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Sennelier Artist Dry Pigments Pyrrole Orange 25 gramsSave Up to37%Off listOrange An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 946 mlSave Up to40%Off listWhite Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
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Staedtler FIMO® Soft Polymer Clay - Basic Colors, Set of 12Save Up to10%Off listAssorted Colors Oven-bake clay stays workable right up until you bake it! FIMO® Soft Clay is easier to use than ever before, making it perfect for children, crafters, and artists of all skill levels. So whether the project is a playful fish kitchen magnet or an intricately designed necklace and matching earrings, FIMO® Soft Clay is ideal. Although softer than FIMO® Classic objects made with FIMO® Soft Clay is very durable and strong after baking. You can bake your finished pieces in any home oven or toaster oven for 30 minutes at 265℉ (130℃). After they are thoroughly cooled, objects are ready to paint, varnish, or wear. Key Features: * Oven-bake clay stays workable until you bake it * Soft and smooth clay * No special equipment needed * Can be mixed with FIMO Effect and Professional clays * Bake in any oven at 265℉ for 30 minutes * Solid baked pieces can be carved and are break-resistant Perfect For: * Making your own professional-level crafts * Artists of all skill levels * Making jewelry or beads * Mixed media applications * Sculpture * Character modeling See More
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Gamblin Palette Knife - "The Robert Red"Save Up to25%Off listRed Use the Right Tool for the Job Gamblin Palette Knives are perfect for color mixing, and the blade has the right amount of spring and tension for expressive paint application. Each flexible steel blade has a non-reflective matte finish, so you can mix colors outside or by a sunny window without the light blinding you. The ergonomic handle is made of FSC-Certified wood and shaped to fit comfortably in your hand. Each knife is named after the Portland streets and neighborhoods where Gamblin has been based since its founding in 1980. Key Features: * One-piece, non-reflective blade * Available in 6 different shapes * Each handle is hand-dipped in paint * FSC-Certified wood handles * Made in the USA Perfect For: * Painting with oils and acrylics * Mixing colors on your palette * Laying down the crispest lines and cutting edges * Building or scraping away color See More
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Sticky Wicket Triangular Disappearing Glue Stick 25G - PurpleSave Up to70%Off list…dry clear. Sticky Wicket Tack Putty is a unique, reusable, dry adhesive, which performs perfectly on non-porous surfaces, such as glass, metal, painted surfaces and plastic. It is non-toxic and easy to remove! No matter the pickle you're in, Sticky Wicket glues are sure to take on any adhesive job… Indeed, these Sticky Wicket glues are right splendid! At the Sticky Wicket glue factory, they don't dabble in bits 'n bobs, no! They are hard at work daily, churning out the most superb glue, in as many different facets as they can ponder up. Currently, Sticky Wicket has an impressive collection of adhesives available; including a glue stick, glue pen, craft glue, tack putty, and washable glue. Sticky Wicket's glue sticks feature purple disappearing glue, and are available in a round applicator and a triangular applicator-- for all over coverage! Purple disappearing glue is non-toxic, dries strong, dries clear and is safe to use on photos! Another glue product is the ever nifty 2-Way Glue Pen. Extremely portable and easy to hold, the 2-Way Glue Stick is perfect for a strong, clear and precise adhesive coverage. The Sticky Wicket Craft Glue boasts a no-run formula, for vertical or up-side down projects, and it dries with the strongest bond of all! The Washable White Glue is not your average school-grade glue. Not only will it bond any porous material, but also semi-porous materials! Use the Washable White Glue on paper, cloth and even wood! It is non-toxic and will dry clear. Sticky Wicket Tack Putty is a unique, reusable, dry adhesive, which performs perfectly on non-porous surfaces, such as glass, metal, painted surfaces and plastic. It is non-toxic and easy to remove! No matter the pickle you're in, Sticky Wicket glues are sure to take on any adhesive job you may have, and get it sorted! Key Features: * Strong adhesive glues * Available as a glue stick, glue pen, craft glue, tack putty, and washable glue * Non-toxic * Easy to use Perfect For: * Use at home, office, schools or art studios * Crafts, mixed-media, school projects and much more! * Quick and easy clean up! See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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