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American Easel Wood Painting Panel 1-5/8" Deep 14x14"Save Up to35%Off listNatural Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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American Easel Wood Painting Panel 7/8" Flat 14x14"Save Up to35%Off listNatural Classic wood painting panels perfect for any media! Made from splinter-free birch plywood mounted onto sanded, 7/8" deep solid poplar cradles, these new wood painting panels from American Easel are the ideal surface for any painter or multimedia artist! Painting on panels provides a benefit to the artist in that they are inflexible, stretch and warp resistant, and hence are perfect both for detailed work as well as found object and heavier art that requires a sturdy support. Though they can be used as is for certain applications, these panels can be primed with virtually any ground, from standard gessoes to rabbit skin glue, pastel or encaustic ground, mounted papers and more! The smooth, slightly beveled cradle edges can also be painted, and all that's needed for display is a single nail and the panels hang flush to the wall: no frame needed! Available in a wide array of rectangular and square sizes with a 7/8" profile. Paint like the old masters on panels proudly crafted in the USA! * Birch plywood painting panels on solid poplar 7/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Ideal for both detailed works and heavier art requiring a strong substrate * Available in rectangular, square formats * Made in the USA! See More
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Grumbacher Academy Acrylics Alizarin Crimson 90 mlSave Up to60%Off listRed Medium Bodied Highly Pigmented Acrylic Paint Made in the USA Creators of Art Materials Since 1905, Grumbacher Academy® Acrylics, a line of 48 brilliant process colors, sets, metallic and iridescent colors, as well as the most sought-after traditional colors comprise the improved line of Grumbacher Academy® acrylics. All colors have an ASTM lightfast rating of 1- Excellent. Academy Acrylics are a medium-bodied acrylic paint, highly pigmented, and have superior tinting strength, but at a single student price. Available in 90 ml metal tubes. Made in the USA. Academy acrylic colors provide the artist with a versatile option for painting and crafting. Thinned with water, the paint can be applied in delicate, translucent layers much like watercolor. Straight from the tube, or thickened with a medium, these colors can be applied to a canvas with the same techniques used for oil color. Academy acrylics can also be thinly applied to layers of paper for a decoupage effect. The possibilities are as limitless as the artist's imagination. Academy Acrylics create cleaner mixes and more accurate color matching without sacrificing tinting strength, opacity, or lightfastness Key Features: * 48 brilliant colors * Medium bodied * Great pigment load * Metallic and iridescent colors * Highly pigmented * Superior tinting strength * 90ml metal tubes * Strong adhesion * Made in the USA Perfect For: * Artist grade paint * Genuine and pure pigments * Pure cadmiums * Colors are lightfast * All colors have an ASTM lightfast rating of 1- Excellent and are labeled AP Acrylic paint is a relatively new medium in the pantheon of artistic media. Developed in the mid part of the 20th century as a house paint, acrylics were first used in the art realm by muralists. It covered large areas fairly quickly and had a much faster drying speed than oil based paints. Grumbacher® Academy® Acrylics follow that chain of artistic evolution See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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New York Central Unprimed Linen, J , 85" x 10yd Canvas BlanketSave Up to64%Off listBrown Museum Quality Unprimed Belgian Linen Canvas Blankets The excellent soil quality and moderate climate of the Belgian region is ideal for growing the linen flax plant. Local expertise, combined with centuries of flax spinning and weaving knowledge, guarantee the craftsmanship of New York Central® Unprimed Belgian Linen Blankets. Far more desirable than cotton, linen retains its natural oils, which preserves the material's inherent flexibility and strength. Additionally, this retention of natural oils gives linen the unique ability to resist mold and mildew, unlike cotton. Linen can be thinner and lighter than cotton while maintaining a higher weight load, increasing its durability under heavy-handed painters. Linen will not become slack over time, as cotton is prone to do. Our New York Central® Unprimed Belgian Linen is made from the absolute highest quality flax fibers and is a beautiful, pure product that maintains a natural weave. The perfect surface can be found for any painting with these unprimed blankets, with multiple textures from extra-fine to medium rough. New York Central® Unprimed Belgian Linen gives you the freedom to customize a custom canvas to your priming specifications, making it perfect for every type of painting genre and technique. Shipping Notice: These fine quality linens may take a bit longer to ship, they are custom cut for each order. The canvas is carefully and professionally handled by our in house specialists ensuring you get the best service and quality. Key Features: * Woven in Belgium * 100% linen flax * Available as folded blankets in 2.5 yards, 5 yards, and 10 yards * Made in a carbon-neutral facility * Flax is a highly sustainable, no-waste plant * Grown in the Belgium region between Caen and Amsterdam * Durable natural weave * Lint-free and non-allergenic * Resistant to mold and mildew, unlike cotton * Will not become slack over time * Unprimed, no sizings, glues, or primers * Each blanket has a natural flax color Perfect For: * Professional Painters of all types * Custom canvas stretching * Priming to suit your painting needs! * Oil, alkyd, or acrylic paint * Rich color absorption * Conservation Specialists * Portraits, landscapes, and more * Teachers and students * Aspiring students and amateurs * Hollow flax fiber absorbs paint very well * Provides a beautiful depth of color L Linen – 5.9 oz (200 gsm): Featuring an extra-fine, tightly woven texture with a smooth surface. Ideal for painting genres like portraits and Trompe-l' Å“il that require the smoothest surface for detailed works. Available in 85" width. M Linen – 6.49 oz (220 gsm): Features a fine, tightly woven texture ideal for most painting genres and general painting techniques. Available in 88" width. J Linen – 9.53 oz (323 gsm): Tightly woven featuring a medium-fine texture with a medium weight. Perfect for most painting genres and general painting techniques, with a good weight for larger-scale works. Available in 85" width Y Linen – 9 oz (305 gsm): Very tight weave with a medium texture and medium weight. Ideal for most painting techniques and perfect for large-scale and mural paintings. Available in 120" width. See More
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