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Krystal Clear Acrylic Glazing 2mm 8-1/2"x11"Save Up to61%Off listClear Transparent 2mm thick, heavy duty, incredibly clear, optical-quality acrylic glazing With a protective, easy to peel film on both sides, Krystal Clear Glazing stays clean and scratch-free until the moment you are ready to frame or produce artwork. Unlike most styrene sheets, the beefy 2mm thickness remains stiff inside the frame, without the flexing experienced with thinner acrylic sheets. Perfect for protecting valuable artwork when shipping – change out the glass in the frame to Krystal Clear Glazing to prevent breaking and damage to work when in transit or unpacking. Besides framing, Krystal Clear Glazing is popular with artists as a modern painting surface. Glazing easily accepts acrylic paints and gouaches, acrylic and India inks, Alcohol Inks, spray paint, paint markers, and more! Layer Krystal Clear Glazing sheets with sections of an artwork on each to achieve a 3D effect. Key Features: * Rigid, 2mm thick optical-quality acrylic glazing * Protective, easy-to-peel film on both sides * Will not flex or bend in the frame * Can also be used as a modern painting surface Perfect For: * Framing artwork * Replacing glass when shipping framed work * Use as an alternative painting surface See More
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Yasutomo Black Sumi Ink 12oz KY12 Liquid Water ResistantSave Up to30%Off listLiquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is… Liquid Inks Formulated for Sumi painting and Calligraphy Yasutomo Sumi Inks are formulated for Sumi painting and Calligraphy and are in a convenient liquid form with no need for grinding. KF Shellac-Based Waterproof Sumi Ink is made from high-quality vegetable oil soot. A small amount of shellac is included in the formula for water resistance. KY Water Resistant Sumi Ink is made out of pure vegetable soot with no additives or preservatives. The ink contains no shellac and dries to a matte water-resistant finish once dry. The Bokuju Sumi Set contains two Sumi brushes, one bottle of Bokuju (liquid Sumi ink), and a porcelain saucer in a beautiful paper box. An illustrated instruction sheet is included, along with a QR code for video instructions. KV2 Vermilion, 2oz: Vermilion is an ancient red-orange Sumi ink used to hand-letter manuscripts, seal scrolls, and ink paintings. Many Asian calligraphy teachers still use Vermilion Sumi to correct or critique students' work. This water-resistant ink is opaque and dries to a matte finish. KF2 & KF12 Black Sumi Ink (Bokuju): * Waterproof liquid sumi ink * Contains shellac and is waterproof once dry * Made from quality vegetable oil soot * Convenient liquid form * Permanent and lightfast once dry KY2 & KY12 Black Sumi Ink (Bokuju): * Water-resistant liquid sumi ink * No additives or preservatives * Made from pure vegetable soot * Dries to a matte finish * Dense black ink is lightfast and water-resistant once dry See More
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Jacquard Cyanotype Sun Printing Fabric Pack of 30, 8.5x11inSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquardās Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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RaphaĆ«l Kevrin Synthetic Blend Series 3675 Fan Brush #12/12Save Up to53%Off list…and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts Stiffness Watercolors Acrylics Oils Exceptional Performance Without Endangered Mongoose Hair! Established in 1793, RaphaĆ«l has been renowned for the impeccable quality of their artistās brushes as well as their more recent innovations. With the banning of Mongoose harvesting due to their endangered status, brush makers all over the globe have been scrambling to find an alternative to the beloved brush hair. It took years of research for RaphaĆ«l to create a brush that would replicate all the characteristics of their famed KEVRIN without using its original Mongoose composition. A blend of several natural hairs and a proprietary groundbreaking synthetic fiber enabled the creation of the perfect Mongoose substitute, called KEVRIN+. RaphaĆ«l was so satisfied it believes it to in fact be a better brush than its predecessor, while offering all the features a quality oil and acrylic brush requires. KEVRIN+ offers the same exceptional durability, precision, and elasticity of their original Mongoose brushes, with the same ideal consistency, spring, and bristle shape memory. Like the old Mongoose brushes, the new hair blend has the suppleness of a red sable with the strength of hog bristle, but with a texture and firmness somewhere in between. Brushes are easy to clean and offer excellent paint retention. KEVRIN+ still bears the elegant, long, double-dipped black lacquered handles and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts See More
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Crescent Rendr No Show Thru Hardbound Sketchbook 8.5x11" (48 sheets)Save Up to45%Off list…With Rendr, artists can use both sides of the paper, even with heavy marker or paint applications. All Rendr no-show-through paper is 110lb/180gsm, acid-free and lignin-free! Use with all media types including paints, charcoal, pencil, pastels and more! Key Features:* 4 different binding methods *… Fine-Art Paper With No Media Limitations- WILL NOT BLEED THROUGH! RendR Sketchbooks & Roll - No Show Thru Paper - Available in several different types of binding and sizes, Rendr No Show Thru paper by Crescent is the ideal choice for artists who regularly use a multitude of different media. Rendr paper is revolutionary, because it accepts all media types without showing through the other side of the paper. With Rendr, artists can use both sides of the paper, even with heavy marker or paint applications. All Rendr no-show-through paper is 110lb/180gsm, acid-free and lignin-free! Use with all media types including paints, charcoal, pencil, pastels and more! Key Features:* 4 different binding methods * Use both sides of the paper * Acid-Free & Lignin-Free* 110lb/180gsm * Will not bleed through * Lays Flat Perfect For:* Artists of all skill levels* Artists on-the-go! * Journaling* Mixed-Media application See More
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Strathmore Hardbound Art Journal 400 Series Toned Sketch Paper (80 lb.) 8.5x11" - 128 Pages - GraySave Up to33%Off list…matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! Luxury hardbound art books with professional papers for any artist! For over 100 years, the name Strathmore has been synonymous with some of the finest art papers in the world. Strathmore 400 Series & 500 Series Hardbound Art Journals in Toned Tan, Toned Gray and Mixed Media, created their highest quality and most unique papers to offer them in deluxe hardbound books perfect for any artist in virtually any media. These luxury hardbound art journals feature hard covers with a lightly textured, matte surface in a dark chocolate brown for an elegant and sophisticated look. The acid-free pages are bound using a Smyth-sewn binding that lays open flatter than most other bound books, and ensures durability. Available in 80 lb. Recycled Drawing paper, 80 lb. Toned Sketch paper in Gray or Tan, 90 lb. Mixed Media paper, or 140 lb. Watercolor Paper, Strathmore Hardbound Art Journals offer the ideal surface for any multitude of artistic techniques! Key Features:* Luxurious, acid free hardbound art books* Smyth-sewn binding lays flat* Textured matte brown covers* Choose from Recycled Drawing, Toned Sketch, Mixed Media or Watercolor papers Perfect For:* A choice of professional art papers* An elegant presentation* Works in pencil, pastel, charcoal* Watercolor, acrylic mixed media* Art that will last generations! See More
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Reflexions Hardbound Sketchbook Bundle (Buy 2 Get 1 Free)Save Up to77%Off list…pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. Expertly bound journals with premium acid-free light cream colored paper Reflexions Hardbound Sketch Books are expertly bound journals with premium acid-free 110 gram (70 lb) weight light cream colored paper. The fine even surface texture will take all sorts of media including: pen and ink, colored pencil, drawing chalks, pastels, graphite and other dry media, even light washes. They feature a black embossed leatherette exterior. Other features include an elastic pen, pencil or marker loop, an exterior elastic band to keep book sealed when not in use and a page keeper ribbon to quickly access works in progress. Each book has 80 sheets (160 pages) of acid-free paper. For general sketching the 8.5 x 11" size is the most popular. Key Features:* Expertly hard bound journals* Premium acid-free light cream colored paper* 110 gram (70 lb) weight* 80 sheets (160 pages)* Fine even surface texture* Black embossed leatherette exterior* Elastic pen, pencil or marker loop* Exterior elastic band to keep book sealed when not in use* A page keeper ribbon to quickly access works in progress Key Features:* All sorts of media* Pen and ink* Colored pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. See More
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Yasutomo Usugami Paper - 8.5"x11", 14gsm (30 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Mona Lisa Pink Soap, 12oz BottleSave Up to26%Off list…Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains… Studio Essentials for a Diverse Range of Techniques! Speedball's rich history of manufacturing fine art materials began in Camden, NJ, in 1899. Since that time, Speedball's offerings have grown and evolved, but our dedication to providing our customers with superior products and services at an affordable price remains the same. Speedball studio essentials has a broad mix of high-quality necessities your workspace requires. The Studio essentials include a Brush cleaner tank and cleaning solutions, Odorless thinners for painting, and Omni-Gel Image Transfer medium. Key Features:* Studio essentials* Cleaning and conditioning paint brushes* No odors Perfect For:* Oil painters* Broad mix of techniques* Cleaning greasy stains See More
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Williamsburg Pure Beeswax Block, 12ozSave Up to30%Off list…of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be… Alter the sheen of mediums and varnishes or add to Oil Paint Williamsburg Pure Beeswax medium is made from 100% natural, bleached beeswax. Williamsburg Pure Beeswax Blocks and Pellets are useful for altering sheen of mediums and varnishes, or as an additive when making oil paint. In oil painting, beeswax can be added in a small amount to slow the drying, reduce yellowing, create a more buttery paint consistency, improve the stability of the paint, and make it more suitable for impasto effects. It can also be blended with oils, resins, and diluents to create an oil medium, giving a matting or satin effect. In Encaustic painting, beeswax is the chief binding medium with pigment. Key Features:* Beeswax Block 12oz* Beeswax Pellets 16oz* Made from 100% natural, bleached beeswax* Altering sheen of mediums and varnishes* Use as an additive when making oil paint* As a binding medium for encaustic painting See More
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Blair Digi-Finish (Matte) 12oz CanSave Up to32%Off list…acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding.Ā AcrylicĀ Spray VarnishĀ -Ā This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish. Ā May even be removed for… Acid-Free Mounting AdhesiveĀ - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding.Ā AcrylicĀ Spray VarnishĀ -Ā This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish. Ā May even be removed for periodic cleaning!Ā Digi-Finish -Ā Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze SupremeĀ -Ā Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish. Ā Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish. Ā Spray VarĀ® Retouch VarnishĀ -Ā An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas.Ā It is intended for use with uncured paintings. Ā Very Low Odor Spray FixĀ -Ā Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper.Ā All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More
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SpectraFix Degas Pastel Fixative 12 oz BottleSave Up to19%Off list…chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill… SpectraFix Fixative Is The Natural Choice! Degas SpectraFix Non-toxic Fixative contains casein, water, and alcohol. The formula is an update on a recipe used by French Impressionist Edgar Degas. It seals and protects your artwork while leaving colors brilliant! Degas Fixative is perfect for chemically sensitive people. You can spray it indoors and keep on working because the fixative does not release toxic fumes or odors. The spray dries to a hard, water-resistant, matte finish; and provides the traction you need to apply extra layers of dry media. There are no toxic fumes or odors You may spray the fixative on all papers (except LaCarte), primed and unprimed canvas, wood panels, unglazed ceramic, stone, leather, and glass. SpectraFix it the ideal fixative for soft pastel, Pan Pastel and oil pastel, colored pencil, graphite, charcoal, and chalk. You can even use the fixative to layer other media into Encaustic. Use it under Oil or Acrylic paints to stop underdrawings from smudging. Casein bonds forever with the covering layer of paint. Like egg tempera, artists have used casein for centuries to protect underpaintings. Easily refill one of our Aerosol Spray Bottles to spray a fine mist on your work! Please note: Not for use as a final topcoat over acrylic or oil paint. Key Features: * Seals and protects artwork * Rapid drying pastel fixative * Contains casein, water, and alcohol * Protects fragile dry media * Prevents underpainting from smudging * No toxic fumes * 100% Archival * Non-yellowing * It does not dull colors * You can paint over it Perfect For: * Spraying indoors * Working with deep layers * Soft pastel, pan pastel and oil pastel * Colored pencil, graphite, charcoal, and chalk * Protecting watercolor paintings * All pastel papers (except LaCarte) * Primed and unprimed canvas * Wood panels, unglazed ceramic, stone, leather, and glass * Classrooms Dries quickly to an invisible matte finish and allows deep layering as well as providing extra traction on thickly layered, slippery media such as color pencil or oil pastel. Combines well with almost all media, and dries to a hard, water-resistant finish. Should not be used as a final top coat over acrylic or oil paint. Use with Soft Pastel, Pan Pastel and Oil Pastel, Colored Pencil, Graphite, Charcoal, Chalk or in combination with Watercolor, Gouache, Casein, Ink or to layer other media into Encaustic. Perfect for crafts, it holds a wide variety of media without dulling their sheen or brilliance. Use under Oil or Acrylic paints to prevent underdrawings from smudging. Casein actually bonds permanently with the covering layer of oil paint, and similar to egg tempera, has been used for centuries for grisaille or colorful underpainting which can then be glazed with oil. Remember, it is not recommended as a final top coating for acrylic or oils See More
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Enkaustikos Encaustic Mediums Soy Wax 12 ozSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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Artfix Belgian Linen Canvas 64U Cut Piece 39.5" x 42.5"Save Up to63%Off listNatural Combine the exceptional archival nature of French Linen with the excellence of the ArtFixās priming! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. The close attention to detail is what makes ArtFix a premium surface for the educated and discerning artist who chooses the very finest canvases for painting. In the world of flexible fabric painting substrates, linen has proven itself for generations as being the fiber that has long stood the test of time. Much stronger and more durable than cotton due to a longer natural thread fiber structure and strength without issues of shrinking and sagging, it can be woven in a thinner, tighter weave that weighs much less with much greater strength. Due to the nature of the fiber, the weave cannot be woven into a completely precise, machined-look texture like cotton, which creates a unique painting surface many artists covet. Long revered for their fine linens with their incredible surface priming, ArtFix combines time-honored European manufacturing methods of priming with modern chemistry. All linens (even unprimed) are double sized for protection against acids in oil paints, which allows uniform breathing of the linen under the painting to reduce paint film stress once the work is completed. Primed up to 4 layers (depending on the roll style), each layer is applied by hand and sanded. This effort of labor prevents peeling, flaking, and cracking of the primer, and makes for the most bond with fresh paint. This time-consuming process produces an unbelievable primed surface that painters become devotees to! Select from pre-sized raw, universal, and oil primed conservatorās grade linen rolls, and indulge in the ArtFix experience. Canāt decide? Try cut pieces of different styles to learn which is your favorite! Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFixās specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. āC" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFixās āU" styleās carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. "G" Styles - Absorbent Ground: ArtFixās āG" style priming is a single layer of an absorbent grey ground primer. Absorbent ground linen can be used to work with oils and acrylics where wash and staining effects are desired, as they will absorb into the ground. This style primer also works well with liquid acrylics, oil pastels, and other media that has absorbent needs to create proper adhesion. Unprimed: Pre-sized, ArtFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessoes, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * Conservation grade French Linen * hand-primed by skilled artisans * Universal, Oil, Absorbent Ground Primers * Pre-Sized Raw Linen options Perfect For: * Oil and Acrylic Painters * Professional and discerning Artists * Conservation Specialists * Devotees to ArtFixās Priming Formulas See More
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