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Old Holland Classic Pigment Schev. Yellow Medium 30gSave Up to25%Off listYellow Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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Strathmore Hardbound Art Journal 400 Series Recycled Watercolor Paper (140 lb.) 8.5x5.5" - 48 PagesSave Up to33%Off list…matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! Luxury hardbound art books with professional papers for any artist! For over 100 years, the name Strathmore has been synonymous with some of the finest art papers in the world. Strathmore 400 Series & 500 Series Hardbound Art Journals in Toned Tan, Toned Gray and Mixed Media, created their highest quality and most unique papers to offer them in deluxe hardbound books perfect for any artist in virtually any media. These luxury hardbound art journals feature hard covers with a lightly textured, matte surface in a dark chocolate brown for an elegant and sophisticated look. The acid-free pages are bound using a Smyth-sewn binding that lays open flatter than most other bound books, and ensures durability. Available in 80 lb. Recycled Drawing paper, 80 lb. Toned Sketch paper in Gray or Tan, 90 lb. Mixed Media paper, or 140 lb. Watercolor Paper, Strathmore Hardbound Art Journals offer the ideal surface for any multitude of artistic techniques! Key Features:* Luxurious, acid free hardbound art books* Smyth-sewn binding lays flat* Textured matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! See More
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Acurit Small LED Light Tablet, Drawing TracingSave Up to59%Off listProfessional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a… Professional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a single detail with the vivid, LED illumination that is offered by these light tablets. Their color temperature ranges from 6,000 to 6,400K and they feature an adjustable dimmer, for varied lighting environments. Acurit light tablets are available in 3 highly portable sizes and only require a power outlet to work – no batteries needed! Their durable and scratch-resistant, 3mm thick, tempered glass surface makes them the ideal light tablet for artists on the go, students and artists of all ages! Please note that this this is not a tablet computer. It is a light tablet for tracing. Use these light tablets for hours, as they never get hot to the touch and their LED lighting system guarantees over 30,000 hours of brilliant lighting, across the entire surface area. Acurit light tablets also include a 1” scale border, for easy measuring. For a more comfortable working angle, the Small and Medium light tablets feature legs, which can be easily flipped open, while the Large model features soft anti-slip bottom pads. Each Acurit light tablet comes complete with a UL approved AC power adapter. Please Note: Due to voltage issues, we do not ship this product outside the United States and Canada. Features a tempered glass top for cutting stencils. Excellent with any Creative Mark canvas pad or Fabriano 140 lb. paper - It's that good! Available in 3 portable sizes • Small tablet lighted area: 8-5/8" x 11-7/8"; Overall size 11-5/8" x 15" (Formerly named A4) • Medium tablet lighted area: 11-13/16" x 15-1/2"; Overall size 15" x 18-3/4" (Formerly named A3) • Large tablet lighted area: 12-5/8" x 20-1/2"; Overall size 15-3/4" x 23-5/8" (Formerly named A2) Key Features:* Over 30,000 hours of brilliant, crisp, LED illumination!* Durable, scratch-resistant, 3mm thick, tempered glass top* English rules not metric* Temperature is color corrected* Never gets hot to the touch* 6,000-6,400K color temperature* Fully adjustable light intensity with dial from dim to super bright* Available in 3 portable sizes* Includes a UL approved AC power adapter – no batteries needed!* Features fold-away, incline legs* Even works with Creative Mark canvas pads, Fabriano 140 lb. papers and Pastel Premier papers Perfect For:* Artists of all ages and skill levels!* Tracing and transferring artwork or photographs* Cutting into stencils on the scratch-resistant glass top* Using anywhere a power outlet is available* Adjustable lighting brilliance to match varied lighting environments* Artists on the go!* Students, classrooms and studios* Continued use for hours - never get hot to the touch* Scaling drawings* Using at an adjusted drawing angle* 87664 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.5A / Output 12V 1000mA ) 87665 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.4A / Output 12V 1.0A ) 87666 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.7A / Output 12V 1.5A ) See More
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