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Related Categories: 18x24 Canvas | Extra Large Stretched Canvas | 18x18 | Wood Panels | Masonite | 20x30 Canvas | Canvas 5x5" | Mixed Media Paper
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Yasutomo Mineral Paper Mixed Media PadsSave Up to20%Off listPaper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it is tear-resistant, foldable, non-wrinkling, and will not allow color-bleed through even when… Paper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it is tear-resistant, foldable, non-wrinkling, and will not allow color-bleed through even when soaked. Mineral Paper has a smooth, vellum-like velvety feel and a nice amount of tooth for wet and dry media. Silverpoint is a drawing medium that Medieval scribes and artists used to create manuscripts and renderings on gesso-prepared surfaces. Mineral Paper accepts silverpoint without needing gesso, making it a convenient surface for silverpoint. Key Features: * Acid-free bright white paper * 80% calcium carbonate bonded with HDPE (plastic) * Can handle more abuse than traditional paper * Available in 100 lb. or 160 lb. weight * Smooth, vellum-like velvety feel * Nice amount of tooth for wet media * Tear-resistant, foldable, and non-wrinkling * Will not allow color-bleed through even when soaked * Not recommended for oil-based paints or oil pastels Perfect For: * Silverpoint, alcohol inks, watercolors, and colored pencils * Graphite, acrylic, and pan pastel * Crisp lines and saturated colors * Emboss and deboss * Accepts varnish and glue * Inkjet printing (results will vary depending on the printer) Mineral Paper now comes in a heavier weight! 240 gsm Mineral Paper is more durable than previous versions and holds up better to various art techniques, including alcohol ink painting, silverpoint drawing, mixed media, and more. See More
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Yasutomo Japanese Watercolors SetsSave Up to36%Off list…artist grade semi-opaque watercolors have been traditionally used for Sumi-e and are perfect for traditional watercolor painting. Each pan is 1-3/4 x 1". Pearl Set of 6 -Â Six piece pearlescent watercolor set including Purple, Pink, Peach, Green, Blue and Lime. The pearlescents are translucent and… In addition to the monochromatic palette of warm and cool shades of black, Sumi-e painting incorporates a varied range of pigmented colors. These finely ground artist grade semi-opaque watercolors have been traditionally used for Sumi-e and are perfect for traditional watercolor painting. Each pan is 1-3/4 x 1". Pearl Set of 6 -Â Six piece pearlescent watercolor set including Purple, Pink, Peach, Green, Blue and Lime. The pearlescents are translucent and give a little shimmer to any painting. A treat for any watercolor artist! Set of 6 - Six piece Asian watercolor set including Metallic Gold, Reddish Gold, Chinese White, Red and Black. Set of 12 -Â The finest watercolors used by Japan's watercolorists and Sumi-e painters. This set includes twelve colorfast, highly concentrated colors in reusable rectangular containers. See More
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Yasutomo Suzuri Grinding StoneSave Up to25%Off list…Features: * S147 Suzuri grinding stone * Flat grinding stone used to make sumi ink * Sloping indentation with small well at one end * Size: 5-1/2" x 3" * Weight: 0.84 lbs Perfect For: * Sumi painting and calligraphy * Making Sumi ink * Multimedia artists * Sumi-e Artists * Artists of all skill… Flat grinding stone used to make sumi ink The Yasutomo Man-Made Suzuri Stone is a flat grinding stone used to make Sumi ink. A sloping indentation and small well at one end, the Sumi ink stick is ground on the stone surface with water to produce liquid ink. The man-made stone is a combination of powdered natural stone and cementing compound, which is molded under high pressure to produce a quality economical stone. The Suzuri Stone Sumi set contains two Sumi brushes, one Sumi ink stick, and one Suzuri stone in a beautiful paper box. An illustrated step-by-step instruction sheet on how to paint bamboo is included. A video QR code is also provided. Key Features: * S147 Suzuri grinding stone * Flat grinding stone used to make sumi ink * Sloping indentation with small well at one end * Size: 5-1/2" x 3" * Weight: 0.84 lbs Perfect For: * Sumi painting and calligraphy * Making Sumi ink * Multimedia artists * Sumi-e Artists * Artists of all skill levels See More
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Pro Lite Artist Stretcher Bars Box of 50 18"Save Up to70%Off list…impressions on the canvas. For re-stretching a painting, the bead is on both sides; therefore, you can turn the frame around and staple into raw wood on the back if you ever need to re-stretch. Pro-Lite Artist Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * Made… Genuine Pine Wood Stretcher Bars, 3/4" Deep, 1.75" Wide Pro-Lite Bars measure 1-3/4" in width and are a genuine 3/4" deep, while most brand leaders are only 1-5/8" wide and 5/8" deep. This 1/8" difference creates a sturdier frame. Although some stretcher bars do not use consistent types of wood, (some are Pine, some are Poplar, and some could be Bass), Pro-Lite bars are always made of Pine, so you know you are getting consistent quality. The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. For re-stretching a painting, the bead is on both sides; therefore, you can turn the frame around and staple into raw wood on the back if you ever need to re-stretch. Pro-Lite Artist Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * Made From Genuine Pine Wood * 1-3/4" Wide and 3/4" Deep * Tongue and groove design * Beaded edge on both sides * Quickly assemble by interlocking two strips * Lightweight for shipping and storage * Minimum purchase of 12 bars of assorted sizes Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 50 × 50" Please note: A minimum purchase of 12 assorted bars is required. Special Bulk Pricing for Boxes of 25 or 50! See More
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Yasutomo Art Paper and BoardsSave Up to32%Off listAuthentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen… Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Yasutomo Washi 6ML Kozo Paper 18"x30' Roll - WhiteSave Up to25%Off listWhite Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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