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Schmincke Horadam Watercolor Color Card, 140 Color ChartSave Up to45%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Opus Genuine Leather Journal Key 4" x 6" TurquoiseSave Up to76%Off listBlue Intricately handmade genuine leather! Styles of the Renaissance Reminiscent of the notebook styles of the Renaissance, the key wrap closure Opus Journals come in four unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown, Black, Honey, and Turquoise! Key Features: * Genuine leather cover, soft & durable * Key warp closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Three card pockets on the inner cover * Dark Brown, Black, Honey, and Turquoise * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Opus 4 x 6 in Pencil Closure Journal Espresso Black & Dip Glass Pen SetSave Up to76%Off listBlack Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the pencil closure Opus Journals come in three unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown and Espresso Black! Key Features: * Genuine leather cover, soft & durable * Pencil closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Dark Brown or Espresso Black * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Artfinity Synthesis Multimedia Watercolor Paper Pad, 9"x12", 10 SheetsSave Up to58%Off listWhite This mind-blowing surface improves vibrancy and provides warp-resistant strength! Artfinity® Synthesis is a smooth, non-porous, 74 lb. synthetic paper that is exceptionally strong and warp-resistant. Traditional watercolor paper absorbs paint like a sponge, making your watercolors look muted on the surface compared to your palette. With Synthesis multi-media paper, your juicy paint colors sit on top of the surface. Colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. Best of all, you save money by wasting less paint! The ultra-smooth surface allows you to build layer upon layer, which is impossible with regular watercolor paper. Traditional watercolor paper is unforgiving if you make a mistake, but if you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted. Tree-free Synthesis paper is perfect for watercolors, alcohol ink, acrylic paint, oil pastel, graphite, charcoal, and silkscreen. Key Features: * White 74 lb., 200gsm synthetic paper * 90% Polypropylene/ 5% Polyethylene/ 5% Polystyrene * The strong multi-media surface resists tearing and buckling * You can recycle the paper into plastic particles * Colors look more vibrant on "Synthesis" compared to standard papers * Acid-free, waterproof, and stain-resistant paper * Remove any mistakes with an eraser or wet sponge * Durable, non-tearing construction * No more wasted paint – the paper is nonabsorbent * Flawlessly smooth, pH-neutral * Pads are tape bound on the short side * Sheets remain perfectly flat while you paint Perfect For: * Creating vibrant art and wasting less paint! * Building paint layers * Acrylics, alcohol inks, and watercolor * Debossing, monotype, and oil pastel * Graphite pencil * Silkscreen and Sumi-e ink * Watercolors and acrylics * Eliminating the need for soaking, stretching, or taping Advantages of Artfinity® "Synthesis" Paper Colors look more vibrant on "Synthesis" compared to standard papers. Synthetic paper that is exceptionally strong and warp-resistant, your juicy paint colors sit on top of the surface and colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. If you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted! **Please note: the rinse technique works best on wet watercolor and wet acrylic paints. You can use a damp sponge to remove dried sections of water-based media. Once you have completed a piece, it is important to use a finishing spray to stabilize the work. We recommend that you use several light coats of a non-yellowing acrylic fixative rather than one heavy coat, which could pool or drip. See More
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SoHo Select Stretched Watercolor Paper 5/8" Deep 140lb Hot Press 9"x12"Save Up to60%Off listWhite It's Not Canvas, It's Stretched Cotton Watercolor Paper! SoHo Select Stretched 100% Cotton Watercolor Paper offers an exciting new way to display artwork on paper. The strong, durable paper is stapled to a wooden stretcher frame, just like a traditional canvas. Internal and external sizing prevents over-absorption and helps vibrant colors stand out on the surface. The grain of the paper softens when wet and tightens as it dries on the frame. Mixed media effects can be achieved by allowing wet media to dry before adding each layer. Best of all, the stretcher frame makes it easy to showcase your art without worrying about matting and framing. However, any ready-made frame (with or without glass) can also be used to enhance your artwork even more. You could even use a floater frame with your watercolor art! Key Features: * 140 lb. (300 gsm) Hot Press * Acid-free, 100% cotton watercolor paper * 5/8" stretcher frame depth * Back stapled construction * Internally and externally sized * Tightens on the frame as it dries * Versatile paper for a variety of media Perfect For: * Watercolor, acrylic, colored pencil, and charcoal * Dry media, pen & ink, and more * Mixed media collage * Artists of all skill levels * Saving money on framing * Painting parties and workshops Artist Tip: Use watercolor fixative on top of dried layers to keep them from re-wetting. If no glass is used for framing, you may want to protect your watercolor artwork with a varnish. See More
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Strathmore 300 Series 140 lb Watercolor Paper Pad 9" x 12" Wire Bound (12 Sheets)Save Up to50%Off listEconomical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side… Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy weight student-grade paper Note:Watercolor, gouache, tempera or even acrylic See More
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SoHo Ink-Jet Paper Glossy 180 gram (50 Pack) 4x6"Save Up to86%Off list…white papers for printing photographs and artwork with all brands of inkjet printers and most original brand dye inks including Epson, Canson, Hp, Lexmark, Brother ink and compatible substitutes. Matte is compatible with pigment based inks as well. Glossy - This super white paper is available… Hearty acid-free, bright white papers for printing photographs and artwork with all brands of inkjet printers and most original brand dye inks including Epson, Canson, Hp, Lexmark, Brother ink and compatible substitutes. Matte is compatible with pigment based inks as well. Glossy - This super white paper is available in both medium weight (8.4 ml, 180 gram) and heavy weight (12.4 ml, 260 gram). The sheet is constructed of 5 layers. A backing sizing base layer, a base paper layer, surface sizing layer, ink absorbing layer, and glossy layer. Sheets have a 99% brightness. It features a high gloss finish with cast coating and a micro-porous surface. It is water resistant and allows for instant drying of ink. Matte - This heavy weight classic is constructed of four layers. With a sizing back layer, base paper layer, surface sizing layer and micro-porous layer. It has the feel and look of fine art paper creating beautiful reproductions. This sheet has a 99% brightness, great for creating contrast. Matte is only available in professional heavy weight (12.4 ml, 230 gram). Sampler Pack - Includes 2 sheets each of Gloss 180 gram, Gloss 260 gram and Matte 230 gram, all 8.5 × 11". Our suggestion for fine art is to use the gloss for reference materials and the Matte for fine art editions. Gloss lends itself very well for photography and graphic images as well.  See More
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New York Central Watercolor Paper 140 lb Cold Press - 9" x 12" (10 Pack)Save Up to79%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More
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NY Central Watercolor Block 140lb Hot Press - 9" x 12" (20 Sheets)Save Up to77%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Canson XL Bristol Pad Smooth 9"x12", 25 SheetsSave Up to40%Off list…Smooth and one side Vellum — the same paper can be used for detailed drawing in graphite or ink on the Smooth side, or more expressive and textured works on the Vellum side. Available in fold over tape-bound pads of 25 sheets of 96lb (260gsm) Bristol, this paper is perfect for finished artwork by… High Quality Bristol Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high-quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their XL Bristol Pads line to serve just that purpose! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Recycled Bristol Pads -This versatile Bristol is eco-friendly, contains 30% Post Consumer Content. With a double-sided surface — one side Smooth and one side Vellum — the same paper can be used for detailed drawing in graphite or ink on the Smooth side, or more expressive and textured works on the Vellum side. Available in fold over tape-bound pads of 25 sheets of 96lb (260gsm) Bristol, this paper is perfect for finished artwork by artists of any skill level! XL Bristol Pads -This bristol paper is available in two finishes- smooth and vellum and contain 25 pages per pad. This pad is perfect for working with both wet and dry media including ink, watercolor washes, graphite, colored pencils, and even pastels or heavy markers. The bristol 100lb paper is acid-free and a bright white surface. These pads are perfect for students or professional work and can even handle light watercolor washes. The surface on the front is vellum and on the back is smooth. The dual surfaced nature of this product makes this the perfect choice for any artist working on both a vellum and smooth finish. The paper is bright white (without OBA), for better contrast. This paper contains 30% Post Consumer Content. Key Features:* 96lb and 100lb Bristol* 25 Sheets* Acid-Free* Tape Bound Binding* Smooth or Vellum Perfect For:* Wet and Dry Media* Pastels or Heavy Markers* Ink and Graphite Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Yes! All Media Cotton Canvas Pad 9"x12", 10 SheetsSave Up to63%Off listWhite If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Opus Genuine Leather Journal Wrap 4" x 6" Dark BrownSave Up to76%Off listBrown Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the wrap closure Opus Journals come in two unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown and Espresso Black! Key Features: * Genuine leather cover, soft & durable * Wrap closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Dark Brown and Espresso Black * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Opus 4 x 6 in Slide Closure Journal Honey & Dip Glass Pen SetSave Up to76%Off listBrown Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the slide closure Opus Journals come in four unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown, Black, Honey, and Turquoise! Key Features: * Genuine leather cover, soft & durable * Slide closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Non-removable cover * Dark Brown, Black, Honey, and Turquoise * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. See More
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