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Da Vinci Pure Badger Series 96 70mm (3in) Softener BrightSave Up to30%Off listExcellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural… Excellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural hairs. The slightly wavy nature of badger hair creates a gentle resistance, which is essential for many faux techniques. Faux and decorative painters seek out the mottler and bright shapes in badger for roll and tip applications and to create unique surface finishes. You can use Da Vinci Pure Badger Brushes for varnishing, graining, glazing, priming, and a variety of painting techniques. Key Features: * Pure badger hair * Cone-shaped bushy hair * Durable handle * Rust-proof steel ferrules * Fan, Mottler, or Softner Bright Perfect For: * Faux and decorative painting * Roll and tip applications * Varnishing, graining, and glazing, * Priming and underpainting * Oil paint * Creating interesting patterns See More
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Guild-Gold 23.5kt Gold Leaf 25 LeavesSave Up to60%Off list…paintings and mixed media work The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Each gold leaf can be burnished with a Guild-Gold Agate Burnishing tool. Keum-Boo… Consistent Quality And Reliable Purity! Guild-Gold Leaf Books are known by suppliers all over the world for consistent quality and reliable purity. The thin sheets of gold leaf are created by hammering and stretching the gold to its limit. Gold leaf has been used for thousands of years to decorate paintings, sculptures, jewelry, books, and frames. Guild-Gold offers genuine gold in karat values of 23.5kt with a purity rating of 98% and 22kt with a purity rating of 92%. Each genuine gold leaf book contains 25 loose sheets of gold. Key Features: * 23.5kt gold 98% pure * 22kt gold 92% pure * Available in books of 25 sheets * 80 mm × 80 mm (3.15" × 3.15") leaves Perfect For: * Water gilding or adhesive gilding * Jewelry design and Keum-Boo * Paintings on canvas or board * Gilding frames or sculptures * Icon paintings and mixed media work The leaves are arranged in paper booklets, loosely inset in compartments, one for each leaf. You can use a gilder's tip brush to pick up and place the loose leaf on the prepared surface. Each gold leaf can be burnished with a Guild-Gold Agate Burnishing tool. Keum-Boo (attached gold) is an ancient Korean jewelry technique. This method uses heat to fuse gold leaf to sterling silver or other metals. Agate burnishers are used to buff and brighten the resulting jewelry pieces. See More
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Lineco Gummed Book Repair Tape 2"x48" RollSave Up to30%Off listProfessional Bookbinding Tapes Lineco offers a range of tapes ideal for creating and repairing custom-made books. Whether you're a novice or an experienced bookbinder, you'll find these archival tapes very easy to work with. The Book Cloth Repair Tape is perfect for strengthening book spines or… Professional Bookbinding Tapes Lineco offers a range of tapes ideal for creating and repairing custom-made books. Whether you're a novice or an experienced bookbinder, you'll find these archival tapes very easy to work with. The Book Cloth Repair Tape is perfect for strengthening book spines or reattaching book covers. The water-activated gummed tapes are ideal for creating hinges, reinforcing pamphlets, and reattaching loose pages. Click on the item number to view a full product description. Key Features: * Professional bookbinding tapes * Cloth-backed tapes * Water-activated gummed tapes * Acid-free and archival tapes Perfect For: * Creating bespoke books * Beginner and professional artists * Attaching paper signatures to a cover * Reattaching a spine or page * Repairing a book See More
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R&F Pigment Stick 188ml - Blending StickSave Up to20%Off listClear Transparent Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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R&F Pigment Stick 188ml - Mars Yellow LightSave Up to20%Off listYellow Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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