 16.9 oz. * Gamblin Safflower Oil is a pale, slow-drying oil. When used as a painting medium, Safflower Oil to colors increases flow and slows dry times. Use sparingly or mix with an equal amount Gamsol to create a traditional slow-drying, low-viscosity painting medium. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. Solvent-Free Safflower Oil is available in the following sizes: 8.5 oz & 16.9 oz. The biggest difference between the Solvent-Free Fluid and the Gel is their consistency. The Fluid medium more significantly increases the flow of oil colors off of the brush. In terms of its working properties, it is similar to either straight linseed or safflower, though faster-drying. Brush-marks will be slightly leveled, or “rounded” when using the Fluid. Drying Time: In regards to their drying, these mediums have a “moderately fast” drying rate – meaning that thin layers will dry to the touch in approximately 36 – 48 hours. Because they rely solely on oxidation to dry, they have a longer working time compared to our Galkyd mediums, which begin to tack up as their Gamsol content evaporates from paint layers. See More
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LUKAS Berlin PRO Artists Water Mixable Oil Painting MediumsSave Up to57%Off list…are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing techniques, accelerating or retarding… Special modified mediums for Germany's finest water-mixable oil paints! LUKAS Berlin Water-Mixable Oil Colors can and should be mixed with water – it's the great advantage of the paint and the reason it's so health-conscious. However, some effects are better achieved by the use of mediums, and LUKAS has developed specially modified oil mediums for use with Berlin Water-Mixable Oils; all designed to behave like traditional oil mediums without sacrificing the unique water-miscibility of Berlin. Glazing techniques, accelerating or retarding drying time — effects not achievable with water are all now available in LUKAS Berlin Water-Mixable Oil Painting Mediums! * Berlin Modified Linseed Oil - High quality, modified oil for use as a water-miscible oil painting medium. Perfect for glazing techniques; increases fluidity of paint and slightly slows drying time of water-mixable oil colors. * Berlin Quick Dry Medium - Drying accelerator for water-miscible oil paints. Speeds drying time and is especially useful in the preparation of under paintings. * Berlin Modified Stand Oil - Heat-thickened modified oil for use as a water-miscible oil painting medium. Greatly retards drying time of water-mixable oil colors and should be used only on the upper layers of a painting following the "fat over lean" rule. View Lukas Berlin Color Chart > See More
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LUKAS Oil Painting Mediums - Solvents and ThinnersSave Up to60%Off list…as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More
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Winsor & Newton Artisan Water Mixable Oil MediumsSave Up to40%Off list…provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used… Everythings Better with Help from Artisan Painting Mediums! Professional water mixable oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of water-mixable oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums and varnishes to enhance your oil painting experience. Artisan Water Mixable Oil Painting Mediums are specially formulated to control, enhance, and protect artworks created with Artisan Water Mixable Oils. Key Features: * Accelerates drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Water mixable oil paint * Maintaining consistency * Preserving gloss Fast Drying Medium - This is a very popular medium as it speeds the drying of oil color by about 50%, allowing further layers to be applied more quickly. Gloss Varnish - This water-based varnish contains no hazardous solvents. Protects finished paintings and provides a uniform glossiness. If dirty, the varnish can be removed with Artisan Varnish Remover. Impasto Medium - This water-mixable impasto and texturing medium helps maintain the consistency of the color and speeds drying by 50%. For thick impasto, build the texture in several layers, allowing each layer to dry first, mixing the Impasto thoroughly into the color before use. Linseed Oil - This water-mixable oil is the main binder in Artisan colors. When mixed with color, it reduces their consistency for better flow. Combine with water or Thinner to maintain the structure of the paint film. Matt Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform matte finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Oil Painting Medium - This stand oil-based medium is ready to use from the bottle. The medium thins the consistency of Artisan colors and aids fine detail work. Safflower Oil - This oil should be used with pale pigments to help maintain their brightness. It also increases gloss and transparency. Satin Varnish - This water-based varnish contains no hazardous solvents. Provides protection for finished paintings and provides a uniform satin finish. If dirty, the varnish can be removed with Artisan Varnish Remover. Stand Oil - This highly durable linseed oil is partly polymerized by being heated in the absence of oxygen. This stand oil joins the molecules together, leaving less space for oxygen and hence a longer drying time. Thinner - Although water is suitable as a diluent for the color, its speedy evaporation can make the color thicken upon the palette much quicker than conventional oil color would when used with turpentine. Varnish Remover - Artisan Gloss, Matt, and Satin varnishes can be removed with Artisan Varnish Remover when dirty. NOTE: Please do not use with traditional oil paints. Please use a traditional oil painting medium See More
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Liquitex BASICS Acrylic Mediums Open Stock and SetsSave Up to30%Off list…BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling… Prep, Paint, and Finish Your Painting With Liquitex BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling Paste, Iridescent Medium, and Coarse Texture Gel. With the set you will find that you can adjust the texture, flow, and surface sheen of your acrylic paints by mixing them with different Liquitex BASICS Mediums. The Modeling Paste and Coarse Texture Gel can be used to create backgrounds for mixed media work while the Iridescent Medium is great for adding that extra shimmer to your paints. Liquitex Basics has also created a non-yellowing Matte and Gloss Varnish that can be used to permanently protect your finished acrylic paintings! Artists on a budget or students just starting out should know that Liquitex Basics Mediums and Varnishes are essential! Key Features: * 250ml, Mediums * Dependable and affordable * Adding extra shimmer to your paints * Adjust the texture, flow, & surface sheen * Permanently protect your finished acrylic paintings * Excellent working qualities Perfect For: * Students learning Acrylics * Artists painting large scale * Budget-minded Artists Gloss Gel Medium 200ml: A thick, transparent medium for mixing with acrylic paint to improve color blending, extend paint volume and drying time and increase paint transparency. Gloss Gel Medium can also be used as a glue for paper and canvas. Permanent, non-yellowing, flexible and water resistant when dry. Dries to a gloss finish. Modeling Paste 200ml: Opaque matte structure paste. Ideal for 3D effects, for use on canvas and wood. When added to acrylic paint it thickens the consistency of the paint. Produces brush stroke retention in paintings. The paste can be used on its own to build up the texture. Water resistant when dry. Coarse Texture Gel 200ml: Dries to a course 'sand' like finish. When dry can be painted with Liquitex acrylic colors or mixed with color before application. Iridescent Medium 200ml: Provides pearlescent effects when added to acrylic colors. Adds shimmer to paint. Mix with acrylic color before application or apply on top of dry painting. Matte Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an extra matte finish. Gloss Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an added gloss finish. Matte Varnish 250ml: Permanent matte varnish used to protect finished paintings. Matte Varnish can be mixed with Gloss Varnish to vary the final sheen of the work. Varnish is non-yellowing. Gloss Varnish 250ml: Permanent gloss varnish used to protect the finished painting. Gloss varnish may be mixed with Matte Acrylic Varnish to vary the sheen to satin. Varnish will not yellow over time. See More
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Chelsea Classical Studio Oil Painting Mediums Sampler SetsSave Up to50%Off list…entire Chelsea Classical Studio system of painting mediums in one convenient sampler pack. This handcrafted set has everything you will need to replace your studio medium sets with the safe alternatives found in Chelsea Classical Studio Mediums. No harsh chemicals were used in the making of these… Keep your studio clean without any harsh chemicals with this sampler set! Now is your chance to own the entire Chelsea Classical Studio system of painting mediums in one convenient sampler pack. This handcrafted set has everything you will need to replace your studio medium sets with the safe alternatives found in Chelsea Classical Studio Mediums. No harsh chemicals were used in the making of these wonderful products and they give off a pleasant lavender scent. Made in the USA from Old World Master Techniques. This set includes the following items - 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Clarified Pale Cold-Pressed Linseed Oil What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities; improves acidity and drying of oil.* Handmade using finest quality ingredients* Created with Old Masters methods Clarified Pale Cold-Pressed Walnut Oil What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil.* Free of impurities* Use with whites and light colors Clarified Lean Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; improves paint drying time and gloss.* Decreases drying time* For use in earlier painting stages Clarified Fat Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; makes paint fatter, rich, and glossy.* Increases paint gloss* For use in later painting stages Lavender Spike Oil Essence What: Natural solvent that thins oil painting mediums, resins, and varnishes; handcrafted from the finest quality Lavender. Why: Safer alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues.* Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Lavender Damar Varnish What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer way to varnish paintings without carcinogenic toxic fumes normally found in varnishes. The ONLY Damar Varnish that is!* Dilute with Lavender Spike Oil Essence to make Retouch Varnish* Final varnish for completely dry oil paintings Lavender Brush Cleaner What: Effective oil painting brush cleaner based on distilled Lavender. Why: Safer alternative to turpentine; cleans brushes as well as turpentine, but with a lovely lavender scent!* Less abrasive to brushes than turpentine or mineral spirits* Pleasant scented, safe, natural alternative Lavender and Olive Oil All Natural Brush Soap What: Superior handmade soap for brushes and hands, crafted from all-natural ingredients; contains no chemical detergents. Why: Naturally safe, safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent!* All natural and homemade, pleasant lavender scent* Conditions and extends the life of brushes Key Features:* Pleasant smell - no harsh chemicals* Based on classic Renaissance formulas* Less toxic alternative to turpentine* Seven 1oz bottles of each medium plus a 2 oz bar of Lavender and Olive Oil Soap Perfect For:* Safer in the studio* Enhancing oil colors the natural way* Cleaning your brushes and preserving your paintings * Painting fat over lean See More
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Enkaustikos Hot Cakes SetsSave Up to20%Off listProfessional quality encaustic paint tins in must-have color sets! Hot Cakes from Enkaustikos are professional quality, ready-to-use encaustic paints made from artist-grade pigments, damar resin and USP grade beeswax. These paints are packaged in convenient, re-fillable metal tins that make them… Professional quality encaustic paint tins in must-have color sets! Hot Cakes from Enkaustikos are professional quality, ready-to-use encaustic paints made from artist-grade pigments, damar resin and USP grade beeswax. These paints are packaged in convenient, re-fillable metal tins that make them easy to melt evenly and allow for simple clean up. Hot Cakes are available now in a variety of color palette sets. A must-have for any beginning or experience encaustic painter! See More
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BEST Medium-duty Stretcher Bars
Starting At: 2.96
Great for small paintings! The BEST Medium-duty Stretcher Bar is made from white pine. There is a greater supply of pine in the thinner and shorter length, so we use high-quality white pine for these bars. The lightweight bars are extremely useful in small paintings. These bars can save you money… Great for small paintings! The BEST Medium-duty Stretcher Bar is made from white pine. There is a greater supply of pine in the thinner and shorter length, so we use high-quality white pine for these bars. The lightweight bars are extremely useful in small paintings. These bars can save you money and make framing easier; perfect for beginners, college students, and small works of art. All of BEST's Stretcher Bars are designed so that the canvas is always a full ½" (except lightweight) from the stretcher bar to ensure that there will be no "ghost" impressions on the canvas. The rounded back edge reduces surface friction and allows for a smoother, tighter draw on the canvas for a more even painting surface. All feature a slotted back for easy installation of cross braces. Bars are made of pure kiln-dried white pine. Measure 1 ¼" deep × 1 ½" wide. (See line drawing in images) All Stretcher Bars are undersized by ⅛" to allow for fitting in a standard stock frame. If you require exact dimensions, this will be considered a custom order. Please call our Order Department 800-827-8478 ext. 218. Key Features: * Made of kiln-dried white pine * Perfect for small paintings * Select sizes available in 1" increments from 8" to 72" * No "ghost" impressions on the canvas * Rounded back edges * A smoother, tighter draw on the canvas * Even painting surface* Measures 1 ¼" deep × 1 ½" wide. (See line drawing in images) Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click Here-> BEST Medium-duty Cross Braces Cross Brace Recommendations: See the Stretcher Bar Cross Brace Layout to determine appropriate cross bracing for the frame you wish to build. Please note – Cross Bracing may require “Notching”. Notching is an additional Fee. If notching is required, the order is “Custom.” Please call 800-827-8478 ext. 218. To order cross braces – please click on the link to Best Medium-duty Cross Brace. Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, call our Order Dept. 800-827-8478 ext. 218 Wood Stretcher Keys are not automatically shipped with Stretcher Bar orders. You must order from the list below. BEST Stretcher Bars are sent directly from the manufacturer. Please allow 2 to 3 weeks for delivery of these items. In the event you need your order rushed, please call 800-827-8478 ext. 218. While we cannot promise earlier fulfillment, we will do our best to accommodate. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. See More -
BEST Medium-duty Cross Braces
Starting At: 3.68
An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas… An innovative approach to using cross braces! An innovative approach to using cross braces! Made of kiln-dried pine, designed to fit all sizes of Richeson/BEST Cross Braces, our sturdy cross brace bracket is the ideal way to support a stretched canvas. We recommend using cross braces for any canvas over 36". Key Features: * State of the art design works with all sizes of stretcher bars * Slotted design allows for finest adjustment of canvas tension * Available in select lengths up to 72" * Easy to use Basic Cross Brace Layout Plan: * Stretcher Bar Cross Brace Layout > * Click here to download Jack Richeson Framing Guide> Select sizes available in 1" increments from 8" to 72". For custom orders, including fractional sizes, please call our Order Dept. 800-827-8478 ext. 218. Please note: Cross Braces are SOLD ONLY with Stretcher Bar orders. The Cross Brace Bracket Kit (item #V06976) is also SOLD ONLY with Stretcher Bar orders. Richeson/BEST Stretcher Bars are sent directly from the manufacturer, please allow 2-3 weeks for delivery. In the event you need your order rushed, please call 800-827-8478 ext.218. Select drop ship items requiring a Truck Shipment: Items marked below with a "Truck Icon" are oversized and will incur a $150 Drop Ship Fee added at checkout. NOTE - You can order as much as you want as you will incur a 1x oversize fee regardless of order amount on the "truck shipped" items. Please check your order immediately upon receiving it! If the bars that you receive are damaged or defective, please email [email protected] within one week of delivery to request replacement bars. Please note that even though the cross-braces fit snuggly against the stretcher bars, they must be attached to the frame with cross-brace brackets. Two FREE brackets are included with every cross-brace purchase. See More -
Sterling Edwards Watercolor BrushesSave Up to63%Off list…Sterling Edwards has designed a series of brushes that are made to last and are affordable. The Blending & Glazing Brushes hold just enough water to allow for one or two-stroke glazing without delivering too much water to your paper. The flat edge bristle enables you to create thick and sharp… Brushes that will last a lifetime! Sterling Edwards has designed a series of brushes that are made to last and are affordable. The Blending & Glazing Brushes hold just enough water to allow for one or two-stroke glazing without delivering too much water to your paper. The flat edge bristle enables you to create thick and sharp chiseled shapes or wet-on-wet techniques. Brushes in the "Signature" series feature fine nylon bristles that have unique shaping abilities that allow the brush to snap back to its original shape after each stroke. The round brushes are excellent for fine detail or broad wash strokes. Each brush has a stainless steel plated ferrule attached to a high-quality blue resin handle that will never chip or crack. Key Features: * Special handle and non-staining ferrules * Synthetic and natural hair brushes * Super resilient hair * Blue plastic handles won't warp, chip or break down * Seamless nickel-plated ferrules Perfect For: * Travel and studio work * Watercolor * Painting on wet paper * Blending on rough watercolor paper * One stroke glazing See More
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Pebeo Gedeo ResinsSave Up to27%Off list…of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon colors, Vitrail, Ceramic, and Studio Acrylics colors and mediums to create a wide range of beautiful effects such as precious stones, marbling, and much more.Please note: Make sure to follow the manufacturer’s… Perfectly imitate the look of stained glass with the durability of resin! Pébéo Gédéo Resin makes it easy to create the look of colored glass and maintain the sturdiness of resin over time. They come in a variety of colors including crystal clear that can be intermixed with Fantasy Prisme and Moon colors, Vitrail, Ceramic, and Studio Acrylics colors and mediums to create a wide range of beautiful effects such as precious stones, marbling, and much more.Please note: Make sure to follow the manufacturer’s instructions. Use only the recommended amount. Do not mix all of the resin at once because the reaction will cause the product to overheat and yellow. It dries completely in approximately 24 hours, depending on the thickness of the application. It can also be used as a protective coating on most surfaces or poured over Fantasy, Vitrail, and Ceramic colors. Wait a minimum of 7 days before adding a coat of resin over completely dry colors to add depth and brilliance to your creations. You can tint the Crystal Resin with up to 10% Vitrail or Ceramic color.* Gedeo Crystal Resin -Low-odor crystal clear resin that you can mix together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects. Perfect for casting in silicone molds, stained glass effects, resin jewelry, layered art, and mixed media applications. It dries completely in 24 hours, depending on thickness of the application.* Gedeo Pearl Resin -Low-odor pearl resin that comes in three opaque, luminous colors: Pearl white, Gold, and Vermeil. Perfect for casting in silicone molds, making frames, layered art, and mixed media applications. For layered effects, apply a first thin layer ; allow to cure, and then pour a second layer. To add suspended objects, pour a thin layer of resin first, allow to cure, add objects, and pour a second layer to fix them in place. It dries completely in 24 hours, depending on thickness of the application. Key Features:* Low-odor, liquid consistency resin* Easy-to-use, two-component epoxy resin system (resin and hardener)* High-gloss finish with no shrinking when dry* Can be mixed together or with Gédéo Crystal and Pearl Resins to create infinite shades and effects Perfect For:* Stained glass effects* Resin jewelry* Mixed media applications See More
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