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Gamblin Dry Pigment - Burnt Sienna, 60 GramsSave Up to25%Off listBrown 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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Sennelier Artist Dry Pigments Light Turquoise 60 gramsSave Up to37%Off listBlue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Mars Orange Red 60gSave Up to25%Off listOrange Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Mimik Synthetic Badger Brush, Mottler Size 4.75"Save Up to62%Off list…well * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany Perfect For: * Oil, acrylic, and watercolor * Faux and decorative painting * Blending and softening edges * Applying soft glazes * Dry brush techniques * Varnishing * Distributing… Animal-Friendly Mottlers Outperform Natural Badger Hair! Mimik Badger Mottler Brushes contain a groundbreaking synthetic fiber that mimics natural badger brushes. The filaments are thin at the root and thicker at the tip, just like a badger’s fur. The slightly wavy nature of the filament creates a gentle resistance perfect for bending and dry-brush techniques. Use the mottler shape to paint a large background, apply a glaze, or varnish your work. Key Features: * Designed to mimic natural badger hair * Very strong, crimped, and tapered synthetic filaments * More break and tear-resistant than natural badger hair * Animal-friendly, cruelty-free brush * Hairs are tight at the ferrule and have soft bushy ends * The brush body stays open when wet and holds paint well * Short durable handles made of FSC-certified beech wood * Rust-proof nickel plated ferrules * Handmade in Germany Perfect For: * Oil, acrylic, and watercolor * Faux and decorative painting * Blending and softening edges * Applying soft glazes * Dry brush techniques * Varnishing * Distributing paint evenly See More
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Fabriano Rosapina Printmaking Paper, White 20"x27" - 25 sheetsSave Up to45%Off listWhite Rosapina is a hidden jewel amongst printmaking papers Rosapina Printmaking paper is made with qualitatively high-level raw material (60% Cotton). Rosaspina paper is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk screening). Rosapina printmaking paper performs as well as a 100% rag paper for all printmaking techniques. It is made of 60% cotton but lacks external sizing, giving it a sumptuously soft surface. Ideal for deep etching and aquatint and equally as luxurious as an upscale drawing paper. Mould-made Natural Grain with two deckle edges. All sheets are acid-free. * Sold only in Sheet Packs * Printmaking Papers * White or Ivory, 20" x 27" (50x70cm) * Type: Cotton * 220gsm sheets * Watermarked * 2 Deckle Edges * Surface & Finishing: Natural Grain * Acid Free, lignin free - with neutral alkaline sizing and an alkaline buffer content * Upscale drawing paper See More
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