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Fredrix Roll Canvas 580 Universal 59" x 6 YardsSave Up to21%Off listWhite 122 Yankee Classic - 73" wide primed medium weight duck. Due to its strength, weave and tooth it is liked, especially by acrylic painters. 123 Dixie Heavy - 12 ounce duck with substantial texture and tooth. As a mural canvas, it is equal in strength to many lighter weight linens. 139 Tyron - A heavy weight cotton duck of excellent quality and strength. Special acrylic priming of extra flexibility and the appearance of an oil ground. 569 Dallas - Extra wide for mural and large work. Made of pure cotton duck with an even weave and medium texture. Extremely popular, sometimes overlooked for value. 574 Knickerbocker - Exceptionally fine weave and texture. Made of 100% cotton, acrylic primed. A delight for work that requires exact detail. 580 Universal - An acid free, medium weight cotton duck canvas with an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 583 Alabama - A very popular economical chafer duck with a pronounced weave. Available in several lengths for maximum versatility. 70 Primed Cotton - Double primed finest quality pure cotton duck, primed for all media. Medium texture, good strength. Most popular canvas in all areas. See More
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New Wave Easy Lift Peelable Plastic Palette 6.75"x8.4" - WhiteSave Up to10%Off listWhite Easy Lift® Peelable Plastic Palette - No water needed to clean up acrylic paints on this plastic palette! Easy to hold and easy to clean! The New Wave Easy Lift® peelable plastic artist palette is ideal for acrylic paints and versatile enough for oils. Dried acrylic paints simply peel away, while oil paints are easily removed with solvents. The Easy Lift® plastic palette comes with a flexible silicone thumb ring that is interchangeable for right and left handed painters, providing an unmatched level of comfort.  The palette provides a patent pending 3 point design that evenly distributes the palette weight, allowing you to paint effortlessly. At 11"x16" this palette is easily transportable, sturdy to hold lots of colors and paints, and is still extremely lightweight. Made in the USA! Key Features:* Used for acrylic and oil paint* Size: 16"x11"x0.13" Weight: 0.75 lbs* Acrylic paints peel off when dried!* Interchangeable silicone thumb ring for comfort* Patented ergonomic 3 point design* Easy to hold and easy to clean* Made in Pennsylvania, USA Perfect For:* Acrylic paints and versatile enough for oils.* Quick and easy clean up with acrylic paints* Right and left handed painters* Easy transportation* Plein Air Dried acrylic paints simply peel away, while oil paints are easily removed with solvents. Set the palette flat on your tabletop or hold it with complete ease due to the patented ergonomic design that evenly distributes the weight among your hand, arm, and torso. See More
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New Wave Easy View Palette, Grey 6.75"x8.4"Save Up to5%Off listGrey Durable, Lightweight Acrylic Palettes Make Color Mixing Easy! The Easy View® Grey Acrylic Palettes have a neutral grey surface for enhanced color and value gauging. The Easy View® hand-held palette comes with a flexible silicone thumb gasket that is interchangeable for right and left-handed painters, providing an unmatched level of comfort. A patented ergonomic design distributes the palette's weight evenly to your hand, arm, and torso so you can comfortably hold it while painting. (paint & palette knife not included) All Easy View palettes have a dense, durable acrylic surface that is easy to clean. The 6.75" x 8.40", 9" x 12", and 12" x 16" models are designed to fit within the Masterson Sta-Wet and Masterson Artist Palettes. Using the palette with the Masterson system is an excellent option for palette storage, travel, and paint preservation. Key Features: * Lightweight, easy-to-clean, durable acrylic palettes * Neutral grey for color and value mixing * Comfortable to hold ergonomic design * Interchangeable silicone thumb gasket for right and left-handed painters * Made in Pennsylvania, USA Perfect For: * Oil and acrylic painters * Accurate color gauging and mixing * Working at an easel or a table * Everyday studio use * Storing paints in a Masterson Palette* "New Wave's revolutionary design allows ample room for mixing... The placement of the thumb hole at the top is genius. It provides additional space while balancing perfectly on my arm. These handcrafted palettes just FEEL nice, and apart from what they provide my process, they are beautiful works of art!" -Casey Childs, UT *Masterson Palettes Sold Separately See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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