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Da Vinci Casaneo Series 5597 New Wave Synthetic sz. 10 Slant/AngleSave Up to30%Off listThe Ultimate Synthetic Watermedia Brush! The number one choice for the Urban Sketching movement, watercolors, gouache, and acrylics, the da Vinci Casaneo brushes feature da Vinci's innovative synthetic "wavy fiber" that has an incredible water-holding capacity yet returns to its original shape… The Ultimate Synthetic Watermedia Brush! The number one choice for the Urban Sketching movement, watercolors, gouache, and acrylics, the da Vinci Casaneo brushes feature da Vinci's innovative synthetic "wavy fiber" that has an incredible water-holding capacity yet returns to its original shape better than any natural squirrel brush. Excellent for watercolors, gouache, acrylics, inks, silk painting, and calligraphy, these watercolor brushes are perfect for travel and painting en plein air. Each brush has a nickel-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. da Vinci Casaneo Synthetic Brushes are available in popular shapes and sizes including Round, Oval, Flat, Wash, Quill, Liner, and Mottler! Plus Many Convenient sets! Key Features: * Many Shapes, Sizes and Sets * Popular shapes & sizes: Round, Oval, Flat, Wash, Quill, Liner, and Mottler * Synthetic squirrel hair * Mimic the behavior of natural hair * Rust-resistant seamless ferrule * Unsurpassed water-holding capacity * Made in Germany Perfect For: * Watercolors, gouache, and acrylics * Area work and washes * Travel and en-plein air painting * Superb brush response & control * Portraits and silk painting * Linework and design * Artist's seeking synthetic brushes * Students, teachers, professionals * Animal-friendly artists See More
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Da Vinci Kolinsky Red Sable Series 1203 sz. 10 Long Round ScriptSave Up to30%Off listPure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and… Pure Kolinsky Grade Red Sable Brushes! Crafted from Kolinsky-grade pure Red Sable hair, these brushes hold a generous amount of color and impart a soft feel with a natural springiness. da Vinci Kolinsky Red Sable Oil Brushes lay down even precise strokes. The rounds come to an excellent point, and the brights have a flawless chisel edge that resists splitting. Fat Filberts offer triple the thickness of other Sable brushes with a shorter hair length compared to standard filberts. Chock-full of hair, the extra full-body makes maneuvering thick-bodied paint a breeze and handles delicate glazes with precision. Handmade da Vinci Kolinsky Red Sable Oil Brushes are excellent for both water-soluble and traditional oils. Each brush is hand-cupped and tied before the bundle is glued and crimped into a nickel-plated, seamless ferrule. Before leaving the brush workshop, each handmade brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features: * Pure Kolinsky Red Sable hair * Long lacquered handle * Sustainable European wood * Nickel-plated seamless ferrule * Extra full-bodied brushes * Unsurpassed color-holding capacity * Made in Germany Perfect For: * Traditional or water-soluble oil * Linework and design * Artist's seeking kolinsky red sable * Students, teachers, professionals * Creating precise linear strokes * Maneuvering heavy paint with skill * Painting delicate glazes with ease See More
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Gallery Pro Medium Duty Stretcher Bar-10" (Box of 20)Save Up to51%Off list…The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More
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Gamblin Galkyd Painting Medium 32 oz BottleSave Up to25%Off listTrue to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive… True to historic working properties. Safer. More Permanent Gamblin Galkyd Mediums are Contemporary Painting Mediums!. Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube - from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors - from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. When a painting is completed, all of the thought, effort and emotion that went into it are reflected in the artist’s marks. Choosing the appropriate painting medium can be an essential part of making oil painting your own. With a painting medium that fits your needs, you can get into the flow of painting faster and stay there longer. Gamblin Galkyd Gel - "G-Gel" Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colors and creates impasto. Gamblin Galkyd Painitng Medium - Galkyd thins oil colors and increases transparency and gloss. When used in greater proportions with oil color, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours. Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Painting Medium Lite No.2 - Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Gamblin Galkyd Slow Drying Medium - Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day.. Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. What is Gamblin Galkyd? Gamblin Galkyd thins oil colors and increases transparency and gloss. Galkyd Medium - An alkyd resin painting medium that increases the fluidity of oil colors and speeds their drying time See More
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to25%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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StudioSolv™ Artist Oil Thinning Medium (1L) 2-Pack with 120 Count Soho Wipes SetSave Up to69%Off list…is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Lascaux UV Protectant Spray Varnish, Semi-Matte 400ml CanSave Up to41%Off listWorld’s finest UV Protectant Spray Varnishes Protect your artwork from UV rays, dust, and other pollutants over time with these UV Protect Sprays available in Gloss, Semi-Matte, and Matte. UV Protect is a varnish composed of acrylic polymer, solvent, and a highly effective UV absorber that… World’s finest UV Protectant Spray Varnishes Protect your artwork from UV rays, dust, and other pollutants over time with these UV Protect Sprays available in Gloss, Semi-Matte, and Matte. UV Protect is a varnish composed of acrylic polymer, solvent, and a highly effective UV absorber that makes the spray lightfast, age-resistant, and non-yellowing. The ultraviolet protection enhances the lightfastness of the underlying layers, and this protection increases with each additional layer of varnish that is applied. UV Protect is fast drying, easy to work with, colorless, and dries perfectly clear. Works treated with UV Protect can be over-painted after drying. Apply as many fine layers as required to achieve the desired surface. UV Protect exudes substantially less noxious fumes when wet as compared to many similar products. The solvent odor dissipates quickly and no smell can be detected after the product dries. Key Features: * Gloss, Matte & Semi-Matte Varnish * 13.5 oz (400ml) Aerosol can * Easy to apply, Archival varnish with UV protection * Ultraviolet protection enhances the lightfastness * Varnish: acrylic polymer & solvent base * Light-fast, age-resistant, and re-soluble * Non-yellowing * Short drying times * Easy to work with * Contains no chlorofluorocarbons (CFCs). * Substantially less noxious fumes when wet * No accumulation of droplets * Good adhesion, abrasion resistance, and hardness * Dissipates quickly, no smell can be detected after the product dries Perfect For: * Varnishing oil, tempera, watercolor, and pastel paintings * Protect inkjet prints and photos with UV Protect * Light-fast, age-resistant, and re-soluble * Fixes or seals * Excellent initial sizing on wood panels * Contains no fluorocarbons * Good adhesive properties * Varnish layer can also be removed or cleaned using solvents * Highly effective UV absorber Gloss Varnish — Yields a lustrous protective film. It is especially well suited for use with Lascaux acrylic paints, other brands of acrylic paints, oil paints, as well as oil pastels. Use also on inkjet prints and photos on all supports. When using on water-soluble paints or on paintings with thin paint layers, it is recommended that a suitability test be carried out before widespread use. Matte Varnish — Yields a matte protective film. It is well suited for all Lascaux color ranges and for gouache, drawings, oil, tempera, watercolor, acrylic, and oil pastel paintings. A pretest is recommended before using this product on inkjets, as it has limited suitability for such prints. Semi-Matte Varnish — Use this product to achieve a semi-matte protective film. It is well suited for all Lascaux color ranges. Use it to protect acrylic, oil, tempera, and pastel paintings, drawings, watercolors, and inkjet prints on virtually all papers and other supports. See More
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Montana Effect Spray - Marble Silver, 400mlSave Up to21%Off listMetallic Add amazing dimension and texture to your work with these innovative effect spray paints! 400ML Cans Montana Cans EFFECT Sprays allow artists to add interesting visual and textural elements to their work. UV-EFFECT sprays illuminate art pieces with a blue-purple hue when exposed to UV light; achieve a realistic marble pattern with MARBLE sprays; CRACKLE sprays lends objects a vintage look, while realistic granite textures result when using GRANIT sprays; the GLITTER spray gives items a glittery metallic effect, and the luminescent properties of NIGHTGLOW spray helps create an unforgettable glowing effect. All of these state-of-the art spray paints come in 400 ml aerosol cans with standard Montana caps, and a multitude of colors to elevate the visual landscape of your indoor and outdoor creative work! Key Features: * State-of-the-art acrylic and varnish sprays * MARBLE, CRACKLE, GRANIT, GLITTER & NIGHTGLOW sprays add interesting texture and effects * Play with UV light and luminescence with UV EFFECT & NIGHTGLOW sprays * Each spray comes in 400 ml aerosol cans with standard Montana caps * Use on canvas, panels, boards and other surfaces * See Video and Images for More Details Perfect For: * Graffiti art pieces * A variety of surfaces, from furniture to primed canvas * Mixed media artists * Home decor projects Montana NIGHTGLOW High-grade acrylic paint which contains luminescence-pigments, that store light (absorbed energy) and emit the light in darkness. For best glow effects use Montana NIGHTGLOW in a completely dark environment without any light sources. Use a strong source of light to load the effect paint temporarily. The effect spray is suitable for all smooth, rough or light responding primed surfaces. e. g. metal, wood, hard plastics, primed carton, walls etc. Avavilable color: luminescent-green See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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