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Nitram Fusain Aquarelle Watercolor Charcoal, 1.75ozSave Up to37%Off listBlack Rich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram charcoal is less likely to break. The wood used to make it is carefully processed to preserve the cell structure. This unique production method keeps the charcoal strong and resistant to breakage. It doesn't crumble or skip when used expressively or under pressure. The baton mignoettes holder is a great way to hold and use Nitram charcoal. Nitram's Sharpening Bloc is for artists that like their drawing tools sharpened. Use it to give your charcoal sticks a fine point! Key Features: * Several sizes and formats are available * Available in different hardnesses * Charcoal is resistant to breaking * Draw with or without a charcoal holder * Sharpener available with refill pads Perfect For: * Drawing and sketching * Painting with charcoal * Creating brilliantly dark lines * Shading and drawing shadows See More
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Sennelier Artist Dry Pigments Phthalocyanine Blue 100 gramsSave Up to37%Off listBlue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Raw Materials Balsam Resin 100gSave Up to25%Off listPrepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic,… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Winsor & Newton Artists Acrylic Gesso Primers White Gesso 450 mlSave Up to40%Off listWhite Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
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Winsor & Newton Artists Acrylic Varnishes Satin UV Varnish 474mlSave Up to40%Off list…serves to protect paintings from damage inflicted by dirt, grease, and airborne pollutants, and the UV protective agents in Artists' Acrylic Varnish also safeguard against color fading and improve lightfastness. In addition to being an excellent varnish for acrylic paintings, this UV protection… Protect your finished paintings from damage by dirt, grease and airborne pollutants! After all your hard work in creating your Artists' Acrylic paintings, you want them to last for generations! Professional artists know that varnishing your finished artwork is an indispensible final step in the creation process. Varnish serves to protect paintings from damage inflicted by dirt, grease, and airborne pollutants, and the UV protective agents in Artists' Acrylic Varnish also safeguard against color fading and improve lightfastness. In addition to being an excellent varnish for acrylic paintings, this UV protection means it is also a beneficial final varnish for non-lightfast works such as digital or giclée prints. Varnish is available in Gloss, Satin and Matt finishes, all of which can be intermixed for limitless customized variations on final sheen. A Varnish Remover is also available, to safely remove Artists' Acrylic varnish without damaging your painting, allowing you to clean any trapped pollutants before re-varnishing your work for maximum protection. Don't let time ravage the brilliance of your art: protect your paintings with Artists' Acrylic UV Varnishes!* Guards against dirt, oil and airborne pollutants * UV protection improves lightfastness and hinders color fading * Excellent for acrylic paintings and even digital or giclée prints! * Available in Gloss, Satin and Matt; which can be mixed for customized finishes * Varnish Remover is easy to use for conservation purposes * Preserve your paintings for generations! You might also be interested in:* Winsor & Newton Artists' Acrylic Gessos * Winsor & Newton Artists' Acrylic Mediums and Additives See More
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Viarco Artgraf Water-Soluble Graphite Powder, 100 Gram PouchSave Up to35%Off list…3 Piece Set + Soft Stick + Brush - With a classic and clean presentation, the ArtGraf Kit includes a 20gr tin of watercolour graphite, a soft water-soluble 8B graphite stick and a pocket brush No. 4 to use with both products. The ArtGraf Kit is a gift, a graphite drawing and painting set, a refined… Revolutionary European versatile water-soluble graphite! Premium Drawing Materials! Portuguese pencil company Viarco makes a unique, versatile water-soluble graphite which are premium drawing materials for over 100 years (Since 1907)! These first-rate art materials are a true treat for any artist who values quality. ArtGraf's main attraction is the totally innovative graphite block, a unique new addition to the art supply world. Behaving much like a watercolor block, ArtGraf's graphite can be used by wetting a brush and loading it with graphite, then painting in beautiful, shimmering monochromatic tones. Also available in a set a soft, water-soluble graphite sketching stick for adding details or shading large areas (also available in packs of 2 or boxes of 10), as well as a travel watercolor brush, all packed in a sleek black case with foam inserts. Perfect for taking on the road, the set can easily be slipped into a pocket or bag. For shading large areas and for gestural strokes, try the generous, 250g XL stick, and get rich shades of black and grey with the new tailor's-chalk-inspired water-soluble Carbon Block. Create beautiful tonal drawings with this deluxe new water-soluble graphite and carbon from one of Europe's premier pencil makers! Everything you need to create subtle & gestural art in water-soluable graphite and carbon! Revolutionary watersoluble graphite Key Features:* Luxury water-soluble graphite and carbon* Made in Portugal by Viarco* Extremely soft and water-soluble* Excellent tool for drawing and painting* Pressed pigment, designed for drawing and painting* Revolutionary, round breaking watersoluabel graphite* Use to make opaque inks* Create texture and dries fast* Non-Harmful materials, also safe for children* Extra-large handmade water-soluble graphite stick for big artistic interventions and large scale drawings* Click on Yellow Icon Next to products for full details Perfect For:* Drawing and painting* Creating unique works of art* For any artist who values quality* Washes and other watercolor techniques* Can be used for calligraphy Water-Soluble Graphite 3 Piece Set + Soft Stick + Brush - With a classic and clean presentation, the ArtGraf Kit includes a 20gr tin of watercolour graphite, a soft water-soluble 8B graphite stick and a pocket brush No. 4 to use with both products. The ArtGraf Kit is a gift, a graphite drawing and painting set, a refined present. Extra-large handmade water-soluble graphite stick for big artistic interventions and large scale drawings - The graphite of 8B grade turns this rough object into a smooth drawing and painting instrument. The design of the ArtGraf XL had as its starting point the factory and the artisanal process used for the production of graphite leads. ArtGraf XL is an unique worldwide object whose artistic potential is totally unexplored and as such it establishes new frontiers to creativity. Exclusive - Water-Soluble Graphite & Carbon Combo Journal Art Kit - This fun new pre-packaged gift sets from Global Art make the ideal kit for any artist on the go! Featuring high quality art products from Viarco ArtGraf, Escoda, Fluid Watercolor Paper, and the Handbook Journal Co. Designed to be portable, versatile and fun! Primary Colours Set of 3 ArtGraf Tailor Shape pieces identified with ColorADD code - Inspired by the traditional tailor’s pencil, the ArtGraf Tailor Shape is a block of pressed pigment, designed for drawing and painting. Extremely soft and water-soluble ArtGraf Tailor Shape allows you to produce a wide range of colours, and light, dark and opaque colours. ArtGraf Tailor Shape is an excellent tool for drawing and painting. Monochromatic Set of 3 ArtGraf Tailor Shape pieces identified with ColorADD code - Inspired by the traditional tailor’s pencil, the ArtGraf Tailor Shape is a block of pressed pigment, designed for drawing and painting. Extremely soft and water-soluble ArtGraf Tailor Shape allows you to produce a wide range of colours, and light, dark and opaque colours. ArtGraf Tailor Shape is an excellent tool for drawing and painting. Water-Soluble Graphite Tin Pans - Paint with a pencil! ArtGraf graphite watercolour is a revolutionary product that totally changes the artist’s relationship with graphite. Pencil painting is perhaps the best expression to define the artistic potential of this material, with which the user can obtain the full scale graphite shades, only with a brush and water. Possible to apply on different surfaces, fast drying, but with great capacity of correction, the ArtGraf watercolours are ground-breaking products. Under the protection of José EmÃdio’s guardian angel, the two versions, the pocket (20gr) and the studio version (60gr) will set brushes wagging Watersoluable Soft Sticks -The ArtGraf Stick is a 9cm long, very soft, highly soluble watercolour graphite stick that allows you to achieve an extensive range of grey shades. Perfect for traditional drawings with graphite, water to highlight details and create watercolour effects. See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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