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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Fredrix Roll Canvas 520 Red Lion Polyflax® 55" x 6 YardsSave Up to28%Off listWhite 500 Washington Square - An economical lightweight blend between Polyflax® and Cotton with an even, smooth texture. 520 Red Lion Polyflax® - A synthetic fabric developed specifically as an artist canvas. Substantially greater strength in comparison to natural fibers. Even texture with perfect uniformity. Acrylic primed. 575 Scholastic - An acid free, light weight canvas, made with a blend of Polyflax® and cotton for an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 901 Portrait Cotton - A medium weight blended Polyflax®/cotton duck with medium texture. Substantially stronger than 100% cotton of the same weight. Ultrasmooth - Superior pure cotton and Polyflax® blend portrait canvas of fine texture buffed to a very smooth finish. Acrylic primed. Mural Portrait - Medium weight Polyflax®/Cotton with an even texture. Ideal for portrait and digital mural reproductions. See More
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Strathmore Hardbound Art Journal 400 Series Recycled Watercolor Paper (140 lb.) 8.5x5.5" - 48 PagesSave Up to33%Off list…matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! Luxury hardbound art books with professional papers for any artist! For over 100 years, the name Strathmore has been synonymous with some of the finest art papers in the world. Strathmore 400 Series & 500 Series Hardbound Art Journals in Toned Tan, Toned Gray and Mixed Media, created their highest quality and most unique papers to offer them in deluxe hardbound books perfect for any artist in virtually any media. These luxury hardbound art journals feature hard covers with a lightly textured, matte surface in a dark chocolate brown for an elegant and sophisticated look. The acid-free pages are bound using a Smyth-sewn binding that lays open flatter than most other bound books, and ensures durability. Available in 80 lb. Recycled Drawing paper, 80 lb. Toned Sketch paper in Gray or Tan, 90 lb. Mixed Media paper, or 140 lb. Watercolor Paper, Strathmore Hardbound Art Journals offer the ideal surface for any multitude of artistic techniques! Key Features:* Luxurious, acid free hardbound art books* Smyth-sewn binding lays flat* Textured matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! See More
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SoHo Urban Artist Linen #133 Unprimed Roll 15.17 oz, 82.67" x 30 ydSave Up to55%Off listNatural Quality canvas worthy of your finest masterpiece! Are you tired of painting on standard cotton duck canvas but find better fabrics too expensive? SoHo Urban Artist has the answer with their new line of professional quality, unprimed artists' canvas in a wide range of fibers and textures — all at an affordable price! Only the highest quality natural fibers are used to weave the canvas. Because the canvas is raw, you have the opportunity to select the special gesso or primer that you want to use as your base. If you want the canvas to be ultra-smooth, you can sand the gesso in between coats or apply more texture if that is the effect you want. Linen, jute, and hemp are superior fibers that, when properly cared for, will survive for centuries — and so will your art! These premium raw unprimed canvases are available in generous 30-yard rolls, 6-yard folded blankets, and convenient 1-yard samples to make it easy to find your favorite. Find the perfect painting surface with SoHo Urban Artist Professional Unprimed Canvas! Key Features: * Professional quality linen, jute, and hemp * Multiple surface textures offered * Raw canvas ready to prime * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Creating a textured or smooth canvas * Portrait artists and detail painters * Archival art that will last! #42 Linen – 66.9" wide; 12.7 oz. - Slightly heavier than 12 oz cotton but not as bulky. It has a beautiful, tight weave that is perfect for detailed realistic techniques and more abstract applications. For portrait artists, three coats of priming sanded between layers would yield a very pleasing surface. #38 Linen – 66.9" wide; 14.1 oz. - This linen is about 10% heavier than the #42. It has a medium weave and texture and falls into our all-purpose range. You can use this linen for portraiture, but we generally do not recommend it for this purpose. This linen is ideal for all other realistic, representative, and modern expressions. #133 Linen – 82.67" wide; 15.17 oz. - This hearty linen has a robust weave and uniform surface. Perfect for expressive works and abstract pieces. #31 Linen – 90.55" wide; 17.99 oz. - The heaviest linen with a medium texture and weave. It is intended for large-sized works, but you can use it for any size piece. It weighs in at 17.99 oz. or 510 gms, which is heavier than any commercially produced pre-stretched linen canvas product on the market. #24 Jute – 74.8" wide; 24.51 oz. - Jute is a delightful departure from the smoothness associated with hemp and linens as it is delectably coarse, soft, and shiny with a beautiful golden color. The fiber lengths are incredibly long, so the strength of the jute is unrivaled. It has a large, coarse weave and is wonderful for glue-sizing, leaving the natural color of the canvas, or for traditional priming with oil or acrylic-based primers. #25 Hemp – 86.6" wide; 25.4 oz. - Hemp is for any artist looking for a heavyweight, durable fabric that is strong and soft. A robust, tight weave characterizes this fabric. The archival nature of hemp rivals that of the finest linen, but it is economical enough to use on the largest of paintings. See More
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