Your Cart
SLI Search Template
Related Categories: Hot Press Watercolor Paper | Artistico | Spiral Bound Water Color Pad | All Watercolor Paints | Fabriano Cold Press | 140lb Cold Press | 18x24 Paper Pad | Fabriano Sheets
There were no results that contained all of the words in your query. These results contain some of the words.
-
Arches Natural White Watercolor Roll, 140lb Cold Press, 44-1/2" x 10ydSave Up to40%Off list100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
-
Arches Natural White Watercolor Roll, 140lb Cold Press, 44-1/2" x 10ydSave Up to40%Off list…Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
-
Arches Cover Paper 29" x 41", White - Pack of 25 sheetsSave Up to40%Off listWhite Papers Made Specifically for Printmaking, Publishing & Silkscreening Arches Cover paper is a premier mouldmade 100% cotton fine art paper. This famous heavyweight Cover Paper is acid-free, and buffered specifically for printmaking and publishing. Arches Cover paper has a visible, slightly flattened grain, two deckle edges, and a registered watermark. An excellent choice for Printmaking and publishing, as well as drawing, embossing, foil stamping, lithography, intaglio, and silkscreening. Perfect for an archival cover for prints and antique documents. Arches Cover is 100% cotton fiber, pH neutral, acid-free, internally sized, and buffered. Mouldmade in France. Key Features:* Heavyweight, Mouldmade papers* 100% cotton fiber* Acid-free and pH neutral* Internally sized and buffered Perfect For:* Archival covers for prints and antique documents * Printmaking and publishing* Drawing, Silkscreening, Lithography, and more! See More
-
Canson Montval Watercolor Blocks Cold Press 15" x 20" (15 Sheets)Save Up to33%Off listCanson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. Canson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. See More
-
BFK Rives Printmaking Papers White, 29" x 41" 270gsm (10 Sheets)Save Up to50%Off listWhite Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
-
Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
-
Crescent Box of 15 Collage Board 15x20" - WhiteSave Up to28%Off listWhite Super smooth, medium weight boards ideal for collage art! These unique new boards from Crescent are the perfect substrate for collage artists! With a sturdy medium weight, these boards can handle layers of paper, glue, paints, recycled materials, and even lightweight found objects! The solid whiter core provides a consistent surface without blotches or divets, and the hot-pressed surface paper is plate-smooth and available in five rich colors. Use these durable, extra-smooth boards to create collage and mixed media pieces, work with found objects, make scrapbook collections and more. When you work with Crescent, you work with quality! * Medium weight, smooth surface boards * Durable and long-lasting * Hot-pressed surface paper available in 5 colors * Solid white core for a smoother, consistent surface * Sold in packs of 15 in 2 popular sizes * Perfect for collage and found object art! See More
-
Crescent Hot Pressed Illustration Boards No. 201 15" x 20" (Box of 15)Save Up to31%Off listFor those who prefer a hot press surface Crescent's illustration boards feature high-quality surface papers mounted to a rigid core. The hot press boards are perfectly smooth for ink and pen illustrations. The surface is acid-free helping you to preserve your best work for a lifetime. These… For those who prefer a hot press surface Crescent's illustration boards feature high-quality surface papers mounted to a rigid core. The hot press boards are perfectly smooth for ink and pen illustrations. The surface is acid-free helping you to preserve your best work for a lifetime. These multi-function boards can be used for all types of applications. Whether you are drawing with pencil, colored pencil, or ink, the Illustration Boards are a great canvas regardless of the tool. Key Features: * Hot press premium surface on rigid board * pH neutral * Smooth surface * Hold art media well * Warp resistant Perfect For: * Easy portability * All types of media such as pencils, colored pencil, or ink * Light collage No. 20 Series - Board is primarily for pen and ink techniques and whenever sharp detail is required. This single thick (14 ply) board has a crisp, smooth detail No. 201 Series - Highly recommended for pencil, pen and ink, Pitt Pens, Pigma Pens, water-based markers including Tombow pens and Conte Crayon. Has a high rag content surface and gray core. See More
-
Crescent #99 Illustration Board Cold Pressed 15"x20" (Box of 15)Save Up to33%Off listHigh-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a… High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More
-
Crescent Canvas Art Board Single Thick White 15"x20" (Box of 15)Save Up to30%Off list…love in other Crescent boards, combined with a unique, canvas-textured paper surface that mimics the look of real fabric! Sturdy and durable, Crescent Canvas Art Boards are ideal for works in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting… Canvas-textured boards ideal for painting! Canvas-textured boards from Crescent feature all the durable, archival qualities that artists love in other Crescent boards, combined with a unique, canvas-textured paper surface that mimics the look of real fabric! Sturdy and durable, Crescent Canvas Art Boards are ideal for works in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom studies, compositional planning, and finished pieces. The toothy, canvas-like surface grips paint well, and the solid cream core provides a consistent surface. Paint quickly and confidently on Crescent Canvas Art Boards! Key Features: * Sturdy paper boards with a canvas-like textured surface * Durable and long-lasting * Medium weight: Single-thick * Heavy weight: Triple-thick * Solid cream core for a consistent substrate * Sold in packs of 3, 5, and 15 Perfect For: * Practice pieces and finished works in virtually any medium! * Watercolors and acrylics to tempera * Gouache, casein, and even oils if primed first * Working at an easel without a backing board * Fast set-up of painting sessions * Quick gestural paintings and classroom studies * Compositional planning and finished pieces Medium weight, Single-thick - The medium weight boards provide a sturdy, durable substrate Heavy weight, Triple-thick - The heavyweight boards are triple-thick to provide extra strength for rigorous painting techniques. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field