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Pebeo Studio Green Transparent Fluid Medium (475ml)Save Up to25%Off list…and stable acrylic medium * Use to extend acrylics * Generates less CO2 than traditional mediums * Jars made from recycled materials * Sand for a smooth surface Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green eco-friendly acrylic mediums work like traditional mediums but contain recycled resins that generate 6 to 7 times less C02 than petrochemical resins. Bindex 3-in-1 Acrylic Binder allows you to thin and extend acrylics without compromising paint stability. Bindex can also be used to create collages or image transfers. Pebeo Studio Green Transparent Fluid Acrylic Medium increases the transparency and flow of acrylic colors. Use it as a pouring assistant or as a topcoat. Bindex 3-in-1 Acrylic Binder and Transparent Fluid Acrylic Medium are non-yellowing and dry to a satin finish. Key Features: * Dries quickly to a satin finish * Eco-friendly recycled resin formula * Flexible and stable acrylic medium * Use to extend acrylics * Generates less CO2 than traditional mediums * Jars made from recycled materials * Sand for a smooth surface Perfect For: * Extending and thinning acrylic paint * Creating a collage or inlay * Acrylic image transfers * Different acrylic techniques * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives See More
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Pebeo Studio Green Modeling Paste (475ml)Save Up to25%Off list…Generates 6 to 7 Times Less C02 Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Modeling Paste is an eco-friendly painting alternative with excellent adhesion and flexibility. You can use the modeling paste as a ground or mix it with acrylic paint to create more volume. Apply globs of the paste with a palette knife or brush to build layers of texture. As the modeling paste dries, it keeps its volume, remains opaque, and does not crack. Pebeo makes the paste from recycled resins that emit 6 to 7 times less C02 than the petrochemical resins in traditional modeling paste. Key Features: * Flexible modeling paste * Does not crack when drying * Eco-friendly recycled resin formula * Generates less CO2 than traditional paste * Use alone or mix with acrylic color * Can be sanded and sculpted once dry * Jars made from recycled materials Perfect For: * Building a textured ground * Adding volume to acrylic paint * Canvas and wood panels * Thick impasto application * Use with a palette knife or brush * Artists seeking sustainable alternatives See More
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Old Holland Oil Color - Yellow Ochre Light, 475ml CanSave Up to44%Off listYellow Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Pebeo Studio Green White Gesso (475ml)Save Up to25%Off listWhite Eco-Friendly Formula Generates 6 to 7 Times Less CO2 Pebeo makes its Studio Green Gessoes with an eco-friendly formula of recycled resins. As a result, they generate 6 to 7 times less CO2 than gesso made of petrochemical resins. The gessos are as strong, flexible, and durable as traditional acrylic grounds. You can use the Studio Green Gessoes on various surfaces, including canvas, wood, or paper. Key Features: * Quick-drying opaque gessos * Eco-friendly recycled resin formula * Provides a flexible, stable, matt surface * Generates 6 to 7 times less CO2 than traditional gesso * Jars made from recycled materials * Improves adhesion of acrylic and oil paints * Sand for a smooth surface Perfect For: * Acrylic and oil painters * Canvas, wood, or paper * Application on clean, non-greasy surfaces * Use with a brush, knife, or paint roller * Artists seeking sustainable alternatives Studio Green White Gesso is an opaque gesso with good covering power. Studio Green White Gesso One Coat is formulated with a high concentration of Titanium White pigment to be very opaque. Only one coat of the ground is needed because it has superior covering power. Studio Green Black Gesso is an opaque gesso with good covering power. See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Crescent Canvas Art Board Single Thick White 15"x20" (Box of 15)Save Up to37%Off list…in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom… Canvas-textured boards ideal for painting! Canvas-textured boards from Crescent feature all the durable, archival qualities that artists love in other Crescent boards, combined with a unique, canvas-textured paper surface that mimics the look of real fabric! Sturdy and durable, Crescent Canvas Art Boards are ideal for works in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom studies, compositional planning, and finished pieces. The toothy, canvas-like surface grips paint well, and the solid cream core provides a consistent surface. Paint quickly and confidently on Crescent Canvas Art Boards! Key Features: * Sturdy paper boards with a canvas-like textured surface * Durable and long-lasting * Medium weight: Single-thick * Heavy weight: Triple-thick * Solid cream core for a consistent substrate * Sold in packs of 3, 5, and 15 Perfect For: * Practice pieces and finished works in virtually any medium! * Watercolors and acrylics to tempera * Gouache, casein, and even oils if primed first * Working at an easel without a backing board * Fast set-up of painting sessions * Quick gestural paintings and classroom studies * Compositional planning and finished pieces Medium weight, Single-thick - The medium weight boards provide a sturdy, durable substrate Heavy weight, Triple-thick - The heavyweight boards are triple-thick to provide extra strength for rigorous painting techniques. See More
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New York Central Unprimed Linen, Y , 120" x 5yd Canvas BlanketSave Up to64%Off listBrown Museum Quality Unprimed Belgian Linen Canvas Blankets The excellent soil quality and moderate climate of the Belgian region is ideal for growing the linen flax plant. Local expertise, combined with centuries of flax spinning and weaving knowledge, guarantee the craftsmanship of New York Central® Unprimed Belgian Linen Blankets. Far more desirable than cotton, linen retains its natural oils, which preserves the material's inherent flexibility and strength. Additionally, this retention of natural oils gives linen the unique ability to resist mold and mildew, unlike cotton. Linen can be thinner and lighter than cotton while maintaining a higher weight load, increasing its durability under heavy-handed painters. Linen will not become slack over time, as cotton is prone to do. Our New York Central® Unprimed Belgian Linen is made from the absolute highest quality flax fibers and is a beautiful, pure product that maintains a natural weave. The perfect surface can be found for any painting with these unprimed blankets, with multiple textures from extra-fine to medium rough. New York Central® Unprimed Belgian Linen gives you the freedom to customize a custom canvas to your priming specifications, making it perfect for every type of painting genre and technique. Shipping Notice: These fine quality linens may take a bit longer to ship, they are custom cut for each order. The canvas is carefully and professionally handled by our in house specialists ensuring you get the best service and quality. Key Features: * Woven in Belgium * 100% linen flax * Available as folded blankets in 2.5 yards, 5 yards, and 10 yards * Made in a carbon-neutral facility * Flax is a highly sustainable, no-waste plant * Grown in the Belgium region between Caen and Amsterdam * Durable natural weave * Lint-free and non-allergenic * Resistant to mold and mildew, unlike cotton * Will not become slack over time * Unprimed, no sizings, glues, or primers * Each blanket has a natural flax color Perfect For: * Professional Painters of all types * Custom canvas stretching * Priming to suit your painting needs! * Oil, alkyd, or acrylic paint * Rich color absorption * Conservation Specialists * Portraits, landscapes, and more * Teachers and students * Aspiring students and amateurs * Hollow flax fiber absorbs paint very well * Provides a beautiful depth of color L Linen – 5.9 oz (200 gsm): Featuring an extra-fine, tightly woven texture with a smooth surface. Ideal for painting genres like portraits and Trompe-l' Å“il that require the smoothest surface for detailed works. Available in 85" width. M Linen – 6.49 oz (220 gsm): Features a fine, tightly woven texture ideal for most painting genres and general painting techniques. Available in 88" width. J Linen – 9.53 oz (323 gsm): Tightly woven featuring a medium-fine texture with a medium weight. Perfect for most painting genres and general painting techniques, with a good weight for larger-scale works. Available in 85" width Y Linen – 9 oz (305 gsm): Very tight weave with a medium texture and medium weight. Ideal for most painting techniques and perfect for large-scale and mural paintings. Available in 120" width. See More
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Crescent #99 Illustration Board Cold Pressed 15"x20" (Box of 15)Save Up to33%Off list…Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white… High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More
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