Your Cart
SLI Search Template
Related Categories: Acrylic Markers | Molotow Markers | Refillable Markers | Acrylic Pens | Calligraphy Markers | Krink | Tombow Pens | Drawing Pen Nibs
There were no results that contained all of the words in your query. These results contain some of the words.
-
Winsor & Newton Artists Acrylic Gesso Primers White Gesso 450 mlSave Up to40%Off listWhite Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
-
Winsor & Newton Artists Acrylic Varnishes Satin UV Varnish 474mlSave Up to40%Off list…serves to protect paintings from damage inflicted by dirt, grease, and airborne pollutants, and the UV protective agents in Artists' Acrylic Varnish also safeguard against color fading and improve lightfastness. In addition to being an excellent varnish for acrylic paintings, this UV protection… Protect your finished paintings from damage by dirt, grease and airborne pollutants! After all your hard work in creating your Artists' Acrylic paintings, you want them to last for generations! Professional artists know that varnishing your finished artwork is an indispensible final step in the creation process. Varnish serves to protect paintings from damage inflicted by dirt, grease, and airborne pollutants, and the UV protective agents in Artists' Acrylic Varnish also safeguard against color fading and improve lightfastness. In addition to being an excellent varnish for acrylic paintings, this UV protection means it is also a beneficial final varnish for non-lightfast works such as digital or giclĆ©e prints.Ā Varnish is available in Gloss, Satin and Matt finishes, all of which can be intermixed for limitless customized variations on final sheen. A Varnish Remover is also available, to safely remove Artists' Acrylic varnish without damaging your painting, allowing you to clean any trapped pollutants before re-varnishing your work for maximum protection. Don't let time ravage the brilliance of your art: protect your paintings with Artists' Acrylic UV Varnishes!* Guards against dirt, oil and airborne pollutants * UV protection improves lightfastness and hinders color fading * Excellent for acrylic paintings and even digital or giclĆ©e prints! * Available in Gloss, Satin and Matt; which can be mixed for customized finishes * Varnish Remover is easy to use for conservation purposes * Preserve your paintings for generations! You might also be interested in:* Winsor & Newton Artists' Acrylic Gessos * Winsor & Newton Artists' Acrylic Mediums and Additives See More
-
RaphaĆ«l Kevrin Synthetic Blend Series 3675 Fan Brush #12/12Save Up to53%Off list…and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts Stiffness Watercolors Acrylics Oils Exceptional Performance Without Endangered Mongoose Hair! Established in 1793, RaphaĆ«l has been renowned for the impeccable quality of their artistās brushes as well as their more recent innovations. With the banning of Mongoose harvesting due to their endangered status, brush makers all over the globe have been scrambling to find an alternative to the beloved brush hair. It took years of research for RaphaĆ«l to create a brush that would replicate all the characteristics of their famed KEVRIN without using its original Mongoose composition. A blend of several natural hairs and a proprietary groundbreaking synthetic fiber enabled the creation of the perfect Mongoose substitute, called KEVRIN+. RaphaĆ«l was so satisfied it believes it to in fact be a better brush than its predecessor, while offering all the features a quality oil and acrylic brush requires. KEVRIN+ offers the same exceptional durability, precision, and elasticity of their original Mongoose brushes, with the same ideal consistency, spring, and bristle shape memory. Like the old Mongoose brushes, the new hair blend has the suppleness of a red sable with the strength of hog bristle, but with a texture and firmness somewhere in between. Brushes are easy to clean and offer excellent paint retention. KEVRIN+ still bears the elegant, long, double-dipped black lacquered handles and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts See More
-
Claessens Linen #026 Unprimed Rough Texture Roll, 161.4" x 10.9 ydSave Up to68%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
-
Pastelmat Sheet - Anthracite, 24 x 32 cm (Pack of 5)Save Up to20%Off listBlack A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field