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LUKAS Studio Oil Color - Titanium White, 2L BucketSave Up to69%Off listWhite High-quality, artists' oil paint at a great value! Working with over 145 years of tradition and advancement, LUKAS has created a high quality yet economical oil paint for the discerning artist! LUKAS Studio Artist Oils are made with the same high-quality pigments and exclusive blend of linseed oil, sunflower oil, and beeswax as their master line of 1862 oil paints. All toxic, caustic, and expensive pigments have been eliminated from the line, leaving you with a well-balanced but affordable spectrum of brilliant colors. Loaded with pigment, LUKAS Studio Artist Oil Paints have exceptional covering power, and the high-quality linseed oil, sunflower oil, and beeswax binder make for even drying and a strong paint film. Dry to the touch in 2 to 4 days and available in 37ml and generous 200ml tubes mean that you can work large and quickly while not breaking the bank! With a range of 48 vibrant colors all at the same price, LUKAS Studio Artist Oils are higher quality artist oil paint at an affordable cost. Create beautiful works of art! Great quality artist oil paints and amazing consistency at amazing prices! Key Features:* Heavy pigment load* Excellent lightfastness* 48 colors 37ml & 200ml tubes* Dry to the touch in 2 to 4 days* Exclusive blend of linseed oil, sunflower oil, and beeswax* Great quality, affordable paints* Perfect For:* Well-balanced range of color* Smooth, buttery consistency* High-quality pigments* Strong paint film* Paint at an affordable cost* Excellent feel with the brush, or palette knife* Painting more, worry about cost less!* All artists looking for great quality "As a test, I laid down my current stock of colors from W & N next to the same Lukas colors and noticed right away there was a difference in both consistency and color intensity. Every one of the Lukas colors was more pure and covered the canvas paper better. one of the colors I ordered was the cobalt violet. This is not a color I've seen anywhere else and I have to say, it's lovely. I much prefer it to dioxazine purple." See More
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Holbein Artist Acrylic 2L White Gesso (LL) X-CoarseSave Up to51%Off listWhite Professional quality gesso at an affordable price With Holbein Acrylic Gesso, you can prime your canvas with a Black, Clear, or White gesso. If you prefer a colored ground, you can mix acrylic paint with the white or clear gesso to create a custom ground. Holbein Gesso has fool-proof sealing properties and provides the right amount of tooth for raw canvas. Their white gesso is available in smooth, medium, coarse, and extra coarse textures so you can further customize your surface. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less post-consumer waste. It's easy to pour the acrylic gesso out of the spout, and the bags don't take up lots of space in the studio. Holbein gesso adheres well to most surfaces, including paper, cloth, canvas, wood, stone, and primed metal. Overpaint it with acrylics, oils, or pastels. Try Holbein's professional Gesso today! Key Features: * Acrylic gesso dries to an ultra-matte finish * Thick, creamy, smooth consistency * Preparatory ground for raw canvas * Excellent sealing properties * Smooth, medium, coarse, and extra coarse texture * Environmentally friendly space-saving poly bags * Easy to pour spout * Made in Japan Perfect For: * Ground for acrylics, oils, or pastels * Most surfaces * Paper, cloth, canvas, wood, stone, and primed metal * Use as a painting texture medium * Creating a solid matte background * Adding texture to a painting * Impasto techniques Holbein White Gesso is available in the following textures: * Smooth (S): Smooth texture that is almost like an eggshell. * Medium (M): A regular matte surface. * Coarse (L): Fine sand texture. * Extra Coarse (LL): Rough sand texture. See More
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Edding 5000 Acrylic Marker Broad Nib Set of 5, Neon ColorsSave Up to28%Off listAssorted Colors Experience the true acrylic revolution! Jumpstart your art practice and create vibrant paintings in minutes with edding acrylic markers! The edding broad acrylic markers have a 5-10mm wide chisel nib ideal for making broad strokes and coloring large areas. In contrast, the edding medium bullet nib has a stroke width of 2-3mm, perfect for drawing precise lines and shapes. Each acrylic marker contains artist-quality, lightfast, water-based acrylic paint. Are you tired of losing creative time to clean up and material prep? The medium and broad edding markers allow you to paint different line widths and expressive brushstrokes quickly. Perfect for all artists, these low odor markers are ideal for spontaneous creativity on canvas or painting paper. Easy to transport and ready to use. Uncap and let your creativity flow. Key Features: * Vibrant lightfast colors * Medium bullet and wide chisel tips * Stroke width of 2-3 mm and 5-10 mm * Highly pigmented acrylic paint * Low odor neutral smell * Waterproof and heat-resistant * Wear-resistant and smudge-proof * Made in Germany Perfect For: * Painting on dark and light surfaces * Canvas, wood, and painting paper * Unique painting techniques * Ready to use * No brush needed * Even paint coverage * Broad washes or drawing small details * Easy and clean up * Uncomplicated, spontaneous creativity Usage tips * Shake the marker with the cap on * Remove the cap * Pump the marker with the nib downwards on a piece of scrap paper * Carefully pump it up and down until ink fills the nib * The marker is now ready to use * Store horizontally and at room temperature (41-86 ℉) Nordic Colors Mixed Size Starter Set of 8: The collection includes Black and Traffic White in the fine tip. The colors Mild Mint, Elegant Midnight Blue, Classy Mauve, Pastel Yellow, Berry, and Moss Green come in the medium-sized nib. The colors Black, Elegant Midnight Blue, Berry, and Moss Green are very opaque. The other colors are semi-opaque. Creative Colors Mixed Size Starter Set of 12: The set contains fine tip Black and Traffic White. The colors Yellow-Green, Sun-Yellow, Traffic Red, Berry, Warm Beige, and Hazelnut, come in the medium tip size. Wide tip colors Moss Green, Gentian Blue, and Traffic Yellow are also included. In addition, the set contains one 3D double-sided acrylic liner in Pastel Blue. The colors Black, Traffic Red, Gentian Blue, Berry, Hazelnut, Yellow Green, and Moss Green are very opaque. The other colors are semi-opaque. Neon Set of 5 (Broad Nib): Includes Traffic White Matt, Neon Orange, Neon Pink, Neon Yellow, Deep Black Matt. Abstract Set of 5 (Broad Nib): Includes Gentian Blue Matt, Traffic Yellow Matt, Sun Yellow Matt, Telemagenta Matt, and Opulent Turquoise. Basics Set of 5 (Medium Nib): Includes Deep Black Matt, Traffic Red Matt, Gentian Blue Matt, Traffic Yellow Matt, and Yellow-Green Matt. Pastel Set of 5 (Medium Nib): Includes Pastel Yellow Matt, Pastel Blue Matt, Pastel Green Matt, Anthracite Matt, and Elegant Mauve Matt. Metallic Set of 5 (Medium Nib): Includes Moss Green Matt, Berry Matt, Rich Gold Matt, Silver Matt, and Elegant Night Blue Matt. See More
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Artfix Polyester Canvas P72U Roll 85" x 11 YardsSave Up to64%Off listWhite A Modern Archival Surface for Painters in Humid Areas! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. Still hand produced and primed, the close attention to detail is what makes ArtFix not a commodity, but a premium product for the educated and discerning artist who chooses the very finest canvases for painting. Much time and education is spent on learning why linen is superior to cotton canvas, but less is known as to why polyester is becoming popular as a painting surface. Polyester is a modern surface solution for the professional painter. Polyester stands apart from its linen and cotton counterparts as it isn’t affected by moisture, so it experiences far less temperature related expansion and contraction than cotton or linen endures. Its synthetic nature creates a stable and chemically compatible environment. The ability for polyester to be spun and create a super fine thread allows for ability to create flawless, extra fine surfaces that are popular with portrait and realist painters. Art conservators use polyester for relining old delicate canvases; they can be adhered to the stretched polyester without the fear of buckling, thus providing a moisture-proof barrier between stretchers and the wall that archival lasts forever. ArtFix polyester rolls are primed with anywhere from 2 to 6 coats of a specially formulated universal primer, 2 to 4 coats of oil primer, or pre-sized unprimed raw or raw tinted polyester (tinting gives it more the appearance of a natural linen color). Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. Unprimed: Pre-sized, ArtiFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessos, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * stable painting surface * not affected by moisture * extra-fine surface * offered Universal & Oil Primed Perfect For: * Oil and Acrylic Painters * Painters living in humid areas * art conservation * Students to Professionals See More
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Plastalina Modeling Clay 1 lb. Bar - Turquoise
Starting At: 4.24
Green Non-toxic, colorful modeling compound stays pliable indefinitely! Van Aken Plastalina Modeling Clay is a pigmented, oil-based modeling clay is renowned the world over for its smooth consistency and brilliant color range. Plastalina modeling clay never hardens, remaining pliable and plastic for limitless reworking. It is favored by sculptors, model makers, clay animators, maquette makers and artists of all kinds as the finest colored modeling clay available. Sold in segmented 1lb. or 4.5lb. bars, wrapped in cellophane, Plastalina is an indispensible and versatile medium for any sculpture studio! Key Features:* Non-Toxic oil-based modeling clay* Brilliant, pigmented color range* Sulfur-free* Reusable / Non-hardening, remains pliable* Smooth consistency* Sold in 1 lb. and 4.5 lb. bars* 1 LB bars come in 24 vibrant colors* 4.5 LB bars come in Black, Ivory, Sculptor Grey, Terra Cotta & White * Made in U.S.A.* *Do not bake in oven* Perfect For:* Teachers and classrooms* Sculptors and fine artists* Maquette and model makers* Clay animation & 3D art* Molds for silicone rubber* Figurines* Limitless reworking & open time See More -
Fabriano EcoQua+ Notebook 5.8 x 8.3" Grid Stitch-Bound RedSave Up to41%Off listRed Quick-drying Bioprima paper, perfect for all types of writing! Plus hidden spiral notebook Fabriano EcoQua Plus Notebooks (Bioprima Paper) are high-quality notebooks designed for everyday use. Made in Italy by Fabriano, these versatile notebooks contain FSC-certified, chlorine-free, acid-free paper. The 90 gsm paper comes in either a grid or a dot grid pattern, perfect for writing down notes and ideas. Notebook spine options include stitched, glued, or spiral. The durable outside covers have a unique canvas-like texture and a scratch-resistant finish designed to withstand daily use. Journal with spiral hidden inside the cover; 70 pages, 2 types. The back cover is reinforced to allow you to write perfectly all the way to the last page. Cloth bound journals with sewn spines; 80 pages, 3 types. External strap matches the cover with a description of the product Glued pads with detachable sheets; 80 pages, 2 types. The back cover is reinforced to allow you to write perfectly all the way to the last page. External strap matches the cover with a description of the product. Key Features: * Bioprima 90gsm paper * Light ivory paper color is soft on the eyes * Squared dot grid or line grid layout * Glued, stitched, or spiral bound * Available in hardcover or softcover * FSC-certified, chlorine-free, acid-free paper * Production powered by renewable energy * Entirely made in Italy Perfect For: * Quick-drying, perfect for all types of writing, and the light ivory color is relaxing on the eyes. * Writing down notes and ideas * Drafting with pencils * Ballpoint, fountain, and marker pens * Work, travel, or school * Everyday studio use A5 and A4 Glued notebooks: Glued pads with detachable sheets; 80 pages. The back cover is reinforced so you can write on all of the pages, even the last one. The external strap matches the cover. Stitched notebooks: Journals with sewn spines; 80 pages. The external strap matches the cover. Hidden Spiral notebooks: The spiral is hidden inside the cover; 70 pages. The back cover is reinforced so you can write on all of the pages, even the last one. Fabric notebooks: Cloth bound journals with sewn spines; 80 pages. The external strap matches the cover color. What is Bioprima Paper? Bioprima Paper is high-quality paper, ideal for writing papers, corporate image and social communication, elegant monographs, de luxe publications, agendas and art reproductions See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Weber Odorless Turpenoid 2 Liter, 67oz JugSave Up to43%Off list…making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and… The most popular artists' oil paint thinners and cleaners! Odorless Turpenoid - An odorless substitute for traditional turpentine that retains the same painting properties and drying time as the original. Odorless Turpenoid works well for thinning oil or alkyd colors, creating mediums and cleaning brushes, and is perfect for artists working in small (but well-ventilated) spaces or for those who are allergic to or are affected by the strong odor of conventional turpentines and solvents.* Odorless formula should not aggravate allergies* Excellent paint thinner and brush cleaner* Flammable; store carefully Turpenoid Natural - A certified AP non-toxic and environmentally friendly brush cleaner and conditioner, Turpenoid Natural is made from citrus essences and other natural products. It is not flammable, does not emit harmful vapors, and will not irritate skin or eyes, making it an excellent oil paint thinner for artists seeking safer painting alternatives for themselves or their children. Turpenoid Natural can also work well as an oil or alkyd medium, though it should not be used for washes, glazes, or to "wet" a canvas prior to painting.* Natural, non-toxic and eco-friendly* Safe for artists of all ages* Excellent brush cleaner and conditioner Turpenoid Gel - Fast drying gel medium designed for use with oil and alkyd paints. Turpenoid Gel is clear and semi-soft, making it ideal for impasto techniques while also ensuring the paint layer dries completely. Gel will increase color translucence and decrease drying time of oil paints, rinses out with plain water, and dries to a stable and flexible film.* Fast drying medium body gel for oils and alkyds* Excellent for impasto techniques* Dries to a stable, flexible film Turpenoid Slow Dry - (Formally called Turpenoid Light) Similar to Original Odorless Turpenoid, a mild solvent, but with a much higher 200°F/93 °C degrees Flash Point, and more open work time when combined with other mediums. Turpenoid Slow Dry is a great medium for thinning artist oil colors, plus cleaning artist brushes, painting knives, and palettes. Turpenoid Slow Dry is a highly refined mixture of odorless mineral spirits. It is used for thinning artist oil colors, for modifying oil painting mediums. Safer Studio. It meets California Air Resources Board (CARB) exemption for consumer products. Very slow and complete evaporation, allowing more open time when combining with other mediums.* 200 degree °F flash point* Complete evaporation* Odorless See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Krink Mini Sprayer 2L CapacitySave Up to25%Off list…white logo * Tanks come empty * Adjustable nozzle on 2L and 5L * Stainless steel wand on 5L * Assembly required Perfect For: * Murals, street art, and graffiti * Painting on a large scale * Custom ink * Canvas painting * Large backgrounds * Drawing unique marks on a large scale * Traveling artists Master your mural with 3 hand-powered tools! Krink sprayers help mural artists paint a wall or canvas without time-consuming brushwork or expensive airbrush equipment. The Compact Sprayer attaches to most 1-liter plastic bottles which are great containers for custom ink. The compact unit only measures 11.5" x 1.5" x 1.6" in, so you can fit it in your backpack and take it anywhere. Once you're done painting, just detach the unit and cap the soda bottle for storage. The Mini Sprayer has an empty 2L ink bottle and an adjustable nozzle perfect for smaller projects. Krink's big 5L spray system comes with a stainless steel wand and an adjustable brass nozzle that you can use for large-scale murals. Harnessing the power of a Krink sprayer takes some time, but once you understand the process, you will be able to create jaw-dropping marks on a large scale. Key Features: * Compact sprayer: 11.5" x 1.5" x 1.6" in * Bottle not included * Fit's to most 1-liter plastic bottles * Mini sprayer: 2L capacity, 10" x 5" x 14" in * Sprayer: 5L capacity, 7" x 7" x 22" in * Black plastic tank with white logo * Tanks come empty * Adjustable nozzle on 2L and 5L * Stainless steel wand on 5L * Assembly required Perfect For: * Murals, street art, and graffiti * Painting on a large scale * Custom ink * Canvas painting * Large backgrounds * Drawing unique marks on a large scale * Traveling artists See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to24%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Artfix Belgian L42C Oil Primed Linen Roll, 85" x 11 ydsSave Up to61%Off listWhite Combine the exceptional archival nature of French Linen with the excellence of the ArtFix’s priming! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. The close attention to detail is what makes ArtFix a premium surface for the educated and discerning artist who chooses the very finest canvases for painting. In the world of flexible fabric painting substrates, linen has proven itself for generations as being the fiber that has long stood the test of time. Much stronger and more durable than cotton due to a longer natural thread fiber structure and strength without issues of shrinking and sagging, it can be woven in a thinner, tighter weave that weighs much less with much greater strength. Due to the nature of the fiber, the weave cannot be woven into a completely precise, machined-look texture like cotton, which creates a unique painting surface many artists covet. Long revered for their fine linens with their incredible surface priming, ArtFix combines time-honored European manufacturing methods of priming with modern chemistry. All linens (even unprimed) are double sized for protection against acids in oil paints, which allows uniform breathing of the linen under the painting to reduce paint film stress once the work is completed. Primed up to 4 layers (depending on the roll style), each layer is applied by hand and sanded. This effort of labor prevents peeling, flaking, and cracking of the primer, and makes for the most bond with fresh paint. This time-consuming process produces an unbelievable primed surface that painters become devotees to! Select from pre-sized raw, universal, and oil primed conservator’s grade linen rolls, and indulge in the ArtFix experience. Can’t decide? Try cut pieces of different styles to learn which is your favorite! Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. "G" Styles - Absorbent Ground: ArtFix’s “G" style priming is a single layer of an absorbent grey ground primer. Absorbent ground linen can be used to work with oils and acrylics where wash and staining effects are desired, as they will absorb into the ground. This style primer also works well with liquid acrylics, oil pastels, and other media that has absorbent needs to create proper adhesion. Unprimed: Pre-sized, ArtFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessoes, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * Conservation grade French Linen * hand-primed by skilled artisans * Universal, Oil, Absorbent Ground Primers * Pre-Sized Raw Linen options Perfect For: * Oil and Acrylic Painters * Professional and discerning Artists * Conservation Specialists * Devotees to ArtFix’s Priming Formulas See More
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