SLI Search Template
-
Brush and Pencil Colored Pencil Titanium White 14 G Jar + SifterSave Up to10%Off list
Starting At: 10.80
White Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More -
Bruynzeel 24ct Milkmaide Tin Set & Soho 5.6x8.26 White SketchbookSave Up to55%Off list
Starting At: 12.46
White Designed in collaboration with Rijksmuseum (the Dutch National Museum) Inspired by the works of Van Gogh, Vermeer, and Rembrandt displayed at the Netherland's famous Rijksmuseum, the Rijksmuseum's sets have been designed in collaboration with Rijksmuseum (the Dutch National Museum) to help inspire artists by reminding them of the old masters. Much like the Rijksmuseum's vision of linking individuals with art and history, Brunyzeel Dutch Masters Pencil Sets link artists to some of the greatest artworks of all time. These graphite, and colored pencil sets contain colors and grades that were carefully chosen to evoke the work of the Dutch Masters. Available In Sets Of:* Graphite Pencil Tin Set of 12* Colored Pencil Tin Set of 24 - Milkmaid* Watercolour Pencil Tin Set of 24 - Van Gogh Portrait* Colored Pencil Tin Set of 50 - Nightwatch* See full description Rijksmuseum Bruynzeel Graphite Pencil Tin Set of 12 The Rijksmuseum Bruynzeel Graphite Pencil Tin Set of 12 has been designed in collaboration with Rijksmuseum (the Dutch National Museum) to help inspire artists by reminding them of the old masters. The set of 12 pencils come in a lovely tin and have a strong graphite core. The pencils have an excellent graphite transfer and a perfect balance in pencil hardness. The hardnesses of the pencils are as follows: 2H, 1H, HB, 1B, 2B, 3B, 4B, 5B, 6B, 7B, 8B, 9B. Milkmaid - Tin Set of 24 The Rijksmuseum Bruynzeel Colored Pencil Tin Set of 24 has been designed in collaboration with Rijksmuseum (the Dutch National Museum) to help inspire artists by reminding them of the old masters. This set includes 50 Bruynzeel Colored Pencils, one each of Burnt Sienna, Flesh, Brown Pink, Crimson Red, Light Flesh, Vermilion, Dark Red, Carmine, Permanent Orange, Madder Lake Light, Brown Ochre, Deep Yellow, Orange, Mid Orange, Yellow, Naples Yellow, Light Lemon Yellow, Yellow Brown, Yellowish Green, Leaf Green, Gold, Green, Olive Green Light, Chromium Oxide Green, Light Green, Deep Green, Emerald Green, Turquoise Blue, Sevres Blue, Viridian, Light Blue, Kings Blue, Indigo, Dark Violet, Mauve, Prussian Blue, Dark Pink, Candy Pink, Violet, White, Dark Gray, Dull Cold Gray, Cold Gray, Black, Black Intenso, Burnt Ochre, Dark Brown, Havana Brown, Ice Green, and Yellow Ochre. Night Watch - Tin Set of 50 "Developed with the Rijksmuseum, the most visited museum in The Netherlands, to pay homage to the Dutch Masters and their taste for high quality materials. Reusable tin cover art features The Night Watch, a famous Rembrandt painting. This 50-piece colored pencil set includes: rose (635), naples yellow red (670), pink (636), claret (637), purple (639), mauve (656), carmine (638), red (630), coral red (633), vermilion (631), scarlet (632), light orange (634), light red (628), light pink (624), orange (623), yellow (620), deep yellow (622), lemon yellow (625), yellow brown (629), light lemon yellow (621), yellow green (664), light green (660), moss green (665), green (661), green blue (667), azure blue (676), grass green (666), turquoise blue (652), light blue (651), cerulean blue (654), cobalt blue (655), ultramarine (650), Prussian blue (658), violet (653), red violet (659), blue violet (657), white (601), blue grey (678), cold grey (672), dark grey (674), black (610), umber (640), mid brown (644), dark brown (643), Havana brown (645), light brown (641), sienna (642), light ochre (626), yellow ochre (627), olive green (663)." Van Gogh Portrait - Tin Set of 24 "Developed with the Rijksmuseum, the most visited museum in The Netherlands, to pay homage to the Dutch Masters and their taste for high quality materials. Reusable tin cover art features a self-portrait of van Gogh. This 24-piece watercolor pencil set includes: black (410), dark grey (474), mid brown (444), light brown (441), Prussian blue (458), cobalt blue (455), turquoise blue (452), olive green (463), moss green (465), light green (460), yellow green (464), violet (453), blue violet (457), naples yellow red (470), candy pink (471), red (430), vermilion (431), orange (423), light orange (434), yellow ochre (427), yellow (420), lemon yellow (425), light lemon yellow (421), white (401)." See More -
Derwent Watercolor Pencil Individual No. 72 - Chinese WhiteSave Up to40%Off list
Starting At: 1.61
White The beauty of watercolour, the precision of pencil Derwent Watercolour Pencils can be used to create beautiful artwork with the subtlety of watercolor with the precision of a pencil. These pencils are easy to blend and layer and can be used wet or dry. They sharpen to a point for more detailed work, allowing for more precise control. Derwent Watercolour Pencils allow you to switch from drawing to painting instantly without changing tools. You can use them to shade on dry paper and quickly wash over those areas with a wet brush to create a blending effect. Key Features: * Water-soluble * Hexagonal 6.9 mm barrel * 3.4 mm core Perfect For: * Professional artists and students * Detailed illustration * Bold watercolour pencil drawings See More -
Derwent Inktense Pencil - Antique WhiteSave Up to16%Off list
Starting At: 3.03
White Water-Soluble Colored Pencil to ink in just one wash! Inktense Pencils are Derwents best watercolor pencils ever! You can use Inktense Pencils dry but mix them with water, and WOW! The color turns into vibrant ink. Once it's dry, the color is fixed, and you can work over the top of it because it is permanent. Derwent Inktense Pencils are great for using on fabric such as silk and cotton! Key Features:* Water-Soluble, Professional Quality Pencils* Colored Pencils are pre-sharpened* Use them dry or mix with water* Color is permanent once dry* Inktense Pencil Sets & Pencils* Sets of: 12, 24, 36, 72* Wood Box Set of 72* Round 8 mm barrel* Wide 4 mm core Perfect For:* Watercolorists* Pen and ink effects* Coloring book enthusiasts* Mixed media visual journals* Drawing on silk, cotton, paper, ceramic, and wood* Creating permanent fabric designs See More -
Albrecht Durer Watercolor Pencils Ivory - No. 103Save Up to41%Off list
Starting At: 2.57
White Watercolor pencils provide artists with great versatility of expression! Imported from Germany! Albrecht Dürer Watercolor Pencils provide artists with great versatility of expression when drawing, shading and painting in watercolors. High-quality materials, combined with over 250 years of experience, have resulted in watercolor pencils that produce unsurpassed watercolor effects and vibrancy. The colored surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colors. Depending on the paper being used, the pigments can be completely dissolved, and will behave in the same way as classic watercolor paints. A soft, extra thick (3.8mm diameter) water-soluble lead makes these pencils capable of even the most delicate of wash techniques. Their unsurpassed lightfast rating guarantees the lasting brilliance of your work. Since these pencils are fully color-compatible with both Polychromos Pencils and Pastels, the possibilities are endless! Albrecht Dürer Watercolor Pencils measure 17.3 cm long × .8 cm diameter. Key Features:* Artist Watercolor Pencils with extra voluminous 3.8mm lead width * High quality pigments of unsurpassed light-fastness and brilliance* Pigments dissolve completely when brushed with water* Very soft, intense, vibrant color laydown* Break-resistant due to special bonding process* Fully water-soluble lead, Smooth color stroke* Perfect For:* Versatility of expression when drawing* Shading and painting in watercolors* Extensive drawing and covering larger areas* Watercolorists* Artists who use the original Albrecht Dürer Watercolor Pencils See More -
Caran D'Ache Museum Aquarelle Pencils Box of 3 - WhiteSave Up to20%Off list
Starting At: 3.84
White 100% water-soluble! A Swiss-made Innovative Approach to Watercolors in Pencil Form! Museum Aquarelle is not only a water soluble pencil, it is watercolor in pencil form Developed in Caran D'Ache's Geneva workshop in close collaboration with master watercolour artists; their extra-fine quality makes them perfect for both watercolour painting and for artistic drawing. Each pencil is made from premium cedar wood for easy and smooth sharpening, and a hexagonal shape to reduce risk of rolling and falling off any tables or surfaces. They have soft, smooth lead centers with a matt finish for a smooth, flowing delivery of color every time it hits the paper and when dissolved in water, the lead becomes pure watercolour paint due to its high pigment concentration and transparency! Watercolor in pencil form! Luxurious Soft Lead, Swiss Made with Highly Concentrated Pigments Key Features:* Watercolors in a pencil form* 3.8 mm diameter* Highly concentrated pigments* Complete solubility* Superb transparency* Optimal lightfastness* Luxurious soft lead * Matt black-varnished livery* Long capsule matching the colour of the lead* Swiss made Perfect For:* Both dry and as watercolours* Works intended for exhibition, collection and museum purposes.* Precision drawing to wet drawing, blending, mixed, gradation or overlaying techniques* Colors that spring to life through contact with water and with textured paper.* Watercolour painting without the paint* Artistic drawing and shading* Fine lines, washes and blending Caran d’Ache offers professional artists the possibility of wielding a pencil with the strength and effects of genuine watercolour. This fantastic medium is perfect for works intended for exhibition, collection and museum purposes. More info on the Museum Aquarelle Line More info on the Museum Aquarelle Line Museum Aquarelle Color Chart See More -
Supracolor II Watercolor Pencils Individual No. 001 - WhiteSave Up to25%Off list
Starting At: 2.56
White Lightfast, Soft, water-soluble lead with exceptional covering power Supracolor II Soft Aquarelle Pencils feature super soft, very strong 3.8mm water-soluble, soft and unbreakable lead with exceptional covering power and excellent light fastness. Lead is encased in color-coded shaft made from California Cedar. Use for shading, cross-hatching, graded applications, watercolor effects, washes and mixed media. For soft yet colourful creativity. Pencils to satisfy both amateur and professional artists, illustrators, graphic designers and teachers thanks to the soft pigment range in both dry and water-soluble pencils. Key Features:* Water-soluble coloured pencils* 3.8mm diameter permanent, creamy lead* Lead encased in color-coded shaft made from California Cedar* Excellent lightfast ratings* Imported from Switzerland* High quality, highly pigment* Excellent lightfastness* High pigment concentration>* Premium FSC™ certified cedar wood* Colour number and name indicated* Perfect For:* Watercolor, wash drawing* Shading, cross-hatching, and graded applications* Shading, unlimited blending* Watercolor washes and mixed media.* Superimposing different colours* Large-scale drawings with large areas of colour* Creative professionals* Effortless application* Excellence for the most demanding artists* Artists of all skill levels Tin Box Sets of 30, 40, 80, and 120 - All sets feature assorted colors and come in hinged lid protective tins. Wood Box Set of 80 - This deluxe expertly finished wood box set is perfect for gift-giving, even for the most discerning artist. Includes 80 Supracolor Soft Aquarelle super-soft watercolor pencils, sure to delight you or your favorite artist for years to come. (Click on item to see contensts) Full Blender Bright - A colorless oil-wax medium for blending, dry mixing, and intensifying colours, this single tool combines the properties of a blender (mixing and unifying) and a burnisher (consolidating and adding a gloss finish). It has a hexagonal shape with a natural finish, making it easy to handle. And since 100% of the material is available, it is economical to use in a wide range of applications. This unique medium is the ideal complement to Caran d'Ache colour pencils, graphites, and wax pastels, which opens up infinite technical possibilities. It is an indispensable tool for professional artists, art students, or anyone who loves drawing and wants to develop their talents by adding a new dimension to their work. Click Here for the Full Blender Bright Effects Sheet > See More -
Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off list
Starting At: 9.60
White PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More -
Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off list
Starting At: 8.47
White Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More -
Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off list
Starting At: 23.56
White High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More -
Daler-Rowney Gesso Primers 32 ozSave Up to34%Off list
Starting At: 21.96
White Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More -
Liquitex Basics Acrylic Gesso, 250 mlSave Up to35%Off list
Starting At: 7.45
White Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More -
Lascaux Primer Liter JarSave Up to38%Off list
Starting At: 60.73
White A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More -
PrIma Economy Acrylic Gesso White 1 gallonSave Up toOff list
Starting At: 49.83
White Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off list
Starting At: 25.81
White Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More -
Gamblin Oil Painting Ground 32oz CanSave Up to40%Off list
Starting At: 15.00
White Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
GOLDEN Absorbent Ground White 8 ozSave Up to30%Off list
Starting At: 14.90
White Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More -
New York Central Acrylic White Gesso, 32oz BottleSave Up to55%Off list
Starting At: 4.59
White Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More -
Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 946 mlSave Up to40%Off list
Starting At: 11.86
White Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More -
GOLDEN Acrylic Sandable Hard Gesso 16 ozSave Up to30%Off list
Starting At: 13.64
White A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More -
Liquitex Acrylic Gesso Surface Prep Clear Gesso 8 ozSave Up to39%Off list
Starting At: 12.25
White Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More -
Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off list
Starting At: 5.99
White Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More -
Art Spectrum Colourfix Pastel Primer Jar 1 LiterSave Up to33%Off list
Starting At: 19.96
White This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More -
Yasutomo Washi 6ML Kozo Paper 18"x30' Roll - WhiteSave Up to25%Off list
Starting At: 11.28
White Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More -
Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off list
Starting At: 21.84
White Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More -
World's Greatest White Acrylic Gesso Primer - 1 Gallon PailSave Up to56%Off list
Starting At: 6.49
White Ultra-smooth, concentrated, ultra-white gesso for fine art in acrylics and oils! To produce a true masterpiece, begin at the base — with Jerry's World's Greatest Gesso! Our highly pigmented, bright white acrylic gesso has a thick, creamy consistency and smooth, even tooth, ideal for surface preparation. How to use: Add water until the concentrated gesso reaches your preferred consistency. Coat your canvas, panel, or board with steady, even strokes, and allow it to dry. Make sure to sand to the desired finish in between coats. For the best coverage, apply multiple thin, even coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect gessoed surface! Jerry's World's Greatest Gesso is the ideal choice for any artist, from student to professional. Our new 200ml Try Me Tube is perfect for anyone who wants to try out the gesso before buying it in a larger size. Key Features: * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Available in 3 convenient sizes * Non-yellowing Perfect For: * A uniform painting surface * Artwork in acrylics, oils & alkyds * Beginner & professional artists * The basis of a masterpiece! Safety Tip: Always wear a mask when sanding gesso. See More -
Derwent Inktense Water-Soluble Block Antique WhiteSave Up to40%Off list
Starting At: 2.34
White Inktense blocks deliver vibrant and versatile color! Experience the brilliance and versatility of Derwent Inktense Blocks perfect for a variety of projects. Inktense blocks are water soluble sticks that produce vibrant strokes and washes, and dry to a permanent finish. Use Inktense Blocks either wet or dry; sketch with the stick and wash over with water; dip in water and draw directly; shave the block to powder and mix with water to make paint the possibilities are endless! Pick up a set today, and add a new dimension to all your water media art! The watersoluble Inktense blocks can be used on their edge or side for different techniques and are ideal for use on a variety of surfaces including ceramic, wood and fabric as well as paper Key Features:* Sketching blocks can be used wet or dry* Richly pigmented, brilliant colors* Layer up intense vibrant colors* Water soluble color dries to a permanent finish that can be worked over* Permanent when dry Perfect For:* Professional artists and students* Use dry or with water* Bold, expressive art on paper, card, and fabric* Mixed media applications!   Tin Sets of 12, 24, 36 or 72 These handy, well-balanced sets of either 12 or the full range of 24 colors are a great introduction to this fascinating medium, and are also perfect for travel! See More -
Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off list
Starting At: 15.19
White Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field