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Goldenritt Sketchwriter Victoria Broad Brushed Silver Violet Swirl/Silver TrimSave Up to68%Off listSilver Finally, a fountain pen designed for the artist! Unlike other traditional fountain pens, the Goldenritt® SketchWriter® is equipped with a triple-section titanium nib, making this fountain pen a delightful option for both writing and sketching! Available in two styles; Victoria for travel and Rockwell for everyday use. Victoria’s travel shaped body is balanced, lightweight, and comfortable to hold. Victoria’s screw-on cap ensures the tightest closure and is more compact than most pens, taking up less space. The pen cap screws securely onto the back of the pen while in use. Rockwell’s cigar-shaped body is well balanced and has a substantial feel for those who prefer a weightier pen. The shape and weight, along with a snap-on cap, makes Rockwell ideal for everyday use. Goldenritt® SketchWriter® can help to revolutionize the way you create. In everything from writing to sketching, we are sure that you will find this pen to be a staple in your everyday life as an artist! Feel free never to let it leave your side and to allow inspiration to strike wherever you may find yourself. Most Modern Fountain Pen! Strong Yet Soft and Flexible Titanium Nib, Great Ink Flow, Won't Leak! The most luxurious, state of the art fountain pen! A delightful option for both writing and sketching Victoria Sketchwriter Fountain Pen: * Travel-friendly Victoria is balanced, lightweight and comfortable to hold * You will never lose the Victoria screw-on pen cap * Cap screws securely onto the back of the pen * German-made, strong yet soft and flexible titanium nib * Ink feeder made of ABS Plastic, 5.0 mm diameter * Easy to change nibs, simply screw into the pen * Flexible and reversible nib can create varying line thicknesses * Solid brass clip w/ special hinge, allows secure storage in either a pocket or notebook * Each pen comes with four half-sized black ink cartridges and a converter * Ink: Dye-based, vivid water-soluble ink * Pens available with extra-fine, fine, medium & broad nib sizes (each pen includes one nib) * Exclusive proprietary titanium nibs are not available separately * Goldenritt® inks are available separately in 7 artful colors (30ml jars or 12-pack cartridges) Rockwell Sketchwriter Fountain Pen: * The pen is well balanced and has a substantial feel * Rockwell's snap-on cap is perfect for everyday use * German-made, strong yet soft and flexible titanium nib * Ink feeder made of ABS Plastic, 5.0 mm diameter * Easy to change nibs, simply screw into the pen * Flexible and reversible nib can create varying line thicknesses * Solid brass clip that allows secure storage in either a pocket or notebook * Each pen comes with four half-sized black ink cartridges and a converter * Ink: Dye-based, vivid water-soluble ink * Pens available with extra-fine, fine, medium & broad nib sizes (each pen includes one nib) * Exclusive proprietary titanium nibs are not available separately * Goldenritt® inks are available separately in 7 artful colors (30ml jars or 12-pack cartridges) Tips For Care and Use: * Assemble the ink cartridge or converter tightly with the pen. * Do not store the pen under direct sunlight. * Please be careful removing the pen cap * Force may cause the ink to leak. * The fountain pen nib is sharp, keep it away from small children. * Always put the cap on when not in use to avoid ink drying out. * It is suggested to clean the fountain pen nib every 1 to 2 weeks * Remove the cartridge and twist out the nib system, and soak it in warm water overnight. * If you plan to stop using the pen for a period of time, please clean your nib before storage to avoid drying-out the inside of the ink supply system. * It is possible that pen ink could leak if not stored correctly, so please store your pen in a responsible location. * Environments such as airplanes and high-altitude locations can cause leakage. Please remove the ink cartridge or converter, and clean the inside of the nib and ink supply system to avoid leaks. * Click on the video icon or video tab to see care and maintenance video Perfect for: * Sketching, smooth writing, or calligraphy * Adding prestige to any piece of writing * Varying line thicknesses * Cartographers & calligraphers * Handwritten invitations * Pen and ink drawings * Travel or everyday use * Those who prefer a weightier pen * Smoother writing that requires less pressure to write * Hand fatigue and cramping relief * Write just by touching the pen to the paper * High-end professional quality * Allowing inspiration to strike wherever you may find yourself Quick Start Guide Maintenance Guide Each Elegant Box Conatins: * One Victoria or Rockwell pen * One triple-section titanium nib * Four half-sized black ink cartridges (one of the four cartridges is stored in the pen barrel) * One ink converter The ink converter can be used to draw up ink or can be used with water to clean the inner nib of the pen. 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AlumaComp Aluminum, 6"x8" Archival Painting & Mounting PanelSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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