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Pebeo Acrylic Mat Pub - Fluorescent Pink, 140mlSave Up to27%Off listFluorescent Make street art pop with these professional quality fluid matte acrylic paints! Pebeo Mat Pub Acrylics feature a fluid consistency with excellent lightfastness and an opaque, velvet matte finish. These ready-to-use, water-based matte acrylic paints are highly-pigmented, free of cadmium pigments, and UV resistant making them great for outdoor surfaces. Pebeo Mat Pub Acrylics mix well with the full Pebeo Studio and Artist Acrylics ranges. Available in 29 vibrant colors, these super versatile acrylic paints apply to a variety of surfaces smoothly with an even finish and no brush marks or traces of recovery. Use the fluid ultra matte acrylic paint indoors and outdoors for murals on textured surfaces or canvas. The fluid color can be brushed, drizzled, dripped, or airbrushed on. Mat Pub is weather-resistant and lightfast (Fluorescent colors excluded). The paint dries to a resilient, permanent film. Key Features: * Fluid acrylic paint with velvet matte finish * Water-based, lightfast & UV resistant * Highly pigmented without cadmium * Works well with full range of Pebeo Studio & Artist Acrylics * Available in 29 vibrant colors /Jars Perfect For: * Brush, dripping, or airbrush application * Dirty pours * Canvas, wood & metal * Outdoor surfaces * Paper & fabric * Muralists & street artists See More
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Schmincke Horadam Watercolor 140 Color Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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SoHo Urban Artist Pastel Sketch Squares Set of 48Save Up to79%Off listAssorted Colors Vibrant, rich pastels ideal for sketching! Richly pigmented SoHo Pastel Sketch Squares are perfect for drawing quick sketches or complex designs. Unlike other hard chalk pastels, these pastels lay down crisp, vibrant strokes of color. Sketch Squares are comfortable to hold when drawing, regardless of skill level. Every edge and corner of the pastel can be used to draw lines or lay down areas of color. The Slim pastels are the same great quality as our original Sketch Squares just in a more petite size. SoHo Pastel Sketch Squares come in sets of 48 or 72 colors, while the Slim pastels come in a set of 72. Each set has a plastic insert to keep the pastels safe and organized. Try them today. You will be impressed! Key Features: * Richly pigmented vibrant colors * Available in square or slim shape * Original pastels measure: 0.4" x 0.4" x 2.56" * Slim pastels measure: 0.27" x 0.39" x 2.50" Perfect For: * Sketching and gesture drawing * Students, amateurs, and teachers * Plein air sketching * Linework and shading * Composition layouts and color studies Please note: all measurements are approximate. Square Set of 48: Contents include Beige, Yellow Ochre Light, Yellow Ochre, Naples Yellow Red, Apricot, Brilliant Yellow, Golden, Orange Yellow, Orange, Deep Orange, Scarlet, Crimson, Mauve, Orange Brown, Orange Ochre, Russet Orange, Burnt Umber, Brown, Violet Deep, Pale Fuchsia, Aubergine, Violet, Leaf Green, Pale Teal, Brilliant Green, Turquoise, Caribbean Blue, Blue, Ocean Blue, Grass Green, Teal, Cyan, Brilliant Blue, Cerulean, Peach Fuzz, Fluorescent Red, Fluorescent Pink, Fluorescent Green, Olive Green, Raw Grey, French Grey, Brown Grey Light, Grey #4, Grey #5, two Whites, and two Blacks. Square Set of 72: Contains Beige, Light Beige, Yellow Ochre Light, Yellow Ochre, Naples Yellow Red, Peach Fuzz, Lemon Yellow, Brilliant Yellow, Orange Yellow, Orange, Golden, Deep Orange, Apricot, Soft Pink, Flamingo Pink, Pale Coral, Blush, Dusky Rose, Scarlet, Red, Crimson, Mauve, Coral, Pale Fuchsia, Fuchsia, Aubergine, Lilac, Lavender, Violet, Violet Deep, Cerulean, Periwinkle, Lavender Blue, Cobalt Blue, Blue, Prussian Blue, Caribbean Blue, Ocean Blue, Light Blue, Cyan, Ultramarine, Pale Teal, Pale Green, Turquoise, Brilliant Green, Teal, Yellow Green, Leaf Green, Olive Green, Grass Green, Orange Ochre, Orange Brown, Russet Orange, Burnt Orange, Pebble Brown, Green Umber, Burnt Umber, Brown, Neutral Grey Deep, Neutral Grey, Brown Grey Deep, Brown Grey Middle, Brown Grey Light, French Grey, Aluminum Grey, Raw Grey, Buff Grey, Buff White, two Whites, and two Blacks. Slim Set of 72: Contents include White, Beige, Light Beige, Yellow Ochre Light, Yellow Ochre, Naples Yellow, Naples Yellow Red, Light Orange, Peach Fuzz, Soft Pink, Flamingo Pink, Lemon Yellow, Canary Yellow, Orange Yellow, Pale Coral, Blush, Orange, Brilliant Yellow, Golden, Apricot, Deep Orange, Dusky Rose, Red, Scarlet, Crimson, Mauve, Orange Ochre, Orange Brown, Red Brown, Russet Orange, Burnt Orange, Aubergine, Pale Fuchsia, Fuchsia, Coral, Lilac, Lavender, Violet, Cerulean, Deep Violet, Prussian Blue, Cobalt Blue, Periwinkle, Lavender Blue, Caribbean Blue, Ocean Blue, Light Blue, Cyan, Ultramarine, Ultramarine Deep, Teal, Emerald Green, Brilliant Green, Grass Green, Turquoise, Olive Green, Leaf Green, Key Lime Green, Pale Teal, Pale Green, Pebble Brown, Green Umber, Pecan Brown, Burnt Umber, Please note: Contents in the set may be substituted without notice. See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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