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Related Categories: 9x12 Panels | 9x12 Frame | Gray Tone Paper | Palette Tray | Stretcher Brace | Pallet Pad | 9x12 | 9x12 Mat
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Sennelier Oil Pastel Pad 11-3/4" x 15-3/4"Save Up to31%Off listSpiral bound pads that feature 12 sheets of 160 lb. acid-free paper. Designed specifically to be used with Sennelier Oil Pastels. Sennelier oil pastels are acid-free and chemically stable, with no oxidation of color. This prevents deterioration of the surface and the support while guaranteeing… Spiral bound pads that feature 12 sheets of 160 lb. acid-free paper. Designed specifically to be used with Sennelier Oil Pastels. Sennelier oil pastels are acid-free and chemically stable, with no oxidation of color. This prevents deterioration of the surface and the support while guaranteeing non-yellowing colors. See More
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Sennelier La Carte Pastel Card Pad 12"x16", 12 SheetsSave Up to47%Off listWork on a uniform texture that grabs and holds color Sennelier developed La Carte Pastel Paper Pads, especially for pastel painting. It's easy to work with the 200 lb. cards because they are stiff and hard to damage or crease. The surface of each pastel card is covered with a finely ground blend of… Work on a uniform texture that grabs and holds color Sennelier developed La Carte Pastel Paper Pads, especially for pastel painting. It's easy to work with the 200 lb. cards because they are stiff and hard to damage or crease. The surface of each pastel card is covered with a finely ground blend of cork and vegetable flakes. This unique surface offers a uniform texture that grabs and holds the most delicate soft and oil pastels. You'll be amazed at how well the surface accepts pastel, charcoal, and pencil. Each pad contains 12 sheets, two each of six colors. 12 sheets per pad, 2 of each color: Naples Yellow, Natural Sienna, Burnt Sienna, Light Blue, Light Gray, and Anthracite Black. Key Features: * 200 lb Card weight * Each pad contains 12 sheets * The velvety texture holds pastel layers well * A layer of microfibrous cork and vegetable flakes * Ph neutral pure wood cardboard * Acid-free and lightfast * The card is hard to fold or puncture * Glue-bound for easy sheet removal * The surface can hold up to 25 layers of soft pastel Perfect For: * Oil and soft pastels * Charcoal and graphite * Pastellists and colored pencil artists * Illustrators, designers, fine arts * Conte' crayons See More
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Yasutomo Kozo Art Paper 58 gsm 13-3/4" x 10-1/2" Sheet (Pack of 10)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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