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Da Vinci Pro Birch Wood Panel 16"x16", 1-5/8" DeepSave Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Da Vinci Pro Resist-Grip Panel 16"x16", 2" DeepSave Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Ultra Smooth Panel 16"x16", 2" DeepSave Up to75%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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The Edge All Media PRO Cotton Canvas, 16"x16" - 1-1/2" Deep (Box of 3)Save Up to92%Off listWhite Four Clean, Paintable Edges for Frameless Artwork Presentation! Superior Priming For The Best Overall Results! The greatest selection of sizes. Thus, giving the artist a reasonable cost solution for wherever their inspiration leads them. 78 sizes in al! Improving on one of the most beloved artist canvases isn’t easy, but Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Look for The Edge All Media Cotton Canvases in even deeper depths for an even more striking presentation! Key Features:* Available in: Singles or Boxes of 3* Squares, Value Packs of 9* 14oz primed weight* 8oz. raw weight before priming* 100% cotton canvas* Triple acrylic primed* Medium texture canvas* Deluxe stretched canvas* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materialsThe Edge All Media 1-1/2" Deep Cotton Stretched Canvas Perfect For:* Oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas THE EDGE 1-1/2" DEEP French Landscape - After looking at stores in Paris, the main difference in sizing were sizes that were more gentile, than a 1 to 2 ratio. 10x15", 10x25", 12x18", 18x30", 20x20", 30x48" and 48x72" represent the ratios of 1 to 1-1/2 but also a few that were slightly wider. Seascapes, in these the slightly wider sizes. Squares/Diamond - Geometrically squares allow for various single and multiple canvas compositions. There are fifteen sizes ranging from 4x4" to 60x60". Squares used with extra-long canvases allow for many geometric multiple canvas compositions, as well. Rectangles/Portrait/Landscape - The most popular of shapes are rectangles. These work well with abstract expressionism, landscape and especially portrait or representative artwork. The Edge offers a huge array, providing the most possible alternatives for you. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! Singles up to size 24x36in. Boxes of 3 All Sizes Value Packs: Small Square Cotton Canvas 1-1/2" Gallery 9 Packs See More
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Ampersand Value Series Unprimed Basswood Panel 7/8" Cradle 16x16"Save Up to49%Off listNatural Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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New York Central Acrylic Matte Medium, GallonSave Up to55%Off list…Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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GOLDEN Fluid Acrylics Titanium White 1 gallonSave Up to30%Off listWhite GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Mediums Matte 1 gallonSave Up to30%Off list…altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More
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GOLDEN Acrylic Gel Mediums Fine Pumice 1 GallonSave Up to30%Off list…GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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GOLDEN GAC 500 Medium, 1 Gallon JugSave Up to30%Off list…as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium,… GAC 100% acrylic polymer mediums GOLDEN GAC mediums are useful as mediums or modifiers of acrylic paints. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. GAC mediums can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GOLDEN GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymer medium is very fluid, and thinner than other GOLDEN Mediums. Since they do not have thickeners added, these polymers will reduce the thickness of most GOLDEN Acrylic Paints. Fluid Acrylics are slightly thicker than the GACs, but will be the color line least changed in viscosity with any addition of a GAC polymer. Each GAC medium represents a unique polymer that offers certain specific attributes. Therefore, each GAC medium will have its own unique benefits and applications. * GAC 100 Primer Extender Acrylic Polymer Medium: Universal acrylic polymer. Is a thin, translucent, gloss medium. Useful for thinning or extending colors as well as increasing flexibility. Wets out solids more readily than other polymers and is useful for creating homemade paints. GAC 100 provides basic protection from Support Induced Discoloration (SID) * GAC 200 Hard Acrylic Extender Polymer Medium: Promotes adhesion and film hardness. Hard acrylic extender for non-porous surfaces is the hardest and least flexible polymer we offer. It is Ideal for mixing with acrylic colors to increase film hardness, reduce dry film tack and to increase adhesion to many non-porous surfaces. Dries to a clear, high gloss, finish. GAC 200 is not recommended for flexible supports. * GAC 400 Low Crazing Acrylic Extender Polymer Medium: Stiffens textile fibers. Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film. * GAC 500 Self-Leveling Acrylic Polymer Medium: Extends fluid acrylics. Gloss extender for Fluid Acrylic Colors is a unique balance of film hardness and flexibility offering increased leveling, increased mar resistance and decreased dry film tack. GAC 500 is particularly useful for extending Fluid Acrylic Colors with minimal property change. It can be mixed with Airbrush Transparent Extender for a fast-drying, sprayable isolation coat. * GAC 800 Low Crazing Acrylic Extender Polymer Medium (Pouring Medium): Reduces crazing. GAC 800 is a medium specifically produced to modify paints for pouring, such as when pouring a puddle onto a paint surface Is a low-crazing extender for pouring acrylic colors. "Crazing" is the formation crevices in surfaces that develop as acrylic paints and mediums dry. The addition of GAC 800 promotes drying with a smooth, even film, good gloss and flexibility, but with moderate clarity. GAC 800 is also useful for adhesion to chalky surfaces. * GAC 900 Fabric Medium: Fabric painting medium. Heat set fabric painting medium, offers a very soft hand and laundering stability. Mix with High Flow Acrylics to produce "tie-dye" effects, or blend with GOLDEN Heavy Body, Matte or Fluid Acrylics for brush or screen application.* See More
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Liquitex Professional Soft Body Acrylic, Titanium White GallonSave Up to32%Off listWhite Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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GOLDEN High Flow Acrylic, Carbon Black, 1 gallonSave Up to30%Off listGrey High-fluidity, ink-like acrylic colors perfect for airbrush, illustration, mixed media and more! Acrylic paint innovators GOLDEN have developed a versatile new line of ultra-fluid colors ideal for any application from calligraphy to crafts! High Flow acrylics flow like ink and are non-clogging but boast the same intense pigment load, high lightfast ratings, and superior permanence as exhibited in GOLDEN's other professional quality paint lines. High Flow Acrylics can be used in refillable paint markers, technical pens, and airbrushes but perform equally well with traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle! The artistic possibilities are endless. Available in a wide range of 49 vibrant, intermixable colors, GOLDEN High-Flow acrylics work beautifully on almost any surface, including paper, raw or primed canvas, board, wood, fabric, and more. Whether doing technical drawings, airbrush art, calligraphy, graffiti, watercolor techniques, illustration, detailed or abstract art, new GOLDEN High Flow Acrylic Colors can keep up with your every artistic move! Key Features:* Super-fluid, high intensity acrylic paint* Superior pigment load & light fastness* 85 colors including iridescent & fluorescents* All compatible with GOLDEN acrylics & mediums* Can be used in refillable paint markers, technical pens, and airbrushes* High Flow acrylics work beautifully on almost any surface* * Available in 1 oz., 4 oz., 16 oz., & gallon bottles Perfect For:* Airbrush, technical pen & refillable marker* Traditional painting & illustration techniques* Staining, washing, & pouring straight from the bottle* A versatile, ink-like paint ideal for any artist!* Paper, raw or primed canvas, board, wood, fabric, and more* Traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle What are High Flow Acrylics? High Flow Acrylics are GOLDEN'S newest acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media. See More
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GOLDEN Heavy Body Acrylics - C.P. Cadmium Orange, GallonSave Up to30%Off listOrange Golden Heavy Body Acrylic Paints - Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Gamblin Cold Wax Medium 1 GallonSave Up to25%Off list…- Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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GOLDEN Absorbent Ground Gallon, 128oz BucketSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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Golden Silkscreen Medium galSave Up to30%Off list…* Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More
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GOLDEN Gesso Black 1 gallonSave Up to30%Off listBlack A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Golden Fluid Matte Medium, 1 Gallon (128oz) JugSave Up to30%Off list…transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Golden Gloss Medium Polymer 1 gallonSave Up to30%Off list…is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More
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GOLDEN Gesso Pastel Ground 1 gallonSave Up to30%Off list…with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Crackle Paste Medium, 1 gallon (128oz)Save Up to30%Off list…thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More
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Golden Color Pouring Medium Matte GallonSave Up to30%Off list…craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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Da Vinci Pro Liquid Art Panel 16"x16", 3/4" Deep (Box of 12)Save Up to68%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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StudioSolv™ Artist Oil Thinning Medium, 1 GallonSave Up to69%Off list…turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Da Vinci Pro Medium Textured Panel 16"x16", 1-5/8" DeepSave Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Gamblin Cold Wax Medium 1 GallonSave Up to25%Off list…a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More
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Gamblin Gamsol 1 Gallon, Odorless Mineral SpiritsSave Up to25%Off list…this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar,… The safest solvent that allows oil painters to utilize all traditional painting techniques without compromise Quality solvent and medium and for general oil painting: Thinning oil colors, Modifying painting mediums. Gamblin Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits - Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Primary Uses for Gamsol:* Thinning oil colors. A little goes a long way; stiff oil colors relax immediately when a little Gamsol is added. Be careful not to thin oil colors too much with solvent alone, this can compromise the ability of the paint to form a paint film.* Modifying painting mediums. Our Galkyd line of painting mediums are formulated with Gamsol, so they readily accept Gamsol as a thinning agent. Note: Gamsol should not be added to painting mediums made with natural resins (dammar, copal, mastic). They require strong solvents such as turpentine.* Studio clean-up: brushes, palettes, palette knives, etc.* Odorless* Available in the following sizes: 4.2 oz,16.9 oz, 33.8 oz, 128 oz* No solvent odors, only the wonderful smell of oil colors* Widely used in oil painting classrooms* Flash point: 62.2 °C / 144.0 °F (See SDS Sheet) How does Gamsol achieve this level of performance and safety? Most solvents available to artists come from the industrial paint industry where solvent power and cheapness is prized. Gamsol is special: it is made for products and processes that come into more intimate contact with the body such as cosmetics, hand cleaners, and cleaning food service equipment. Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Aromatic solvents are the most harmful types of petroleum solvents. The Gamsol SDS shows that it has an Exposure Limit Value higher than most solvents available to artists. In addition, Gamsol’s flash point allows it to ship via air cargo as a non-hazardous material. All of these factors have lead to Gamsol being used widely in oil painting classrooms; in those classes, there are no solvent odors, only the wonderful smell of oil colors See More
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GOLDEN Airbrush Medium Gallon JugSave Up to30%Off list…Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While… GOLDEN'S Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. See More
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Ampersand Value Series Artist Cradled Panel 1-1/2" Deep, Canvas Finish 16" x 16"Save Up to42%Off listWhite Performs Like a Panel, Feels Like Canvas! Do you want more control over your paint application and truer brighter colors? Then try Ampersand's Artist Panel - Primed Canvas Texture, a high-quality painting panel primed with acid-free acrylic gesso. The ready-to-paint surface is like a gessoed canvas in texture, appearance and absorbency, giving artists the familiar feel of a fine linen or canvas with the additional advantage of painting on a rigid surface. The durable, rigid, medium density fiberboard (MDF) support makes the Primed Canvas Texture panel ideal for palette-knife painting and multimedia applications. The familiar canvas texture makes this a great introduction to panel painting! Key Features: * Advantages of a panel with a familiar canvas texture * Semi-absorbent acid-free ground perfect for oil paints, acrylic, or mixed media * Ready to use, no need to mount canvas or apply gesso * 3/8” flat format has a ready to display hang slot on the back * Birch plywood cradle construction Perfect For:* Palette-knife painting and multimedia applications. * More control over your paint application and truer brighter colors* Altered art, collage and found objects* Ready-to-paint panel coated with acrylic gesso and ideal for use with oil and acrylic paints* An amazing quality for the price! These wood panels will not give, bend or flex As with all of Ampersand’s panels, they are made with quality materials that have been tested for durability and for performance with artists’ paints. Panels are available in three distinct profiles - 3/8" flat and 3/4" or 1-1/2" cradled. 3/8" Flat Profile With Hanging Slot - The 3/8" flat profile panels come with built in hanging slots for an easy and affordable way to display your finished art. The cradle support frames are handcrafted using 1/2" birch plywood, offering extreme stability and support. Traditional Profile With 3/4" Cradle - This profile can be hung on a wall or placed into a traditional frame similar to a traditional canvas. The frame is made with light colored birch plywood. Gallery Profile With 1-1/2" Cradle - This profile mirrors a gallery profile canvas. The frame is made with light colored birch plywood that can be painted or stained, providing artists with a ready-to-hang surface. See More
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Ampersand Artist Primed Smooth 1-1/2" Cradled Panel 16" x 16"Save Up to50%Off listWhite Perfectly primed: ideal for all painting styles Ampersand Value Series Artist Panels have a primed smooth finish that is perfect for artists working with oils, acrylics, mixed media, and more! Made from Ampersand's signature 1/8" thick hardboard masonite, either flat or mounted to a 7/8" or 1-1/2" primed pine wood cradle, Smooth Artist Panels are archival, warp-resistant and are ready for immediate use. The plate-smooth surface consists of multiple layers of acrylic gesso, ready for painting and creating in acrylic or oil colors, alkyds, dry media, mixed media, and collage. These panels are also the ideal choice for mounting flexible surfaces like canvas, paper, and prints. If you're looking for an economical alternative to traditional canvas painting surfaces, look no further than Ampersand Value Series Smooth Artist Panels! Key Features:* Ready to use, pre-gessoed wood panel* Ultra-smooth, semi-absorbent, acid-free ground * A great base for mounting canvas, paper, photos, and giclees * 3/8” flat format has a ready to display hang slot on the back * Birch plywood cradle construction Perfect For:* Oil paints, inks, collage, acrylic, pouring, graphite pencils and more * Excellent surface for collage and mixed media* Mount canvas or paper for a more stable support* An unbeatable value! See More
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The Edge All Media Pro Cotton Canvas, 16"x16" - 11/16" Deep (Box of 6)Save Up to83%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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Paramount PRO Cotton 16" x 16" Stretched Canvas, 11/16" Deep (Single)Save Up to68%Off listWhite Professional, Versatile 100% Unbleached Cotton Triple-Primed & Acid Free. Better canvas for better results! Good for oil, acrylic and alkyd paints Paramount provides you with a professional stretched canvas in every aspect. The canvas is a heavyweight 12 oz triple primed 100% pure unbleached cotton. The primer is acid-free. The surface has just the right tooth (medium surface tooth) to accept paint and allow for building up texture and vigorous working. The canvas is stretched onto the back of the canvas to allow you to re-stretch at any time without sacrificing your finished painting. The solid wood stretcher bars have a full outer lip and the stretching is tight to provide excellent "bounce back" at each stroke. This economical canvas considers the painter creating a great product for painting in all media. Paramount canvas is 12oz. triple primed weight and can take heavy textural buildups with less sagging than other canvases Get a Professional canvas at Jerry's affordable prices. Better canvas for better results! Key Features:* Available in: Singles & Boxes of 6* 12oz. primed weight / 7oz. unprimed* 11/16" Deep* Unbleached, 100% cotton canvas* Triple-primed with acid-free titanium white acrylic primer* Medium tooth surface* Back-stapled to allow for keying or re-stretching (keys included)* 4 paintable edges* Frameless presentation Perfect For:* Oil, alkyds and acrylic paints* Re-stretching at any time without sacrificing your finished painting* Artists of any skill level* The best outcome & final works of art* Artists seeking quality professional canvas* The solid wood stretcher bars have a full outer lip and the stretching is tight to provide excellent "bounce back" at each stroke. This professional yet affordable canvas considers the painter, creating a great product for painting in all media. Paramount canvas is 12oz. triple primed weight and can take heavy textural buildups with less sagging than other canvases. See More
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Ampersand Museum Series Gessobord 2" Cradled Panel 16" x 16"Save Up to40%Off listWhite Gessobord™ The #1 Painting Panel for Oils and Acrylics It's true. Ampersand Museum Series Gessobord™ is the most trusted pre-gessoed wood panel by artists for their work. The superior, professional quality acrylic gesso ground does not dull colors, and the wonderful lightly sanded surface provides exceptional paint adhesion and brush control. The bright titanium white ground makes colors pop, or can easily be tinted with any ground color of choice. Just unwrap and paint, no additional priming needed! Choose from 1/8" Flat Panels, 3/4" Cradled, 1.5" and 2” Deep Cradled Panels, all made in the USA Made with Ampersand’s 1/8" True Artist Hardbord™ and Archiva-Seal™ technology, the surface is acid-free, non-yellowing, and archival. Perfect for all painting techniques with traditional and water-mixable oils, acrylics and acrylic gouache, and even brittle paints like Egg Tempera and Caseins! A delicate enough surface for glazing, fluid brush strokes, and tight detail, it is still tough enough to hold up to the most rigorous palette knife painting, collage, and mixed media applications. Only Ampersand builds their cradles by hand with premium grade 13-ply birch hardboard for maximum stability and a clean, finished look from edge to edge. Gessobord is manufactured from products that are sustainably forested, to ensure the protection of wildlife, plants, soil, and water. Panels are formaldehyde-free, and contain no harmful volatile organic compounds. The most trusted pre-gessoed wood panel by artists for their work. The #1 painting panel for oil & acrylics! Key Features: * Ready to use, pre-gessoed wood panel * 88% thicker gesso than other brands * Ideal for oil paints, acrylics, and mixed media * Lightly sanded surface provides exceptional brush control * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly and fully made in the USA * Perfect For: * Oils, Acrylics, and Mixed Media * Brittle media like Caseins and Egg Tempera * Excellent for anything from fine brushwork to palette knife painting * Ideal for thin glazing, alla prima, and even impasto * Tough enough to hold the most rigorous pallet knife painting and collage * Plein air painting - 1/8” panels fit easily into pochade boxes * #1 painting panel for oil & acrylics! * 1/8” Flat Panels- perfect for plein air or studio painting; fit most standard rabbeted frames. * 3/4” Cradled Panels - offer more support for heavier weight media like collage, mixed media, or heavy texture applications; fit traditional canvas-style framing. * 1 1/2” Cradled Panels - can be used with all techniques and mediums, standard gallery depth sides can stand alone or frame with floater-style framing options. * 2” Deep Cradled Panels - offers maximum support and frameless presentation, all in one. See More
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Winsor & Newton Professional Canvas Standard Depth (0.82") Stretched Canvas-16"x16" (Box of 5)Save Up to61%Off listWhite Create your next masterpiece with these with professionally prepped stretched cotton canvas! Born from a rich heritage of commitment to quality and innovation, Winsor & Newton Professional Canvas features cotton canvas primed with pigment rich Gesso and warp-resistant, kiln-dried, heavy duty solid pine stretcher bars. With its balanced absorbency and medium tooth, this acid-free, archival canvas is wonderfully responsive to every brushstroke, really allowed paint to adhere to the textured surface. Available in standard depth and gallery deep edge, each canvas has a little extra cloth with its tailored and uncut corners, and includes the new Winsor & Newton pro-stretcher. Each canvas includes the Pro-Stretcher, an innovative stretching device that's custom-made for Winsor & Newton. Strong and compact, it allows you to create an immaculate bespoke surface, stretched exactly as you want it. This exclusive stretcher is easy to use and delivers precision tension. Key Features: * Professional Cotton Canvas * Pre-primed, the cotton canvas weighs 10.6 oz. Primed weight is 16.9 oz. * Weight 480gsm, Surface Cotton, Wood Type Heavy Duty Solid Pine * Primed with pigment rich Gesso primer * Warp-resistant, heavy duty solid pine stretcher bars * Acid-free, archival canvas with a medium tooth * Includes the Winsor & Newton pro-stretcher * Choose a Traditional or Deep Edge profile * Balanced absorbency and tooth prevents shrinking * Back stapled with folded uncut corners Perfect For: * Traditional Canvas with medium texture, ideal for use with oil and acrylic paints * Deep Edged Traditional Canvas with medium texture, ideal for use with oil and acrylic paint * Professional painters * Oils & acrylics * Fine art students * Mixed media projects Pro-Stretcher * Precision tension that you can control * Professional look for back of canvas * Strong, will not release * Easy to use, no fuss * Small and compact * Patent-pending technology The professionally constructed frames are crafted from heavy-duty, kiln-dried solid pine stretcher bars and rigorously tested for warp-resistance. See More
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