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Lian Zhen's Black Sumi Ink, 100 GramsSave Up to66%Off list…touch to any piece. Traditional Chinese Painting Brushes: This set of 4 brushes features various hair types, perfect for creating everything from delicate lines to bold strokes. They are ideal for Chinese painting, Sumi-e, watercolor, and calligraphy. The set includes Round sizes #00, #8, #10, and… Explore the Rich Heritage of Chinese Art Delve into the artistry of Lian Quan Zhen, a master watercolorist whose work bridges the rich traditions of Eastern art with contemporary techniques. This exclusive collection features the essential tools Lian Quan Zhen uses in his work, offering watercolorists, printmakers, and mixed-media artists the opportunity to explore their creativity with high-quality, authentic materials. Traditional Rice Paper: Perfect for watercolor and printmaking, this acid-free rice paper offers a delicate off-white surface that beautifully absorbs color. The paper is sold in a rolled package of 5 sheets, each measuring 27-1/4" x 54-1/2". Sparkle Rice Paper: Add a touch of magic to your art with this unique rice paper featuring micro mica sparkles. The subtle shimmer enhances the depth and texture of your work, making it ideal for projects that require a little sparkle. The paper is sold in a rolled package of 5 sheets, each measuring 27-1/4" x 54-1/2". Black Sumi-e Ink: This permanent black ink, used by master painters across China, is a staple in Lian Quan Zhen's studio. Its rich, deep tones are perfect for creating bold outlines and intricate details in his eastern-inspired paintings. Chop and Red Paste Ink Signature Box Set: Use this beautifully crafted set to sign your artwork with a traditional Chinese chop mark. The carvable soapstone chop, paired with lightfast red ink paste, ensures that your signature remains bold and lasting, adding an authentic touch to any piece. Traditional Chinese Painting Brushes: This set of 4 brushes features various hair types, perfect for creating everything from delicate lines to bold strokes. They are ideal for Chinese painting, Sumi-e, watercolor, and calligraphy. The set includes Round sizes #00, #8, #10, and #12. Whether you are working on delicate watercolor pieces or bold printmaking projects, Lian Quan Zhen's products offer superior performance and connect you to the rich heritage of Chinese art. Key Features: * Rice Paper: Acid-free, off-white, perfect for watercolor * Sparkle Paper: Shimmering mica enhances the artwork * Sumi-e Ink: Deep black, waterproof, permanent finish * Chop Set: Carvable soapstone and traditional red ink * Recommended brush set of 4: Round sizes #00, #8, #10, and #12 Perfect For: * Watercolorists, printmakers, and mixed-media artists * Artists looking for high-quality traditional materials * Sumi-e Ink painting and calligraphy * Personalizing your artwork with a signature * Artists of all skill levels seeking quality tools Lian Quan Zhen Lian Quan Zhen is a sought-after watercolorist and teacher in the US and abroad. After immigrating to the US in 1985, he obtained a Bachelor of Arts from the University of California at Berkeley in 1992 and a Master of Architecture Degree from MIT in 1996. Lian Quan Zhen's work has an international following and has been shown in the US, Hong Kong, and China. His paintings hang in numerous institutional and private collections. See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to20%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Masters Choice Watercolor Block 140 lb Rough 7.09x10.24 in 20-SheetSave Up to36%Off listWhite Strong, robust paper for all watercolor techniques! Master's Choice Artists' watercolor paper and blocks by Baohung was painstakingly developed over three years by world-renowned artists and the small family-owned Baohong mill. Initially released in Australia, Baohong watercolor paper has a rabid fan base led by famous watercolorists such as David Taylor. Made with 100% natural cotton and sized internally and externally with traditional gelatin, the 140 lb. (300 gsm) paper is available in hot press, cold press, and rough textures in both sheets and blocks. The Masters Choice by Baohong watercolor paper blocks are glued on all four sides, eliminating the need to stretch the paper before painting, as the glue prevents the sheet from buckling during painting. Reasonably priced Master's Choice Watercolor Papers are durable and perform well against the top watercolor papers on the market. Whether you are painting with watercolors or drawing with ink, Master's Choice Artists' Watercolor sheets and blocks provide an extraordinary surface for creative expression. Key Features: * Acid-free 100% cotton paper * Chlorine-free, pH-neutral, and archival * 140 lb. (300 gsm) paper * Available rough, cold, and hot press * Natural gelatine sizing * Unrivaled workability * Durable paper less likely to curl or warp * Natural White, no optical bleaches * Compare with other named brand watercolor papers * Full sheets are deckled on all four sides * Watermarked sheets * Block contains 20 sheets * Blocks are glued on all four sides Perfect For: * Watercolor artists * Watercolors, gouache, acrylics, and ink * Wet and dry watercolor techniques * Repeated erasing and painting * Creating professional artwork * Sketching, printmaking or drawing * Blocks eliminate the need to stretch paper * Traveling or spontaneous creativity * Portable painting surface * Plein air artists! See More
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