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Sennelier La Carte Pastel Paper - Antique White, 23"x31" (Pack of 10)Save Up to47%Off listWhite Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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SoHo Select Stretched Watercolor Paper 5/8" Deep 140lb Hot Press 10"x10" (Box of 6)Save Up to55%Off listWhite It's Not Canvas, It's Stretched Cotton Watercolor Paper! SoHo Select Stretched 100% Cotton Watercolor Paper offers an exciting new way to display artwork on paper. The strong, durable paper is stapled to a wooden stretcher frame, just like a traditional canvas. Internal and external sizing prevents over-absorption and helps vibrant colors stand out on the surface. The grain of the paper softens when wet and tightens as it dries on the frame. Mixed media effects can be achieved by allowing wet media to dry before adding each layer. Best of all, the stretcher frame makes it easy to showcase your art without worrying about matting and framing. However, any ready-made frame (with or without glass) can also be used to enhance your artwork even more. You could even use a floater frame with your watercolor art! Key Features: * 140 lb. (300 gsm) Hot Press * Acid-free, 100% cotton watercolor paper * 5/8" stretcher frame depth * Back stapled construction * Internally and externally sized * Tightens on the frame as it dries * Versatile paper for a variety of media Perfect For: * Watercolor, acrylic, colored pencil, and charcoal * Dry media, pen & ink, and more * Mixed media collage * Artists of all skill levels * Saving money on framing * Painting parties and workshops Artist Tip: Use watercolor fixative on top of dried layers to keep them from re-wetting. If no glass is used for framing, you may want to protect your watercolor artwork with a varnish. See More
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Stonehenge Aqua Watercolor Paper 140lb Cold Press Pad - Black, 10"x10" (15 Sheets)Save Up to38%Off listBlack BLACK is 100% cotton paper sized for watercolor Black paper is not a new thing, but Black 100% cotton paper sized for watercolor is. Utilizing their vast experience producing new papers for emerging markets, Legion was able to work directly with artists to create something totally new and desirable. And with recent introductions of new metallic and pearlescent watercolor paints, pencils, pens, markers and inks, the timing couldn’t be better for Stonehenge Aqua Coldpress Black to bring these media to life. Black paper is an exciting, new world. Instead of building up shadows, one builds up light. It’s a place where negative space is transformed into positive. And while it may be dark, it’s a chance for those who live and breathe watercolors to bring a new breed of creativity to light. Key Features: * 100% cotton, CP 140lb or 300lb * Acid-free, Neutral pH, Chlorine-free * Same surface on both sides * Professional 'crisp' feel * Buckle-Resistant, dries flat * Perfect For: * Many kinds of mediums * Blending of colors (paint mixes well and does not dry up quickly) * Lifting techniques See More
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Stonehenge Aqua Watercolor Block 10"x10" - 140lb, Cold-Press Block (15 Sheets)Save Up to38%Off listWhite Stonehenge Aqua is everything an expensive paper is without the expense. Stonehenge Aqua Professional Watercolor Blocks and Papers are as finely crafted as it is affordable. Performing way beyond its price point, it has been tested to its limits, and as it turns out, it has no limits. Wet-on-wet or wet-on-dry, it has a wonderful crispness that anchors beautiful work across every task and technique. With Stonehenge Aqua, blending is effortless, and lifting is no longer a chore. It welcomes masking while never relinquishing the control you both demand and desire. Bright colors dry bright. Blocks or sheets it’s flat paper that dries flat. Making possibilities a reality is why Stonehenge Aqua Watercolor Papers came to be. Watercolor is all about possibilities. Because it’s not just about beautiful paint. There’s another factor: a wonderfully whimsical element – water. Together, they allow for form and flow, chaos and connection, beauty and structure. Key Features: * Professional watercolor papers (140lb & 300lb) * Blocks, pads, sheets, and rolls * Cold Press and Hot Press * 100% cotton - acid, chlorine, OBA, and Lignin-Free * Neutral pH * Same surface on both sides * Buckle-resistant, dries flat * Sized for watercolor * Superior quality Perfect For: * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing color * It’s flat paper that dries flat * Multiple layers of wet media * Effortless Blending * Bright colors dry bright See More
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Daniel Smith Watercolor Ground - Titanium White, 16ozSave Up to40%Off listWhite Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More
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Ampersand Encausticbord 7/8" Cradled Panel 10x10"Save Up to35%Off listWhite The innovative Encausticbord surface is ready to use and requires no preparation An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology and R&F’s expertise in encaustics led to Encausticbord™, a unique wood panel that has the tooth to hold encaustic and mixed media unlike any other surface. Key Features:* Revolutionary encaustic ground is heat resistant* Designed to bond strongly with encaustic wax and collage* Archival, eco-friendly, and formaldehyde-free * Manufactured from sustainable forest products Perfect For:* Encaustic and Multi-Media Artists* Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder ratio which results in a very porous and absorbent surface. In addition, mineral aggregates are carefully selected in size and shape and added to the ground to yield a surface with a higher degree of surface roughness than typical acrylic gesso, which allows for better adhesion of encaustic wax. The ground is not only heat resistant and highly absorbent, but also holds tight to layers of wax and collage without the fear of cracking or separation. The innovative Encausticbord surface is ready to use and requires no preparation. The bright and velvety ground is perfect not only for encaustics, but for mixed media applications including oil paints and sticks, collage, image transfer, incising and more, and the durable bond offered by the ground means that fantastic textures and thick layers can be built up on its outstandingly receptive surface. Encausticbord is available in various depths for multiple display options: 1/8" and 1/4" flat panels, 7/8" and 1 1/2" cradled panels, and 2 1/8" DEEP gallery cradled panels for maximum support. Deeper cradled panels give artists the benefit of a gallery-style, frameless presentation. See More
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Ampersand Museum Series Aquabord 1/8" Flat Panel 4x4" (Pack of 4)Save Up to36%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabord™ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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COPIC Wirebound Sketchbook 30 sheets, 157 gsm 4 x 4 inSave Up to10%Off listWhite Features a high-quality Premium Bond Paper! COPIC Wirebound Sketchbooks are made with uncoated, smooth textured, acid-free paper. The medium weight paper is slightly off-white in hue, ideal for value blending and special effects. Each spiral-bound sketchbook contains 30 sheets of 157gsm paper suitable for manga designs, simplistic illustration, and sketching. Key Features: * Wirebound * 30 sheets per sketchbook * Smooth textured and uncoated paper * Acid-free * Slightly off-white tone * 157gsm medium weight paper * Premium bond paper * Made in Japan Perfect For: * Manga, general illustration, and design * Blends and special effects * Copic markers * Everyday sketching * Sketchbook journal * Students and teachers See More
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Yes! Paste 1 PintSave Up to6%Off list…to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not… Non-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal and primed surfaces. Yes! Paste is also excellent for decoupage and collage work. See More
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Lineco Frame PVA Adhesive Glue, 16ozSave Up to27%Off list…properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should… The best glue for picture frames! Lineco Frame PVA Adhesive is a permanent PVA glue that dries quickly. Use this clear drying high-density wood glue to adhere frame moldings made of wood or MDF together. With excellent lay-flat properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should avoid freezing temperatures and only apply at room temperature. Key Features: * Adheres frame moldings * Permanent PVA adhesive * Dries fast and clear * Excellent lay-flat properties * Shake well and apply at room temperature * Do not store in direct sunlight * Buffered for added protection * Avoid freezing Perfect For: * Professional framers * Custom framing * Wood repair jobs * Mounting papers to wood * Archival preservation * No-hassle, everyday studio use See More
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Da Vinci Pro Liquid Art Panel 10"x10", 3/4" Deep (Box of 24)Save Up to68%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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