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Guild-Gold 23.5kt Gold Leaf 25 LeavesSave Up to56%Off list…paintings and mixed media work The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Each gold leaf can be burnished with a Guild-Gold Agate Burnishing tool. Keum-Boo… Consistent Quality And Reliable Purity! Guild-Gold Leaf Books are known by suppliers all over the world for consistent quality and reliable purity. The thin sheets of gold leaf are created by hammering and stretching the gold to its limit. Gold leaf has been used for thousands of years to decorate paintings, sculptures, jewelry, books, and frames. Guild-Gold offers genuine gold in karat values of 23.5kt with a purity rating of 98% and 22kt with a purity rating of 92%. Each genuine gold leaf book contains 25 loose sheets of gold. Key Features: * 23.5kt gold 98% pure * 22kt gold 92% pure * Available in books of 25 sheets * 80 mm × 80 mm (3.15" × 3.15") leaves Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Each gold leaf can be burnished with a Guild-Gold Agate Burnishing tool. Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. See More
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Yasutomo Origami Paper - Brilliant Colors Set, 5-7/8" (Pack of 100)Save Up to21%Off listAssorted Colors Perfect For Folding Origami! Yasutomo Origami Paper is excellent for practicing and perfecting the art of paper folding. Paper packs are available in a variety of bright colors and patterns. The thickness of the paper is specifically designed for the crisp, sharp folds needed for origami. Yasutomo Origami Paper is a reliable choice for anyone interested in the art of paper folding, offering the quality and variety needed to bring your creative ideas to life. Popular Uses: Traditional Origami: Yasutomo paper is perfect for traditional origami models, such as cranes, flowers, and animals. Modular Origami: The consistent quality and variety in color make it ideal for modular origami, where multiple sheets of paper are folded and assembled into a single, complex structure. Kirigami: The paper’s strength also makes it suitable for kirigami, a variation of origami that involves folding and cutting paper to create intricate designs. Key Features: * Assorted square paper sizes * Available in bright solid colors and patterns * 8 to 1000 sheets per pack Perfect For: * Practicing origami * Mixed media art * School or group projects * Parties See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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