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Arches Natural White Watercolor Roll, 140lb Cold Press, 44-1/2" x 10ydSave Up to40%Off list…Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Canson Mi-Teintes Assorted Color Sheet Packs 19" x 25" (10 Sheets)Save Up to33%Off list…* Two distinct surface textures * 98 lb paper weight * Rolls available in Black and White Perfect For: * Pastellists, Colored Pencil Artists * Illustrators, Designers, and Fine Arts * Use with Charcoal, Conte’ sticks, Oil Pastels * Gelatin sizing accepts watercolor and gouaches * Use in Mixed Media A huge favorite with colored Pencil, charcoal, and pastel artists! Canson’s Mi-Teintes is one of the world’s most celebrated papers for colored pencils, pastels, charcoal, and Conte’. Canson Mi-Teintes Assorted Color Sheet Packs cover a variety of color styles, for all artistic needs and interests. Mi-Teintes has a 55% cotton rag content, is gelatin sized, and has a sturdy 98lb weight, making it very strong and allowing repeated re-working in a variety of media. Each sheet has two distinct surface textures, one smooth and one with grainy texture, making it a marvelous work surface for pastellists, colored pencil artists, and charcoal lovers that enjoy working on a toned ground. Sheet size is 19" x 25" with 60 different colors available, 10 sheets per pack. Rolls are available in White and Black, and are 59" X 11 yards long. Key Features: * 55% cotton rag * Gelatin sized * Two distinct surface textures * 98 lb paper weight * Rolls available in Black and White Perfect For: * Pastellists, Colored Pencil Artists * Illustrators, Designers, and Fine Arts * Use with Charcoal, Conte’ sticks, Oil Pastels * Gelatin sizing accepts watercolor and gouaches * Use in Mixed Media See More
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Arches Cover Paper 19-1/2" x 25-1/2", White - Pack of 10 sheetsSave Up to40%Off listWhite Papers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mouldmade in France. Key Features:* Heavyweight, Mouldmade papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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Sennelier La Carte Pastel Paper 19" x 25" (Pack of 10)Save Up to47%Off listGreen Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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Strathmore 500 Charcoal Paper 19"x25" - #130 White, Pack of 25Save Up to40%Off listWhite 100% Cotton Acid Free Premium Charcoal Paper/Pads The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Colors include bright white, white, black and nine tints. Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media Key Features: * 64 lb. 95 g/m2* Laid Surface* 100% cotton fiber* Raised texture* Acid-free paper* 24 Sheet Pads: Wire Bound Perfect For: * Graphite pencil* Colored pencil* Charcoal* Sketching stick* Soft pastel* Mixed media Its raised texture is also suitable for pen, pencil, or art crayon Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Colors in pad include 3 sheets each of eight colors.Please note: The manufacturer reserves the right to substitute colors in assorted packs. Colors may be different than pictured. See More
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Daler-Rowney Murano Paper 10 Pack 19x25" - StrawberrySave Up to54%Off listRed Breathing New Life into Traditional Pastel Paper Daler-Rowney’s Murano Textured Fine Art Papers have a luxurious feel thanks to its 45% cotton content and naturally textured surface. This paper is perfect for use with pastels, as well as colored pencils, charcoal, printmaking or multi-media use. Weighing in at 98 lbs or 160 gsms, and available in a wide range of 35 colors, Murano Art Papers are the perfect choice for artists. Key Features: * 35 Unique colors * Available in packs of 10 * Luxurious and natural textured surface Perfect For: * Pastels * Colored pencils or other dry media * Artists of all skill levels See More
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Yasutomo Washi 6MMK Kozo Paper 11"x60' Roll - WhiteSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Gamblin Galkyd Painting Medium 32 oz BottleSave Up to25%Off list…purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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