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Liquitex BASICS Acrylic White-Black-White Colors Set of 3, 4oz (Buy 2, Get 1 Free)Save Up to30%Off listWhite A great starting point for Acrylic Beginners and Students! Liquitex BASICS Acrylic line is developed for students and artists who need dependable quality at an economical price. BASICS are a medium viscosity paint made with lightfast, artist-quality pigments.. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Perfect for beginners, large-scale works or backgrounds, murals, and learning color mixing! Click the item number to learn about each set! Key Features: * Dependable and affordable * Value/Student Series Acrylic * Excellent working qualities * Made with lightfast, artist-quality pigments * Click on the paper icon to read about each set * Perfect For: * Underpainting or sketching if you’re a serious artist * Students learning Acrylics * Artists painting large scale * Budget-minded Artists * Make great gifts! See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Painter's Color Diary 9"x12" Wire Bound Pad, WatercolorSave Up to54%Off listWhite Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More
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Gamblin PVA Sizing 33.8oz, Artists' Oil Painting MediumSave Up to40%Off listWhite PVA Size - Poly Vinyl Acetate- Contemporary size for fabric support Gamblin PVA Size- Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible - won't yellow, shrink or swell. PVA Size is made from PVA that has a neutral pH and does not yellow. Retains its flexibility and does not emit harmful volatiles. Key Features:* Sizes: Sizes: 8.5 Oz, 33.8 Oz* Use neutral pH PVA size on linen and canvas instead of rabbit skin glue* Does not swell and shrink like rabbit skin glue does* Seals the fabric but does not re-absorb atmospheric moisture* Neutral pH and does not yellow* Retains its flexibility* Does not emit harmful volatiles Diluted with distilled water, PVA size (Poly Vinyl Acetate) is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. Gamblin PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles. See More
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Asagami Art Paper Sheet 43gsm, 5"x10" (20 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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New Wave White Palette Handheld Palette 11" x 16"Save Up to25%Off listWhite Designed with the artist in mind! Disposable White Paper Palette Pads - Won't Show Through! The New Wave White Palette Pads raise the bar for disposable palette pads. This disposable paper palette contains brilliant white sheets made from extremely durable paper stock that is coated to make sure there is no leakage. This means paint wont bleed through a page. Each page is glued on 3 edges so that your pages stay fastened while you paint and wont blow or curl in the wind while paint outside. Perfect for working with all wet media including oils, acrylics or gouache, these pads will not bleed. The size is 11x16" for easy transportation or storage, and each pad includes 40 pages. Available in standard rectangle shape and the ergonomic hand-held model. Key Features: * Extremely durable white paper stock palettes * 11x16" * 40 Disposable pages per pad * 2 styles available * Made in the USA! Perfect For: * Oil, acrylic, gouache and all media * Mixing paint * Ergonomic, comfortable painting * Easy clean up- just throw away Designed with the artist in mind! Disposable White Paper Palette Pads - Won't Show Through! The New Wave White Palette Pads raise the bar for disposable palette pads. This disposable paper palette contains brilliant white sheets made from extremely durable paper stock that is coated to make sure there is no leakage. This means paint wont bleed through a page. Each page is glued on 3 edges so that your pages stay fastened while you paint and wont blow or curl in the wind while paint outside. Perfect for working with all wet media including oils, acrylics or gouache, these pads will not bleed. The size is 11x16" for easy transportation or storage, and each pad includes 40 pages. Available in standard rectangle shape and the ergonomic hand-held model. Key Features: * Extremely durable white paper stock palettes * 11x16" * 40 Disposable pages per pad * 2 styles available * Made in the USA! Perfect For: * Oil, acrylic, gouache and all media * Mixing paint * Ergonomic, comfortable painting * Easy clean up- just throw away Designed with the artist in mind! Disposable White Paper Palette Pads - Won't Show Through! The New Wave White Palette Pads raise the bar for disposable palette pads. This disposable paper palette contains brilliant white sheets made from extremely durable paper stock that is coated to make sure there is no leakage. This means paint wont bleed through a page. Each page is glued on 3 edges so that your pages stay fastened while you paint and wont blow or curl in the wind while paint outside. Perfect for working with all wet media including oils, acrylics or gouache, these pads will not bleed. The size is 11x16" for easy transportation or storage, and each pad includes 40 pages. Available in standard rectangle shape and the ergonomic hand-held model. Key Features: * Extremely durable white paper stock palettes * 11x16" * 40 Disposable pages per pad * 2 styles available * Made in the USA! Perfect For: * Oil, acrylic, gouache and all media * Mixing paint * Ergonomic, comfortable painting * Easy clean up- just throw away See More
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Derwent Inktense Water-Soluble Block Antique WhiteSave Up to40%Off listWhite Inktense blocks deliver vibrant and versatile color! Experience the brilliance and versatility of Derwent Inktense Blocks perfect for a variety of projects. Inktense blocks are water soluble sticks that produce vibrant strokes and washes, and dry to a permanent finish. Use Inktense Blocks either wet or dry; sketch with the stick and wash over with water; dip in water and draw directly; shave the block to powder and mix with water to make paint the possibilities are endless! Pick up a set today, and add a new dimension to all your water media art! The watersoluble Inktense blocks can be used on their edge or side for different techniques and are ideal for use on a variety of surfaces including ceramic, wood and fabric as well as paper Key Features:* Sketching blocks can be used wet or dry* Richly pigmented, brilliant colors* Layer up intense vibrant colors* Water soluble color dries to a permanent finish that can be worked over* Permanent when dry Perfect For:* Professional artists and students* Use dry or with water* Bold, expressive art on paper, card, and fabric* Mixed media applications!   Tin Sets of 12, 24, 36 or 72 These handy, well-balanced sets of either 12 or the full range of 24 colors are a great introduction to this fascinating medium, and are also perfect for travel! See More
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Winsor & Newton Cotman Watercolor 8 ml Tube - Chinese WhiteSave Up to46%Off listWhite Quality watercolors at affordable prices! Winsor & Newton produce their Cotman Watercolors at a reduced cost for students and beginners while meeting quality standards. They use modern organic pigments instead of costly metallics to make their quality colors affordable. Some of the rare pigments used in Artists' Watercolors are replaced with less expensive alternatives in the Cotman line. The range of 40 colors offers excellent lightfastness and tinting strength. All the colors mix cleanly and are easy to manipulate with a brush or sponge. Key Features: * Available in: 8ml and 21ml tubes * 40 beautiful tones * Excellent tinting strength * Affordable but uncompromising in quality * Easy to work with * Good transparency * Imported from England Perfect For: * Students and beginners * Painting watercolor washes * Gradient effects * Basic and advanced color mixing * Creating long-lasting works of art * Artists of all skill levels See More
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Derwent Watercolor Pencil Individual No. 72 - Chinese WhiteSave Up to40%Off listWhite The beauty of watercolour, the precision of pencil Derwent Watercolour Pencils can be used to create beautiful artwork with the subtlety of watercolor with the precision of a pencil. These pencils are easy to blend and layer and can be used wet or dry. They sharpen to a point for more detailed work, allowing for more precise control. Derwent Watercolour Pencils allow you to switch from drawing to painting instantly without changing tools. You can use them to shade on dry paper and quickly wash over those areas with a wet brush to create a blending effect. Key Features: * Water-soluble * Hexagonal 6.9 mm barrel * 3.4 mm core Perfect For: * Professional artists and students * Detailed illustration * Bold watercolour pencil drawings See More
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Derwent Inktense Pencil - Antique WhiteSave Up to16%Off listWhite Water-Soluble Colored Pencil to ink in just one wash! Inktense Pencils are Derwents best watercolor pencils ever! You can use Inktense Pencils dry but mix them with water, and WOW! The color turns into vibrant ink. Once it's dry, the color is fixed, and you can work over the top of it because it is permanent. Derwent Inktense Pencils are great for using on fabric such as silk and cotton! Key Features:* Water-Soluble, Professional Quality Pencils* Colored Pencils are pre-sharpened* Use them dry or mix with water* Color is permanent once dry* Inktense Pencil Sets & Pencils* Sets of: 12, 24, 36, 72* Wood Box Set of 72* Round 8 mm barrel* Wide 4 mm core Perfect For:* Watercolorists* Pen and ink effects* Coloring book enthusiasts* Mixed media visual journals* Drawing on silk, cotton, paper, ceramic, and wood* Creating permanent fabric designs See More
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Holbein Acrylic Gouache 40 ml Titanium WhiteSave Up to35%Off listWhite Quality Pigments guarantee Brilliant Lasting Results! Holbein Acrylic Gouache is an opaque paint that blends and feels like gouache but dries to a permanent, water-resistant finish. You can use the opaque paint to create a bold background or layer different colors to build vibrant compositions. Wet colors on your palette have the same tone and vibrancy once dry because Holbein Acrylic Gouache has no color shift. The opaque paint dries to a velvety matte finish. It is compatible with all water-based paints and has excellent lightfastness. Key Features: * Acrylic water-based paint * Opaque colors dry to a velvet matte finish * No color shift from wet to dry * Compatible with water-based paints * Permanent once dry * Excellent lightfastness Perfect For: * Mixed media applications * Fine artists, illustrators, and designers * Great for creating precise details * Painting bold backgrounds * Painting with a brush, knife, or spatula * Students and professionals Many Different Sets To Choose From! Click on the item number to view the set specs See More
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World's Greatest White Acrylic Gesso Primer - 1 Gallon PailSave Up to56%Off listWhite Ultra-smooth, concentrated, ultra-white gesso for fine art in acrylics and oils! To produce a true masterpiece, begin at the base — with Jerry's World's Greatest Gesso! Our highly pigmented, bright white acrylic gesso has a thick, creamy consistency and smooth, even tooth, ideal for surface preparation. How to use: Add water until the concentrated gesso reaches your preferred consistency. Coat your canvas, panel, or board with steady, even strokes, and allow it to dry. Make sure to sand to the desired finish in between coats. For the best coverage, apply multiple thin, even coats in this manner, altering the brushstroke direction each time, and you'll achieve the perfect gessoed surface! Jerry's World's Greatest Gesso is the ideal choice for any artist, from student to professional. Our new 200ml Try Me Tube is perfect for anyone who wants to try out the gesso before buying it in a larger size. Key Features: * Bright white acrylic gesso primer * Thick, creamy consistency * Smooth, even-toothed finish * Available in 3 convenient sizes * Non-yellowing Perfect For: * A uniform painting surface * Artwork in acrylics, oils & alkyds * Beginner & professional artists * The basis of a masterpiece! Safety Tip: Always wear a mask when sanding gesso. See More
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Pebeo 4Artist Marker White Broad Bullet Nib 4 mmSave Up to25%Off listWhite Discover Your Own Ways of Painting with Oil-based Marker pens! Pébéo 4Artist oil-based paint markers offer highly pigmented, glossy, opaque mixable colors in a pen for precision drawing with oil colors. The range is available in 18 colors with excellent lightfastness and a gloss finish. The soft nibs allow for more fluid application compared with other paint markers. The colors adapt for work on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain, and plaster. Please note: You must prime the 4Artist oil-based paint marker before use. With the top on, shake the marker firmly to get the ball inside moving. Then, on a sheet of paper, press on the tip several times to soak it with paint. Key Features: * Multi technical oil based * Faster drying with glossy finish (5 to 15 minutes depending on the porosity of the surface and the thickness deposited) * Extremely versatile * Exceptional metallic colors * Excellent UV resistance * 2, 4, 8, and 15 mm nibs available * Vivid, opaque oil-based markers * Quick drying Perfect For: * Covering large areas * Can be used to sign oil paintings and giclees before varnishing * Graphic design and calligraphy * Mixed media applications * integrates perfectly with mixed media * Works well on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain and plaster Pebeo 4Artist Oil Based Paint Marker with 8mm chisel tip is a broad, vivid marker that is great for fine and graphic art, crafts and mixed media. Works on a variety of surfaces like canvas, paper, metal, glass, wood, plastic and cardboard. Colors are permanent and light-fast when dry. Pebeo 4Artist Oil Based Paint Markers 2mm are vivid, opaque oil-based markers that dry quickly and feature brightly colored caps so you can spot the one your are looking for quickly. 2 mm round tip works well for fine details and 4 mm round tip is best for design, finishing touches and writing. Colors can also be layered. Works well on canvas, paper, cardboard, wood, metal, plastic, glass, ceramic, porcelain and plaster. Pebeo 4Artist Oil Based Paint Marker 15mm BROAD NIB is available in 5 highly pigmented, glossy finish colors which offer excellent lightfastness across the entire color range. Ideal for applying on smooth, non-porous surfaces, the colors are quick-drying and can also be diluted, even after several weeks, to obtain shades, glazes, gradients and fading effects. Its unique formula brings traditional oil painting techniques to a whole new level. It is now possible to paint with oils while enjoying the properties of a paint marker (accuracy of line, colour overlays …). See More
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Liquitex Professional Spray Paint 400ml Can - Titanium WhiteSave Up to16%Off listWhite Revolutionary new spray paint developed for professional artists! Few names in the world of art supplies are as recognizable as Liquitex — innovators of art materials, Liquitex developed some of the first artists' acrylic paints in the mid-20th century. Now they have turned their considerable expertise to creating this revolutionary new line of professional artist spray paints! Liquitex Professional Acrylic Spray Paint is a unique medium developed specifically for professional artists, combining artist-grade pigments with innovative water-based technology to produce a spray that is low odor, lightfast, highly durable, and perfect for use both indoors and out. New redesigned nozzle to prevent clogging. Key Features: * Innovative water-based technology * No lead, CFCs or aromatic hydrocarbons * 100 colors match & intermix with Liquitex acrylics * 400ml cans with interchangeable nozzles Perfect For: * Graffiti & outdoor mural art * Studio use, indoor work & schools * Use with acrylics & mediums * Artwork on virtually any surface Featuring a wide range of 100 colors, Liquitex Spray Paint both matches and is completely compatible with their Heavy Body and Soft Body acrylic paint lines, and while clean up is easy when the paint is wet, when dry it is permanent and adheres well to virtually any surface from canvas and wood to cement, metal and even glass. Additionally, as there is absolutely no lead, CFCs or aromatic hydrocarbons used, Liquitex Spray Paints are safe for studio use, indoor art, and educational environments. Bring the high quality and dependability of Liquitex to all your graffiti, mural and spray paint art with new Professional Spray Paint! Packaging design may vary. See More
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Sennelier Giant Solid Oil Stick - Titanium Buff, 96mlSave Up to35%Off listWhite Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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Sennelier Extra Fine Artist Acrylic Gesso - White, 500ml JarSave Up to33%Off listWhite High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Daler-Rowney Gesso Primers 32 ozSave Up to34%Off listWhite Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More
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Liquitex Basics Acrylic Gesso, 250 mlSave Up to30%Off listWhite Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More
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Lascaux Primer Liter JarSave Up to38%Off listWhite A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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PrIma Economy Acrylic Gesso White 1 gallon
Starting At: 49.83
White Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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GOLDEN Absorbent Ground White 8 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New York Central Acrylic White Gesso, 32oz BottleSave Up to60%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Schmincke Horadam Watercolor Permanent Chinese White Half-PanSave Up to48%Off listWhite Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors in Germany since 1881. Today the Horadam line includes 139 glorious colors and 112 of those have the highest possible lightfastness rating. Ninety-five of the colors are formed with a single pigment for perfect mixing effects. Each color has its own optimized recipe made of the finest pigments, ONETZ (ox gall), and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. Colors flow smoothly and are inter-mixable. Key Features: * Aquarell: Half Pans, Whole Pans & Sets* * Highest possible lightfastness: 112 tones * Paint is reusable once dried on the palette * Gum Arabic binding medium * ONETZ (ox gall) dispersant * High control of paint flow * Pans poured 4 times in a liquid state for the highest yield * Made in Germany Perfect For: * Watercolorists and artists of all skill levels * Professional artists with high standards * Color mixing * Students, teachers, professionals * Plein Air painting * Soft sized papers Schmincke Horadam Watercolor Exclusive Wooden Box Set Limited Edition Curated Wood Box Set, While Supplies Last - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Winsor & Newton Artists Acrylic Mediums And Additives Clear Gesso 946 mlSave Up to40%Off listWhite Seals and stabilizes surface prior to painting, adding tooth for good adhesion! Because a high-quality painting begins with a high-quality base, start your painting right with Artists' Acrylic Clear or White Gesso! Both offer excellent tooth for great paint adhesion, are fast drying, and have a balanced absorbency. The White Gesso has a very high level of pigmentation for maximum opacity and covering power, meaning that 1 to 2 coats on unprimed canvas is all you need. The Clear Gesso is exactly that: clear, not milky like some other "clear" gessoes. It can be tinted with acrylics to add some color to your primer or used alone to allow the qualities of your canvas or board to show through. It also makes a great ground for pastels or charcoal. Both non-yellowing, flexible gessoes are perfect primers for all your acrylic, oil, and alkyd paintings! Clear Gesso - With all the tooth, absorbency, and fast-drying properties you need in a gesso, only completely clear! Not milky like some other "clear" gessoes, the unpigmented Artists' Acrylic resin base dries absolutely transparent; allowing you to either tint it with acrylics for a colored primer, or to use it alone and permit the qualities of your canvas or painting surface to show through. Perfect for acrylics, oils, and alkyds, it also makes an excellent ground for charcoals or pastels. White Gesso - With superior quality Artists' Acrylic resin base and a high level of pigmentation, this non-yellowing gesso gives the maximum of coverage in as little as one coat! (Though 2 coats are recommended for oil paintings) Fast-drying, flexible, and with a balanced absorbency, this gesso provides the perfect level of tooth to ensure good adhesion of your paint. Use it straight from the pot (dilution is not recommended) to provide a sealed and stabilized surface for all your acrylic, oil and alkyd paintings! Key Features:* High quality base for acrylic painting* Excellent tooth for paint adhesion* Fast drying properties* Non-yellowing gesso Perfect For:* Priming canvas for acrylic, oil and alkyd paintings* Excellent ground for charcoal and pastels* Professional artists* Providing a sealed, stabilized surface You might also be interested in:* Winsor & Newton Artists' Acrylic Mediums and Additives* Winsor & Newton Artists' Acrylic Varnishes See More
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GOLDEN Acrylic Sandable Hard Gesso 16 ozSave Up to30%Off listWhite A variety of ways to prepare materials for acrylic paintings GOLDEN Acrylic Gesso in Black, White & Sandable offer artists a variety of ways to prepare materials for acrylic paintings or other art media such as oil, alkyds, charcoal, pastels and even watercolor! GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. GOLDEN's Gesso is formulated to be flexible and is highly pigmented for greater opacity. White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) The gesso is rich, opaque, and creates an excellent surface on which to paint! * GOLDEN White and Black Gesso: White Gesso (Semi-Opaque Acrylic Primer) and Black Gesso (Opaque Acrylic Primer) are ready-to-use formulations for painting on most surfaces. They are flexible and can be applied in thin layers to conform to a variety to textures without cracking. For oil painting, we recommended that at least three layers of gesso. Gesso can be mixed with acrylic colors to produce a range of colored grounds. GOLDEN White Gesso* GOLDEN Sandable Hard Gesso: GOLDEN Sandable Hard Gesso (Semi-Opaque Acrylic Primer) is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion. It contains high levels of titanium dioxide, calcium carbonate and talc to produce an easily sanded surface. NOTE: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. See More
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Liquitex Acrylic Gesso Surface Prep Clear Gesso 8 ozSave Up to39%Off listWhite Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Bob Ross Liquid White Oil Medium 8oz (237ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Art Spectrum Colourfix Pastel Primer Jar 1 LiterSave Up to33%Off listWhite This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Yasutomo Washi 6ML Kozo Paper 18"x30' Roll - WhiteSave Up to25%Off listWhite Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
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Michael Harding Medium Non-Absorbent Acrylic Primer White 500mlSave Up to25%Off listWhite Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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GOLDEN Heavy Body Acrylics, Black & White Set of 6, 16oz JarsSave Up to30%Off listBlack Heavy Body Acrylic Paint Sets from GOLDEN As the original line of paints from GOLDEN, these Heavy Body acrylics are exceptionally smooth with a thick, buttery consistency. Each set contains the most extensive assortment of unique pure pigments suspended in a 100% acrylic emulsion. GOLDEN acrylics offer excellent lightfastness with no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. More reactive colors do not accept high pigment loads and will often dry to a glossy finish that is more transparent. GOLDEN Heavy Body colors contain no additives, such as matting agents; therefore, each color's gloss will differ. Click on the item number to view set information Key Features: * Exceptionally smooth, rich, buttery consistency * Permanent and archival in quality * Ability to "stand up" and retain brush strokes * Heavy Body colors are thixotropic * Retain excellent flexibility when dry, diminishing the possibility of cracking * Mix with all of our GOLDEN Mediums, Gels, and other paint lines * 100% acrylic binder * No flattening agents * No opacifiers added to colors * Clearest and cleanest quality * Large assortment of unique pure pigments Perfect For: * Artists of every skill level * Freeze-thaw stability * Creating expressive brush strokes or palette knife marks * Small and large works of art * Plein Air * Heavy body impasto techniques * Mixing with acrylic mediums * See More
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LUKAS Designer's Artist Gouache - Opaque White, 75ml TubeSave Up to71%Off listWhite A True Artists' Gouache! Opaque & Matte-drying to a velvety finish Opaque and matte-drying to a velvety finish, these fine water soluble paints & sets are the favorites of artists, illustrators and designers the world over! Using a base of high quality gum arabic and dextrin solution, these colors lift and flow easily, while a special additive allows you to paint large areas without streaking. Like all their lines, LUKAS uses only the finest in classic and modern pigments which score very highly on the international blue wool scale of light fastness. The high pigment content allows for superior covering power, and the frequent use of single pigment colors allows for clear and consistent mixing. Packaging styles may differ. Key Features:* 48 brilliant colors* 20ml Tubes* 75ml Tubes - Ivory Black & Opaque White* 20ml Tube sets of 6 or 12* Dries to an opaque, velvety matte finish* Exceptional covering power* Remains water soluble once dry* Outstanding fluidity, will not streak* High quality pigments with superior light fastness* Imported from Germany exclusively for Jerry's* Affordable gouache of incomparable quality* High quality gum arabic and dextrin solution* Colors lift and flow easily* Paint large areas without streaking* Perfect For:* Painting large areas without streaking* Illustration and design* Clean color mixing* Special additive allows you to paint large areas without streaking* Toxic and dangerous pigments like cadmiums and cobalt have been eliminated* Experimenting on dark colored surfaces* Bringing out intense detail in ways not possible with transparent watercolors* Adding opaque accents to a watercolor painting* Lightfast pigments ensure lasting results Germany's finest gouache is available in sets of 20ml tubes perfect for both studio use as well as taking on the road. LUKAS Studio Gouache Pro Set of 12, 20ml Tubes - White, Primary Yellow, Cadmium Yellow Light, Light Ocher, Primary Red (Magenta), Cadmium Red, Primary Blue (Cyan), Ultramarine Dark, Permanent Green, Burnt Sienna, Van Dyke Brown, and Ivory Black LUKAS Studio Gouache Starter Set of 6, 20ml Tubes - Opaque White, Cadmium Yellow Light, Primary Red (Magenta), Brilliant Green Blue, Medium Green, and Ivory Black LUKAS Studio Gouache Starter Set of 12, 20ml Tubes - Opaque White, Cadmium Yellow Light, Yellow Orange, English Red Light, Magenta, Cadmium Red Deep, Violet Bluish, Ultramarine Deep, Brilliant Green Blue, Medium Green, Yellow Ochre, and Ivory Black. See More
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Krink K-42 Alcohol Paint Marker 4.5 mm WhiteSave Up to25%Off listWhite Vibrant, Opaque Bullet Tip Markers for Almost Any Smooth Surface The ultimate creative tool, Krink K-42 Alcohol-Based Paint Markers 4.5mm Bullet tip markers are easy to use and come in a wide range of stunning colors. Not only does the 4.5mm valve action bullet tip allow you can lay down a ton of color, but it also regulates paint flow. Krink alcohol paint is xylene-free and solvent-free, so you can use the markers indoors without any annoying fumes. The high-quality opaque paint stands out on light and dark surfaces. Because the paint is alcohol-based, you can write on almost any smooth surface. Krink paint stands out on paper, plastic, wood, glass, painted surfaces, and metal. With 16 vibrant, permanent colors to choose from, you can let your imagination run wild. The set of 6 includes Black, White, Silver, Yellow, Red, Light Blue. The set of 12 includes Black, White, Silver, Yellow, Pink, Red, Orange, Purple, Blue, Green, Light Blue, and Yellow Green. Key Features: * Alcohol-based paint * 4.5mm Bullet tip * 10ml capacity for long use * Recyclable aluminum barrel * Valve-action nib regulates ink flow * Opaque, permanent color * Xylene-free with no annoying fumes * Conforms to ASTM D-4236 * Handmade in the USA Perfect For: * Use on light or dark surfaces * Painting on smooth surfaces * Glossy paper, plastic, and glass * Metal, wood, and painted surfaces * Street art and industrial applications! * Controlling paint flow as you draw Warning: Flammable and may cause irritation. Keep away from children. See More
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Schmincke Calligraphy Gouache Supra Opaque White, 20ml TubeSave Up to28%Off listWhite Ideal for various styles of calligraphy Schmincke's Calligraphy Gouache is specially made for calligraphy artists. The colors in this range are brilliant and largely opaque. Their consistency is ideal for various styles of calligraphy. If you prefer to work with thinner paint, you can dilute the gouache with water to match the consistency you like. Calligraphy Gouache contains 12 colors, including unique pearlescent shades of silver and gold. Key Features: * 12 Brilliant colors * Highly pigmented gouache * Velvety mat streak-free finish * Water soluble after drying * Excellent mixing properties * Improved lightfastness Perfect For: * Calligraphers, Illustrators, and designers * Bringing luminosity and a rich depth of color to your work * Reworking areas of calligraphy * No-hassle, everyday studio use See More
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