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Da Vinci Pure Badger Series 96 70mm (3in) Softener BrightSave Up to30%Off listExcellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural… Excellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural hairs. The slightly wavy nature of badger hair creates a gentle resistance, which is essential for many faux techniques. Faux and decorative painters seek out the mottler and bright shapes in badger for roll and tip applications and to create unique surface finishes. You can use Da Vinci Pure Badger Brushes for varnishing, graining, glazing, priming, and a variety of painting techniques. Key Features: * Pure badger hair * Cone-shaped bushy hair * Durable handle * Rust-proof steel ferrules * Fan, Mottler, or Softner Bright Perfect For: * Faux and decorative painting * Roll and tip applications * Varnishing, graining, and glazing, * Priming and underpainting * Oil paint * Creating interesting patterns See More
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Guild-Gold 23.5kt Gold Leaf 25 LeavesSave Up to60%Off list…paintings and mixed media work The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Each gold leaf can be burnished with a Guild-Gold Agate Burnishing tool. Keum-Boo… Consistent Quality And Reliable Purity! Guild-Gold Leaf Books are known by suppliers all over the world for consistent quality and reliable purity. The thin sheets of gold leaf are created by hammering and stretching the gold to its limit. Gold leaf has been used for thousands of years to decorate paintings, sculptures, jewelry, books, and frames. Guild-Gold offers genuine gold in karat values of 23.5kt with a purity rating of 98% and 22kt with a purity rating of 92%. Each genuine gold leaf book contains 25 loose sheets of gold. Key Features: * 23.5kt gold 98% pure * 22kt gold 92% pure * Available in books of 25 sheets * 80 mm × 80 mm (3.15" × 3.15") leaves Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Each gold leaf can be burnished with a Guild-Gold Agate Burnishing tool. Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. See More
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Williamsburg Handmade Oil Paint - Cadmium Orange, 473ml CanSave Up to30%Off listOrange Handmade Master Quality Oil Paints - Manufactured In The U.S.A! Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. For instance, Cerulean Blue will have a beautiful velvet, light-absorbing surface with an extremely strong covering power; Siennas, by comparison, are often chunky or gritty to allow light to travel through the vehicle, exposing rich golden or mahogany undertow instead of just heavy, dull browns. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th-century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Williamsburg Handmade Oil Colors are then packaged in 37ml and 150ml non-reactive aluminum tubes. Williamsburg Handmade Oil Colors are used by the world’s finest artists, whose works can be found at the Metropolitan Museum of Art and MOMA in New York City, the National Gallery of Art in Washington, D.C., and the Beaubourg in Paris. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Extensive Cobalt & Cadmium Colors* Large assortment of Earth Colors* Oil color line of 178 colors!* 37ml & 150ml Tubes* 237ml & 473ml Cans* Perfect For:* Professional Oil Painters* Discerning students & amateurs* Artists favoring Old Masters materials* Enthusiasts of handmade oil paints* Producing museum-quality artworks See More
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Bob Ross Liquid White Oil Paint Medium 16oz (473ml) JarSave Up to25%Off listWhite Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Stillman and Birn Premium Alpha Wirebound Sketchbook - 10”x7” (50-Sheets)Save Up to20%Off listWhite Premium Hardcover & Wirebound Sketchbooks for Mixed Media Stillman & Birn Sketchbooks allow artists to choose the paper weight, shade, and surface type best suited for their specific media. Whether you prefer to work with wet media, dry media or both, these premium durable sketchbooks can withstand multiple erasures and a wide variety of applications. Artists can confidently experiment with new ideas and materials on papers that support the most demanding techniques. These sketchbooks are made with high-density heavyweight board that is resistant to warping and adds strength and stability to these sketchbooks Key Features:* High-performance, robust art papers* Acid-free, pH neutral, and lignin-free* Available in different sizes, in both hardbound and wirebound* Exceptional paper strength for wet media and layering of media* Paper manufactured in the Netherlands Perfect For:* Mixed media artwork* Art Journaling* Sketching, drawing and coloring with dry or wet media* Documenting ideas on the go* Creating bullet journals Stillman & Birn Hardcover & Wirebound Sketchbook Series: * Alpha Series - Heavyweight (150 gsm) / Medium grain surface / White / Dry media, light washes, ink * Beta Series - Extra heavyweight (270 gsm) / Cold press surface / White / Dry & wet media, watercolor, ink * Gamma Series - Heavyweight (150 gsm) / Medium grain surface / Ivory / Dry media, light washes, ink * Delta Series - Extra heavyweight (270 gsm) / Cold press surface / Ivory / Dry & wet media, watercolor, ink * Epsilon Series - Heavyweight (150 gsm) / Smooth surface / White / Pen & ink, dry media, light wash * Zeta Series - Extra heavyweight (270 gsm) / Smooth surface / White / Dry & wet media, watercolor and ink *Artwork by Artist Ivory Baker, using Schmincke Horadam gouache using an abrasive impasto technique. The artist reports "The methods I employ in my sketchbook work are very harsh on the paper to be able to cope well with the wetting, scratching and thicker paint without creasing, wrinkling and tearing." See more at the "On Paper" Blog: Click Here > See More
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