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Liquitex Acrylic Mediums Liquithick Gel 4.65ozSave Up to40%Off list…can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More
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Liquitex Heavy Body Acrylic - Bright Aqua Green, 4.65oz TubeSave Up to74%Off listGreen "My choice for over 50 years" - Cisle Studio (Belfast, Maine) Heavy Body Artist Color, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Liquitex Heavy Body Artist Colors are made with high pigment loads, which produce rich, brilliant, permanent color. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. Please note: packaging style may vary. Key Features: * Range of 105 professional colors * Flexible when dry * Smooth, thick, buttery consistency * Outstanding clarity and brilliance of color * 7 NEW Cadmium-Free Colors * * Liquitex Heavy Body Acrylic Paint Color Chart Perfect For: * Artists of every skill level * Small and large works of art * Plein Air * Artwork requiring a wide range of colors * 7 NEW Cadmium Free Colors The NEW Cadmium-Free range carries an AP (Approved Product) Seal from the The Art and Creative Materials Institute, Inc. (ACMI). ACMI-certified product seals (AP Approved Product and CL Cautionary Labeling) indicate that these products have been evaluated by a qualified toxicologist and are labelled in accordance with federal and state laws. Cadmium-FREE Colors: The Colart Innovation & Development laboratory applied several tests to demonstrate that the Cadmium-Free range is technically on par with the equivalent cadmium colors, for example: * Lightfastness to assess longevity * Color mass tone for brightness and overall match * Color reduction 10:1 with Titanium White to compare color strength and shade when mixed * Viscosity and rheology for handling properties * Specific gravity to test weight * Opacity check over black and white test card to assess coverage See More
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Isomar Technoart Pen Nib 0.60mmSave Up to88%Off list…note we no longer carry the Set of 8 shown in video #2, "The Basics of Technical Pens with Ira." Set of 4 includes pen sizes 0.2mm, 0.3mm, 0.4mm, and 0.5mm, waterproof black ink, a compass attachment, a jointed pen holder and pen stations Key Features: * Available in a set of 4 * Professional grade… Discover Drawing With A Technical Pen! These technical drawing pens feature stainless steel nibs, which deliver a consistent line every time. You can expect to pay up to $45 for a size 2x0 or 0.3mm pen with ink, but now you can get The Techno Art Technical Pen, a bottle of Rich Black Ink and an Isomars Circle Template for an unexpectedly, great low price! -- less than a third of what you'd expect! Isomars is one of the leading manufacturers of technical drawing and fashion designing instruments. The Isomars Technoart Pen Sets include everything needed to get you started and to keep you going for all of your technical drawing needs! Perfect for professions or projects that require precise line applications. Great for engineers, architects and artists, engineered with precision for optimum performance for design, illustration, and other drafting applications.Please note we no longer carry the Set of 8 shown in video #2, "The Basics of Technical Pens with Ira." Set of 4 includes pen sizes 0.2mm, 0.3mm, 0.4mm, and 0.5mm, waterproof black ink, a compass attachment, a jointed pen holder and pen stations Key Features: * Available in a set of 4 * Professional grade technical drawing pens * Both sets include pens, waterproof black ink, compass attachment, jointed pen holder and pen stations Perfect For: * Artists, architects, engineers and drafters * Precise line application * Professionals and beginners * Design, Illustration, Drafting and Drawing See More
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Box of 12 Sakura Micron Pen (10) 0.60mm BlackSave Up to26%Off listBlack An archival expression that will last a lifetime! Permanent Archival Pigma Ink Sakura Pigma Micron pens have set the standard for technical pens for over 25 years. Available in a wide array of sizes, styles, and colors, Pigma Micron technical pens are perfect for comics and manga artwork, illustration, graphic arts, journaling, scrapbooking, drawing, record keeping, and more! The pigmented, archival, non-toxic ink is water-resistant; you can even paint over it without losing the detail of your line on delicate papers. Pigma ink is obtained from a single pigment to ensure color uniformity and is resistant to sunlight and UV light damage. Pigma pens are sure to delight you with their versatility and durability: archival ink for all your artistic expression! Key Features: * Non-toxic * Permanent Archival Pigma ink * Waterproof & chemical resistant * Fade-resistant & lightfast * Will not smear or feather when dry * Does not bleed through most papers * Sturdy plastic barrels with steel shafts & pocket clips * Nibs will not damage paper * Six fine line point sizes * Rich black ink & colors are available * For set, information click on the yellow circle technote icon Perfect For: * Manga artwork * Illustration & graphic arts * Calligraphers * Journals, scrapbooks, sketchbooks * Drawing & record keeping * Lab notebook & logbook documentation * Labeling scientific specimens * Curators, archivists, & artists * Personal historians * Sakura Pigma Micron Inks Brochure 100th Anniversary, Black, Set of 10 - To celebrate their 100th Anniversary, Sakura has created this limited edition set of their most popular product, the Pigma Micron Pen. This package of 10 pens features Micron Pens with Black ink in sizes 003, 005, 01, 02, 03, 05, 08, 10, 12, and PN with commemorative black barrels and gold pen clips. Set of 6, Assorted Colors, 005 - Contains six Micron size 005 (0.20 mm) pens, including Black, Red, Blue, Green, Brown, and Purple. Set of 6, Assorted Colors, 05 - Contains six Micron size 05 (0.45 mm) pens, including one each of Black, Red, Blue, Green, Brown, and Purple. Set of 16, Assorted Colors, 05 - Includes one each of Blue, Red, Green, Brown, Purple, Yellow, Orange, Rose, Sepia, Royal Blue, Burgundy, Hunter Green, Blue/Black, and Fresh Green, plus two Black. Set of 3, Black, Pigma Graphic Pens - Includes one each of 01 (0.25 mm), 03 (0.35 mm), and 05 (0.45 mm). Black ink. Set of 3, Black 08, 10, 12 - Includes one each of Black pens in sizes 08, 10, and 12. Set of 6, Black, Drawing Pens Assorted Tips - Includes one each of sizes 005, 01, 02, 03, 05, and 08. Set of 6, Black, Micron Pen Set - Includes one each of size 01 (0.25 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), and 12 (0.70 mm) in Black ink. Set of 8, Black, Assorted Sizes - Includes one each of sizes 005, 01, 02, 03, 05, 08, Pigma Brush Marker, and Pigma Graphic pen size 10. Set of 10, Black, Assorted - Includes one each Pigma Micron in sizes 003 (0.15 mm) , 005 (0.20 mm), 01 (0.25 mm), 02 (0.30 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), 12 (0.70 mm), and one Pigma PN (0.45 mm). Black ink. Set of 16, Black, Assorted - Includes one each Pigma Micron in sizes 003 (0.15 mm) , 005 (0.20 mm), 01 (0.25 mm), 02 (0.30 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), 12 (0.70 mm), one each Pigma Graphic in sizes 1 mm, 2 mm, and 3 mm, two Pigma PN (0.45 mm) pens, and two Pigma Brush pens. Black ink. Set of 4, Sepia, Assorted Sizes - Includes one each of sizes 01, 05, and 1mm, and Brush Tip. Size 003 - Size 003 creates an extra-fine 0.15 mm line. The nib is extremely delicate and can be damaged by more than a light touch. Pressure beyond the weight of the pen may damage the nib and void the warranty. Light Toner Gray (Assorted Nibs) Set of 3 The three-piece set includes tip sizes: 01, 05, and 10 in Light Cool Gray (#42). Dark Neutral Gray (Assorted Nibs) Set of 3 The three-piece set includes tip sizes: 01, 05, and 10 in Dark Neutral Gray (#44). Set of 8, Gray, Pen Set Assorted Nibs The eight-piece set includes tip sizes: 01, 05, 10, and Brush (in the colors Light Cool Gray & Dark Neutral Gray). Set of 10, Gray, Pen Set Assorted Nibs The ten-piece set includes tip sizes: 01, 05, 10, and Brush (in Light Cool Gray & Dark Neutral Gray) plus 1 each: 05, 10 (Black). See More
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Sakura Pigma Sensei Drawing Pen - Black, 0.6mm (Box of 12)Save Up to25%Off listBlack Pigmented pens perfect for manga and comic artwork! Pigma Sensei®. Learn to draw like the pros using the same rich, black Pigma® ink that’s been the trusted ink of Manga professionals for over 30 years. Sakura has been producing fine art and graphic pens for over 25 years, and has long been a trusted mainstay in the comic, manga, and graphics industry. Now they have created a line of pens designed specifically for artists working in comic and manga styles! New Pigma Sensei pens are the clear choice when it comes to drawing tools for any manga application! Sensei pens contain patented Pigma ink: pigmented, archival, smear and feather-proof, water and fade-resistant, non-bleeding, non-toxic — in a word, superb! The Sensei range includes 4 tip sizes for virtually any type of line drawing from high detail to graphic and expressive.The 0.3mm Ultra-Fine Tip is excellent for detailing areas like faces, the 0.4mm Durable Plastic Tip is great for outlines, the 0.6mm Bullet Fiber Tip is ideal for lettering, and the large 1.0mm Bold Fiber Tip is perfect for heavy lines that add impact and drama. Altogether the entire Sensei range works harmoniously to help you create manga and comic artworks both meticulous and mobile! * Pigma Sensei Manga Drawing 6 piece set – Contains 1 each of 0.3mm Ultra-Fine Tip pen, 0.4mm Durable Plastic Tip, 0.6mm Bullet Fiber Tip, 1.0mm Bold Fiber Tip, 0.7mm fixed-sleeve mechanical pencil, white rubber eraser, and fold-out illustration guide. * Highly pigmented, archival black ink * Non-toxic, waterproof and fade-resistant * Will not smear or feather when dry * Available in 0.3mm, 0.4mm, 0.6mm, and 1.0mm sizes * Sold in boxes of 12 pens * The perfect pen for all manga and comic applications! See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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STAEDTLER Lumocolor Permanent Marker Pens Fine #F318 - Assorted, 0.6mm (Set of 8)Save Up to10%Off listMarkers for Drawing, Writing, and Calligraphy You can use STAEDTLER Lumocolor Permanent Markers on all sorts of paper because the ink doesn't bleed. The permanent ink makes them perfect for use on watercolour paper and for signing all types of artwork. The various tip sizes provide similar abilities… Markers for Drawing, Writing, and Calligraphy You can use STAEDTLER Lumocolor Permanent Markers on all sorts of paper because the ink doesn't bleed. The permanent ink makes them perfect for use on watercolour paper and for signing all types of artwork. The various tip sizes provide similar abilities to technical pens but with an unrestricted feel and a bolder stroke. The true vivid colours never fade or distort. STAEDTLER Metallic Pens contain opaque metallic ink that shows up well on light and dark paper. The metallic pens come in either a bullet tip or a calligraphy chisel tip. Please note: Lumocolor permanent ink is water-resistant, but you can remove it from some surfaces with alcohol. Key Features: * Permanent, acid-free pigment-based ink * Smudge-proof and waterproof on most surfaces * Low-odor ink dries in seconds * Lightfast colours (Lumocolor) - weatherproof black * Superb colour brilliancy * Airplane-safe - automatic pressure equalization prevents pen from leaking on board aircraft Perfect For: * Light and dark paper * Use on almost all surfaces (Lumocolor) * Artists, illustrators, architects, and students * Sketching and writing * Calligraphy * Artists of all skill levels STAEDTLER Lumocolor Markers Line Widths * F - fine (approx. 0.6 mm) * S - superfine (approx. 0.4 mm) * M - medium (approx. 1.0mm) * B - broad (approx. 1.0 or 2.5 mm) See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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Faber-Castell Ecco Pigment Fineliner Pen - 0.6mm, BlackSave Up to24%Off listBlack Create beautiful, crisp drawings with these fine, highly pigmented marker pens! Faber-Castell ECCO Pigment Fineliner Pens feature a special pigmented ink that is waterproof and lightfast. These pens are suitable for drawing, writing and sketching and have an ergonomic grip zone to make them for a comfortable feel in hand. Each professional quality pen features a long, metal-clad fiber tip and is suitable for use with stencils and rulers and work beautifully on drawing paper and transparent paper. These popular and reliable pens feature a metal clip and are available in 9 line widths: 0.05, 0.1, 0.2, 0.3, 0.4, 0.5, 0.6, 0.7 and 0.8. Key Features: * Special pigmented ink is waterproof & lightfast * Ergonomic grip zone * Metal clip and metal-clad fiber tips * Available 0.05, 0.1, 0.2, 0.3, 0.4, 0.5, 0.6, 0.7 and 0.8 widths Perfect For: * Illustrators * Drawing & transparent papers * Stencils & rulers * Art journals See More
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Acurit Technical Drawing Pen 0.60mm, 12 PackSave Up to73%Off listBlack Professional Technical Pens With Rich, Black Ink! Professional Acurit drawing pens are perfect for creating ultra-fine detail in artwork and designs. These technical pens use permanent(light fast), acid-free, non-fading pigment ink and feature stunningly small nibs. Quickly identify the size of each drawing pen with their convenient barrel window! The Acurit technical pens are not waterproof for watercolor artists, but for dry drawing the ink is permanent. Watercolorists should use the Acurit Waterproof Technical Pens (red barrel pen) which are more waterproof. Key Features: * Professional technical drawing pens * Permanent(Light fast), acid-free, non-fading pigment ink * Barrel window for convenient size identification * Rich black ink * 9 different nib sizes * Available in: .05mm, .1mm, .2mm, .3mm, .4mm, .5mm, .6mm, .8mm & 1mm * Water-soluable - ability to re-wet for drawing (not for watercolors) Perfect For: * Artists, architects and engineers * Adding detail to works of art * Creating ultra-fine detail in artwork and designs * Permanent application * Boundless creativity! * Shading, creating gradients* Can be sealed with a varnish * Please Note: The Acurit technical pens are not waterproof for watercolor artists but for dry drawing they are. They have rich black ink and for watercolorists they should use the Acurit Waterproof Technical Pens (red barrel pen) which are more waterproof. Acurit Technical Drawing Pens Artist Testimonial “While I’m primarily known as an “oil painter”, I got my start in art with drawing; first in pencil, then moving on to charcoal and finally technical pens. Pen and ink work ranks a very close second to my favorite medium (Oils) and I love the stark black and white contrast. Even more so, I love being able to capture all of the subtle mid-tones required to achieve the depth needed for a representational rendering. It all comes down to the precise spacing and weight of the pen marks, whether they’re stipples (dots), contour lines, or hatches and cross-hatches. It is imperative to use top-quality instruments for these techniques. I find that the ACURIT Technical Drawing Pens fit the bill perfectly! Rich black ink, consistent line width and weight and they hold up to repeated stippling techniques, which wear other brands down. And I like the waterproof version when I’m adding watercolor washes to my drawings. ACURIT Pens are exactly that, “accurate”. Great pens at a great value! They are a staple in my studio!” - Professional Artist Wilson Bickford See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Claessens Linen #026 Unprimed Rough Texture Roll, 161.4" x 10.9 ydSave Up to66%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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