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Lukas Acrylic Pouring Medium, 5 Liter JugSave Up to80%Off listClear Transparent The Unique, next level of pouring medium! More of what you love and less of what you don't like about pouring! When added to acrylic paint, traditional pouring mediums generate random cells of color; as a result, most pourers add silicone to the mix to create more interesting shapes. LUKAS Pouring Medium is unique because you can create more dramatic effects without adding silicone and still produce spectacular cell formations. Other pouring mediums on the market such as Liquitex are very tacky until thoroughly dry causing dust particles to interfere with results. Surface defects from craters to cracks are a pitfall of traditional and household pouring mediums. LUKAS Pouring Medium is a real breakthrough because it dries to a beautiful satin sheen with almost no noticeable cavities and absolutely no cracking. The rule of thumb is the lower viscosity of the paint, such as ink, the smaller the ratio of the pouring medium, while thicker heavy body paint would receive a more significant portion of the medium. You can use virtually any acrylic based color, but we suggest richly pigmented colors! You can pour this flexible acrylic medium over almost any substrate, but it is better to pour on a hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, viscosity, and types of substrates, it is almost impossible to run out of distinct variations. If you did five pours every day for the rest of your life, you’d only scratch the surface on the final creations you could create! LUKAS Pouring Medium is the next level of pouring medium designed to create the most beautiful and interesting pours. If for any reason you don’t feel that LUKAS Pouring Medium yields the best results in pouring, you can return it for a full refund. Key Features: * No need to add silicone for more cell formation* Pour over any hard flat surface* Dries to a permanent hard, water-resistant surface* Even sheen, non-tacky, satin sheen* Higher definition, greater cell formation* Smooth level surfaces, less defects* No cracks and no craters* Will not yellow or discolor over time* Less tacky* Dries to a permanent water resistant, crack free surface* Formulated with self leveling and anti crater additives* Impossible to run out of inspiration* Available In: 250ml, 500ml & 5 Liter(169oz / 1.32 gallons) Perfect For: * Dirty pours and cup pouring * Liquid pouring * Superb control and excellent definition * Creating interesting pours * Organic shape creation * Beautiful satin sheen * Everyday studio use * Pouring Medium Brochure Pouring Medium: V30392 or V30393 LUKAS pouring medium improves the flow characteristics of acrylic paints and is perfect for pouring techniques. Once dry, the medium creates a transparent, waterproof, polished surface. Formulated with self levelling and anti crater additives that also enable cell formation without the use of silicones. LUKAS pouring medium contains synthetic resin dispersion additives to improve flow but will not yellow or discolor over time. See More
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Old Holland Classic Pigment Cadmium Red Deep 75gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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BFK Rives Printmaking Papers White, 29" x 41" 270gsm (10 Sheets)Save Up to50%Off listWhite Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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Arches Cover Paper 29" x 41", White - Pack of 25 sheetsSave Up to40%Off listWhite Papers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mouldmade in France. Key Features:* Heavyweight, Mouldmade papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
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