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Pastelmat Pad Palette No. 7 - Assorted Colors, 18x24cm (12-Sheets)Save Up to20%Off listAssorted Colors A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Global Arts Premier Sanded Paper 320 Grit Italian Clay Sanded Paper Sheets 5 Pack 26x40"Save Up to39%Off list…Archival Quality Pastel Paper Made From 100% Cotton! Global Art Pastel Premier Sanded Paper is double primed and coated with aluminum oxide to produce the perfect surface for pastel and other dry media use. This double priming culminates in a unique type of 100% cotton paper that is archival quality… Truly Unique, Archival Quality Pastel Paper Made From 100% Cotton! Global Art Pastel Premier Sanded Paper is double primed and coated with aluminum oxide to produce the perfect surface for pastel and other dry media use. This double priming culminates in a unique type of 100% cotton paper that is archival quality and extremely durable. It is able to withstand up to 25 layers of pastel and scrubbing and reworking. It is not only ideal for pastels, but is also used by many artists with media such as oils, acrylics, colored pencil and even charcoal. Made in the U.S.A. Key Features:* 100% Cotton, archival quality* Available in 3 different grits* sheets, rolls, and pochettes* Made in the USA Perfect For:* Multiple layers of pastel* Pastels, oils, acrylics* Graphite and charcoal* Scrubbing and reworking See More
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Arhnem 1618 Printmaking Paper 245 Gsm - White, 26" x 40" Sheet (100 Sheets)Save Up to49%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Lenox 100 250 gram / 10-Pack 26x40" - WhiteSave Up to44%Off listWhite 100% cotton, medium-texture fine art paper Legion Lenox 100 Cotton Drawing Pad is a 100% cotton, medium-texture fine art paper that is ideal for a variety of drawing and printing techniques with colored pencils, graphite, pastels, and charcoal. The smooth white surface also works well for silkscreening, offset lithography, etching, and embossing. Key Features:* 100% Cotton paper* Produced by an American mill* Soft textured finish* Acid-free* Pads: Tapebound/Top -92 lb / 15 sheets, 250 Gr/M2 weight* Papers are Neutral pH, no deckles 250 gsm weight Perfect For:* Graphite* Pastels* Colored pencils* Charcoal* Drawing with pastels* Silkscreening* Offset lithography* Etching and embossing See More
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QoR Lift Aidâ„¢ Medium, 118mlSave Up to40%Off list…your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aidâ„¢, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More
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Arches Watercolor Block 5.9"x11.8", 140lb Cold Press, 20 SheetsSave Up to40%Off list…air-dried paper. Arches Aquarelle watercolor blocks are one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched blocks! Glued on all four sides, eliminating the need to wet and stretch the paper before… Convenient pre-stretched 100% cotton watercolor blocks Arches watercolor blocks are a favorite among artists for more than 500 years manufactured in the same French mill since 1492. Made from 100% cotton linters and both internally and externally gelatin sized, these blocks are durable acid-free, pH-neutral and air-dried paper. Arches Aquarelle watercolor blocks are one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched blocks! Glued on all four sides, eliminating the need to wet and stretch the paper before painting, as the glue prevents the sheet from curling and buckling during painting. Arches Aquarelle Watercolor Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade. Excellent for all types of watercolor painting, ink drawing, washes — and the ideal portable painting surface, perfect for plein aire artists! Arches Aquarelle Watercolor Paper Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade.* 140lb Blocks (300gsm, 20 sheets) - Available in Cold (medium texture), Hot (smooth texture) and Rough (high texture) Press surfaces. Each block contains 20 sheets glued on all four sides. * 300lb Blocks (640gsm, 10 sheets)Sizes: 9x12", 10x14" & 12x16" - These Cold Press (medium texture) blocks feature 10 sheets of heavyweight, 300lb Arches Natural White watercolor paper, glued on all four sides. Key Features:* 100% cotton watercolor paper* Both internally and externally gelatin sized* Durable acid-free, pH-neutral and air-dried paper* Glued on all four sides* Glue prevents the sheet from curling and buckling* 3 surface finishes: Cold Press, Hot Press & Rough* 2 paper weights: 140lb & 300lb * 20 sheets per block (140lb) / 10 sheets (300lb)* Natural White shade Perfect For:* Watercolor artists* Eliminating the need to wet and stretch the paper before painting* Watercolors, gouache, acrylics, and ink* Keeping paper perfectly flat* Not needing stretching, taping or clamping to stay flat* Painting right away without a lot of prep work* Drawing as it provides a sturdy support surface to work on* For traveling or spontaneous with watercolor creativity* Plein aire artists NOTE: Once a piece is finished, simply slip a craft knife or razor blade under the top sheet to lift it up and reveal a brand new sheet beneath. See More
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