Your Cart
SLI Search Template
Related Categories: Acrylic Markers | Black Drawing Pens | Calligraphy Sets | Illustration Markers | Charcoal Drawing Set | Calligraphy Pen Sets | Calligraphy Ink | Refillable Calligraphy Pens
There were no results that contained all of the words in your query. These results contain some of the words.
-
Jacquard Lumiere Fabric Color Celestial Set of 8, 1.25ozSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
-
M Graham Oil Color 1.25Oz/37Ml Chrome Tin YellowSave Up to40%Off listYellow M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More
-
2-Pack Fineline Applicator 1.25oz Bottle w/ 18 & 20 Gauge TipsSave Up to28%Off list…18, 20, 21, and 22 gauge* Holds 1.25 fl oz* Durable and reusable* Perfect For:* Drawing fine lines with liquid mediums, such as ink, dye, thin paints, etc.* Drawing fine lines on paper, canvas, ceramics, finished wood, metal and plastic* Almost any liquid medium* Creating super fine lines on artwork Fineline applicators are precise and efficient! The David Ford Fineline Applicators Pens are perfect for creating super fine lines on artwork. . Available in multiple fine-tip gauges, artists can now precisely and easily create fine lines on a variety of surfaces, such as paper, canvas, ceramics, finished wood, metal, plastic, and glass. The Fineline applicators are airtight, non-clogging, and easy to maneuver. They hold up to 1.25 fl. oz. of almost any liquid medium. Material is not wasted as with a brush applicator because there is no need to constantly replace ruined brushes. Artists with multiple applicators for fine lines can purchase extra FineLine Caps. The Fineline applicator caps use the Fineline air-tight, non-clogging, wire closure system to insure that the applicator and your preferred media are always ready for immediate use. Key Features:>* Air tight, non-clogging applicator* Stainless steel 1" applicators* Available in 18, 20, 21, and 22 gauge* Holds 1.25 fl oz* Durable and reusable* Perfect For:* Drawing fine lines with liquid mediums, such as ink, dye, thin paints, etc.* Drawing fine lines on paper, canvas, ceramics, finished wood, metal and plastic* Almost any liquid medium* Creating super fine lines on artwork See More
-
Grumbacher Pro Gloss Spray Varnish, 11oz CanSave Up to43%Off listVarnish sprays for both acrylic and oil paintings Find Grumbacher Professional Varnish Sprays for varnishing pictures and paintings. Great for a final varnish for both oil and acrylic paintings. Available in either Gloss or Matte, Grumbacher spray varnishes come in convenient spray cans to final… Varnish sprays for both acrylic and oil paintings Find Grumbacher Professional Varnish Sprays for varnishing pictures and paintings. Great for a final varnish for both oil and acrylic paintings. Available in either Gloss or Matte, Grumbacher spray varnishes come in convenient spray cans to final varnish your works of art! With all varnishes, make sure paintings are completely dry. Allow 3 to 5 days for acrylic works and 6 to 12 months for oils. Dry time may very and depends on thickness of paint application as well as environmental humidity * Picture & Painting Varnish Spray - is a non-yellowing, easily removable final varnish for both oil and acrylic paintings. When used on wet or semi-dry works, the use of spray varnishes may damage artwork; varnish may not be removable at this point. See More
-
Speedball Fabric & Paper Block Printing Ink SetSave Up to34%Off listAssorted Colors A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
-
Krylon Acrylic Crystal Clear Spray Gloss, 11oz CanSave Up to55%Off list…varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear -… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 6oz, 10.25oz, and 11oz can sizes Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Acrylic Crystal Clear - This sturdy, clear finish does not yellow with age. Dries in minutes enhances and protects color with a moisture-resistant finish. Easy-Tack™ - Easy-Tack creates a smooth, flexible, temporary hold. Rearrange work until the perfect design is achieved. Easy-Tack never becomes permanent, yet will not lose its gentle grip! This acid-free spray is safe for photos, scrapbooks, and more! Excellent for stenciling or temporary placement since it leaves no residue. Gesso Spray - Spend more time artistically and less time preparing your surface! Easy, the one-step application requires no mixing—shake, point, and spray. Will not yellow, resists chipping, dries to the touch within 15 minutes, ready to work in 30 minutes. High Strength Spray Adhesive - This fast-acting adhesive has a variable volume controlled web spray pattern that offers high contact strength. Superior, permanent bond; High contact strength; Bonds heavy-duty materials like wood, metal, plastic, glass, laminate, and more. Kamar® Varnish - Keep your oil, acrylic, or watercolor paintings looking like a masterpiece! This varnish is free from impurities and protects against yellowing while allowing for easy reworking. Kamar Varnish dries to a high gloss finish. Low Odor Clear Sprays This permanent, latex enamel spray is excellent for preservation, can be used indoors and cleans up easily with soap and water! Preserve It! - Protection is easy with Preserve It!® Digital photos, greeting cards, address labels, scrapbook materials, and more last twice as long once you add this layer of protection. Without it, moisture, fading, early aging, ink runs, and damage from smudges can ruin your most precious valuables. Satin Finish Spray - Clear, protective spray finish for all kinds of arts, crafts, and home décor projects. Permanent, protective gloss finish, non-yellowing, moisture-resistant. Spray Adhesive - This high-performance spray exhibits an extended open-tack time so projects can be easily adjusted before drying completely. This acid-free formula is safe for photos, scrapbook pages, and other lightweight memorabilia. Provides an even spray pattern, is non-wrinkling with no bleed through. Super Quick Grip Spray Adhesive - Adheres lightweight surfaces in seconds and dries secure and permanent. The adhesive creates a smooth, flexible, non-wrinkling bond. Fast tack, dries quickly; strong, permanent bond in seconds; smooth, non-wrinkling adhesion; acid-free. Triple-Thick Crystal Clear Glaze - This bright, clear acrylic coating gives a glass-like illusion of depth. Its glaze equals three coats of other clear aerosols — superior high-gloss coating with a shiny, durable finish. UV-Resistant Clear Coatings - This tough finish does not yellow with age and protects arts, crafts, and valuables from harmful light rays. Moisture- and chip-resistant, smudge-proof, and dries in minutes. Available in gloss or matte. Workable Fixatif - This re-workable spray eliminates smudging and wrinkling while protecting pencil, charcoals, pastels, chalk, tempera, Conte, crayon, watercolor, India ink, and more! Easy to erase, Acid-free, and archival safe. See More
-
Speedball Block Printing Water-Soluble Ink Set of 4Save Up to46%Off listAssorted Colors The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
-
Fineline Mask Fluid Pen 1.25 oz. BottleSave Up to24%Off list…you to work over designs as well. Fineline Super Nib Masking Fluid Pen - Features an ultra-fine, all-metal 0.5mm nib for getting the most precise lines and control. Finleline Masking Fluid Super Set - Includes an Artist Masking Fluid Pen, a Super Nib and a 1.25 oz. refill bottle of masking fluid. Get detailed designs in masking fluid with ease! No more fiddling with applicators or throwing out ruined brushes — getting the perfect application of masking fluid is easier than ever! Masking precise areas and detailed designs is a breeze with this redesigned Fineline Masking Fluid Pen--  There are no tools to clean up afterwards! Featuring a 1.25 oz. squeeze bottle filled with pale blue masking fluid, each Masking Fluid Pen has a non-clogging Cap/Wire system, where a wire prong in the cap itself prevents the fine metal nib from becoming blocked — so the fluid never dries and there's no waste. To apply, gently squeeze the bottle and apply thin or thick lines, small dots, designs or large areas through its pen-style hollow metal nib. As a watercolor artist, you simply can't find a better way to mask precise areas! Made in the USA. Finline Artist Masking Fluid Pen - This superb applicator bottle allows you to effortlessly apply a 0.8mm line of masking fluid! Fluid won't stain your paper, lifts without marring surface, and is translucent when dry, which allows you to work over designs as well. Fineline Super Nib Masking Fluid Pen - Features an ultra-fine, all-metal 0.5mm nib for getting the most precise lines and control. Finleline Masking Fluid Super Set - Includes an Artist Masking Fluid Pen, a Super Nib and a 1.25 oz. refill bottle of masking fluid. See More
-
Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
-
Blair Glaze Supreme Super-Gloss 11oz Protective SpraySave Up to32%Off list…acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish.  May even be removed for… Acid-Free Mounting Adhesive - Creates both a permanent or repositionable bond on paper, board, wood, glass, foil, mylar and acetate. This spray provides for a uniform mist pattern for even glue distribution and clean bonding. Acrylic Spray Varnish - This removable acid-free spray varnish protects fully dried acrylics. It is easily applied and provides a lovely, non-yellowing gloss finish.  May even be removed for periodic cleaning! Digi-Finish - Digi-Finish coatings add UV durability to digital photographs, prints, and other paper creations by creating a clear moisture barrier. Both coatings are VOC and MIR compliant to meet the stringent regulatory requirements of both California and the Ozone Transport Commission. Acid-free and archival safe, these fastdrying, non-yellowing, permanent coatings conform to ASTM D-4236. 11 oz. cans. Glaze Supreme - Just maybe the most lustrous spray of its kind. Its super gloss finish enhances paintings on virtually any surface. It forms a rich, glazed coating creating depth and luminosity with a porcelain like finish.  Gloss or Matte Damar Sprays - These acid-free Damar resin sprays allow you to obtain greater depth and definition in your oil painting. Made with 100% pure Damar resin. They are for use with fully cured paintings. They will enhance the finished paintings colors, shading and blending with either a handsome gloss or non-reflective matte finish.  Spray Var® Retouch Varnish - An acid-free Damar resin spray allowing you to obtain greater depth and definition in your oil painting. Spay Var Retouch is used for ground sizing, to isolate paint layers and to restore dried areas. It is intended for use with uncured paintings.  Very Low Odor Spray Fix - Use this incredible product in the studio since it has no noticeable odor, is acid-free and imparts superb protection. Provides smudge proof protection for pencil, Conte Crayon, charcoal, soft pastel and chalk. It will stop bleeding between layers of gouache, watercolor and casein colors. Dries to a workable tooth and will not curl thin paper. All products in this category are considered Hazardous Materials: Cannot ship by Air/ Next Day Services. Ground only. See More
-
Krylon Gallery Series UV Archival Varnish - Matte, 11oz CanSave Up to47%Off listFine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives and quality varnishes for acrylics, alkyds, and oil paintings. Each Krylon Gallery Spray provides the highest quality protection for all of your projects. Key Features: * Varnishes and fixatives * Archival, seals… Fine Art Sprays to Varnish or Fix Any Media! Krylon Artist Sprays are quality fixatives and quality varnishes for acrylics, alkyds, and oil paintings. Each Krylon Gallery Spray provides the highest quality protection for all of your projects. Key Features: * Varnishes and fixatives * Archival, seals and protects * Available in 11oz can size Perfect For: * Fixing charcoal and drawing medias * Varnishing paintings * Artists of all skill levels Fine Art Fixatif Protects your delicate dry media pieces from dusting, smudging, and fading while preserving all the color intensity of the unfinished piece. * Invisible protection for pastel, charcoal, graphite, and more * Will not dissolve whites and light colors like most fixatives * Preserves colors and intensity of dry media * Can be used as both a workable and a final fixative UV Archival Varnish Provides the ultimate in protection against harmful UV rays. * Provides the highest UV protection in artist quality coatings * Removable with mineral spirits or isopropyl alcohol * For acrylics, watercolors, oils, pastels, colored pencil, digital media & more * Durable, flexible, fast-drying, and non-yellowing See More
-
Crescent #99 Illustration Board Cold Pressed 15"x20" (Box of 15)Save Up to33%Off list…Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white… High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More
-
Crescent Canvas Art Board Single Thick White 15"x20" (Box of 15)Save Up to30%Off list…in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom… Canvas-textured boards ideal for painting! Canvas-textured boards from Crescent feature all the durable, archival qualities that artists love in other Crescent boards, combined with a unique, canvas-textured paper surface that mimics the look of real fabric! Sturdy and durable, Crescent Canvas Art Boards are ideal for works in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom studies, compositional planning, and finished pieces. The toothy, canvas-like surface grips paint well, and the solid cream core provides a consistent surface. Paint quickly and confidently on Crescent Canvas Art Boards! Key Features: * Sturdy paper boards with a canvas-like textured surface * Durable and long-lasting * Medium weight: Single-thick * Heavy weight: Triple-thick * Solid cream core for a consistent substrate * Sold in packs of 3, 5, and 15 Perfect For: * Practice pieces and finished works in virtually any medium! * Watercolors and acrylics to tempera * Gouache, casein, and even oils if primed first * Working at an easel without a backing board * Fast set-up of painting sessions * Quick gestural paintings and classroom studies * Compositional planning and finished pieces Medium weight, Single-thick - The medium weight boards provide a sturdy, durable substrate Heavy weight, Triple-thick - The heavyweight boards are triple-thick to provide extra strength for rigorous painting techniques. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field