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Pastelmat Pad Palette No. 6 - Charcoal Grey, 24x30cm (12-Sheets)Save Up to20%Off listGrey A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Stonehenge Aqua Watercolor Roll 31"x10 yd, 140lb Cold PressSave Up to38%Off listWhite Stonehenge Aqua is everything an expensive paper is without the expense. Stonehenge Aqua Professional Watercolor Blocks and Papers are as finely crafted as it is affordable. Performing way beyond its price point, it has been tested to its limits, and as it turns out, it has no limits. Wet-on-wet or wet-on-dry, it has a wonderful crispness that anchors beautiful work across every task and technique. With Stonehenge Aqua, blending is effortless, and lifting is no longer a chore. It welcomes masking while never relinquishing the control you both demand and desire. Bright colors dry bright. Blocks or sheets it’s flat paper that dries flat. Making possibilities a reality is why Stonehenge Aqua Watercolor Papers came to be. Watercolor is all about possibilities. Because it’s not just about beautiful paint. There’s another factor: a wonderfully whimsical element – water. Together, they allow for form and flow, chaos and connection, beauty and structure. Key Features: * Professional watercolor papers (140lb & 300lb) * Blocks, pads, sheets, and rolls * Cold Press and Hot Press * 100% cotton - acid, chlorine, OBA, and Lignin-Free * Neutral pH * Same surface on both sides * Buckle-resistant, dries flat * Sized for watercolor * Superior quality Perfect For: * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing color * It’s flat paper that dries flat * Multiple layers of wet media * Effortless Blending * Bright colors dry bright See More
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Canson Edition Antique White Paper, 30"x44" 250gsm (25 Sheets)Save Up to33%Off listWhite A Versatile Art Paper Ideal for Drawing and Traditional Art Printing Canson Edition Papers offer lasting performance and are 100% cotton, acid-free and made without optical brighteners. Complies with the ISO 9706 standard on permanence, a guarantee of optimal conservation to deliver professional results with a variety of media and printmaking. Versatile and affordably priced, Edition is an excellent choice for drawing, lithography, offset, intaglio, typography and suitable for silk screen. Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured ideal for printmaking, drawing and multi-media expression. Available in 2 colors and sizes, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. * Antique White or Bright White * Comes in 2 sizes * 250 gsm sheets* * 100% cotton * ISO 9706 standard on permanence, a guarantee of optimal conservation * Double sided: light grain and smooth * 2 deckle edges * Acid-free, No optical brighteners * Ideal for drawing, lithography, offset, intaglio, typography, printmaking, drawing and multi-media expression * Also suitable for silk screen See More
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Arhnem 1618 Printmaking Paper 320 Gsm - White, 30" x 44" Sheet (100 Sheets)Save Up to49%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Ampersand Encausticbord 1-1/2" Cradled Panel 18x18"Save Up to35%Off listWhite The innovative Encausticbord surface is ready to use and requires no preparation An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology and R&F’s expertise in encaustics led to Encausticbord™, a unique wood panel that has the tooth to hold encaustic and mixed media unlike any other surface. Key Features:* Revolutionary encaustic ground is heat resistant* Designed to bond strongly with encaustic wax and collage* Archival, eco-friendly, and formaldehyde-free * Manufactured from sustainable forest products Perfect For:* Encaustic and Multi-Media Artists* Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder ratio which results in a very porous and absorbent surface. In addition, mineral aggregates are carefully selected in size and shape and added to the ground to yield a surface with a higher degree of surface roughness than typical acrylic gesso, which allows for better adhesion of encaustic wax. The ground is not only heat resistant and highly absorbent, but also holds tight to layers of wax and collage without the fear of cracking or separation. The innovative Encausticbord surface is ready to use and requires no preparation. The bright and velvety ground is perfect not only for encaustics, but for mixed media applications including oil paints and sticks, collage, image transfer, incising and more, and the durable bond offered by the ground means that fantastic textures and thick layers can be built up on its outstandingly receptive surface. Encausticbord is available in various depths for multiple display options: 1/8" and 1/4" flat panels, 7/8" and 1 1/2" cradled panels, and 2 1/8" DEEP gallery cradled panels for maximum support. Deeper cradled panels give artists the benefit of a gallery-style, frameless presentation. See More
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Da Vinci Pro Liquid Art Panel 18"x18", 1-1/2" Deep (Box of 12)Save Up to68%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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