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R&F Pigment Stick 100ml - Warm PinkSave Up to20%Off listRed Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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R&F Pigment Stick 100ml - Blending Stick + DrierSave Up to20%Off list…body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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Williamsburg Handmade Oil Color Traditional Colors, Set of 9Save Up to30%Off listAssorted Colors Try Williamsburg Handmade Oil Paints In These Unique Starter and Selection Sets - Manufactured In The U.S.A! Getting the proper pigment is just the beginning! So much of the quality of oil paint is in the grinding. Each color is ground to enhance the beauty and luminosity specific to that particular pigment. Some colors by nature will feel slightly gritty, others extremely smooth. Pigments are ground in pure alkali-refined, ph balanced linseed oil, and made in batches no larger than 5 gallons at a time. This gives total control over the paint, much like late 19th century French color makers. All materials are hand measured, and every ounce of paint is scrutinized. Try a Williamsburg Starter Set today, for an unrivaled professional painting experience! Basic Painting Set No. 1 - A great painting introduction to someone just starting out painting in oils or as an introduction to the Williamsburg line of paints. Set includes one 150ml of Titanium-Zinc White and the following twelve 37ml tubes: Ultramarine Blue, Phthalo Blue, Alizarin Crimson, Fanchon Red, Permanent Yellow Light, Permanent Yellow Medium, Viridian, Raw Umber, Burnt Sienna, Yellow Ochre (Domestic), Naples Yellow Italian, and Ivory Black. Basic Painting Set No. 2 - A great set for someone just starting to paint in oils, or as an introduction to the Williamsburg line of paints. The Set of 7 tubes includes one 150ml tube of Titanium-Zinc White and six 37ml tubes of: Ultramarine Blue, Fanchon Red, Permanent Yellow Light, Viridian Green, Burnt Sienna, and Yellow Ochre (domestic). Selected Native French Earths Set - WIlliamsburg’s French Earth Colors provide even more depth to their offerings of natural earths coming from regions with historical importance. Natural earths provide a type of texture, physical presence, and subtlety of color that synthetic iron oxides simply cannot provide. This set of ten 37 tubes includes: French Terra Verte, French Yellow Ochre Deep, French Raw Sienna, French Ochre Havane, French Brown Ochre, French Burnt Umber, French Light Sienna, French Ardoise Grey, French Raw Umber, and French Noir Indien. Selected Iridescent Set - Williamsburg carries an unusual range of Iridescent Oil Colors. This set includes all 6 of the colors they offer in 37ml tubes, including: Iridescent Pale Gold, Iridescent Copper, Iridescent Silver, Iridescent Pearl White, Iridescent Pewter, and Iridescent Bronze. Selective Native Italian Earths Set - Williamsburg’s justly famous line of imported Italian earth colors. These are the same pigments made famous by the Italian Renaissance and used by conservators. Clean, vibrant, more translucent than other earths, they can completely change your attitude of what an earth color can be. Unlike synthetic iron oxides, no two natural earth shades are ever alike, and these rare Italian colors are prized among painters as among the finest available in the world. Set contains ten 37ml tubes, including: Italian Terra Verte, Italian Yellow Ochre, Italian Lemon Ochre, Italian Orange Ochre, Italian Green Ochre, Italian Pompeii Red, Italian Rosso Veneto, Italian Terra Rosa, Italian Pozzuoli Earth, and Italian Black Roman Earth. Signature Colors Set - Throughout Williamsburg’s History, exploration and experimentation have led to the development of several unique colors. The Signature Set contains 8 colors representative of these discoveries. Includes eight 11ml tunes of: Brilliant Yellow Pale, Alizarin Orange, Persian Rose, King’s Blue, Courbet Green, Italian Lemon Ochre, Stil de Grain, French Ardoise Grey, plus a 37ml tube of Titanium White. Landscape Colors Set - An excellent outdoor palette that allows artists to produce the wide variety of hues, shades, and tints encountered in nature. The Landscape Set contains eight 11 ml tubes of: Permanent Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Sevres Blue, Sap Green, Italian Lemon Ochre, Burnt Sienna, plus a 37ml tube of Titanium White. Traditional Colors Set - An ideal starting place for artists who are interested in exploring a more traditional range of colors. The Traditional Colors Set includes eight 11ml tubes of: Cadmium Lemon, Cadmium Yellow Medium, Cadmium Red Medium, Alizarin Crimson, Ultramarine Blue, Cerulean Blue (Genuine), Raw Sienna, French Raw Umber, plus a 37ml tube of Titanium White. Modern Colors Set - Crisp and light, with the ability to produce strong and clean tints. Modern colors are an excellent choice for painters looking to supplement their traditional colors with higher chroma alternatives, and contemporary painters looking to explore a modern palette. The Modern Colors Set includes eight 11 ml tubes of: Permanent Yellow Light, Alizarin Orange, Fanchon Red, Permanent Crimson, Egyptian Violet, Phthalo Blue, Phthalo Green, Quinacridone Gold Brown, plus a 37ml tube of Titanium White. Key Features:* Professional, Handmade Oil Colors* Incredibly pigment rich paint* Dense buttery texture* Thoughtfully selected sets* Perfect For:* Trying Master-Quality Oil Paints!* Discerning students & amateurs* Artists upgrading to professional oils* Enthusiasts of handmade oil paints See More
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QoR Watercolor Paint - Interference Violet, 11ml TubeSave Up to40%Off listInterference Modern Watercolors. The unique formulation! Exclusive Aquazol Binder Golden Artist Colors has the privilege and delight of collaborating with artists to make the highest quality watercolor paints. That process has produced a new, thoroughly modern Watercolor called QoR. QoR’s (pronounced 'core') exclusive Aquazol® binder provides more pigment in every brushstroke, while retaining the best qualities of traditional watercolors. QoR offers a strength, range and versatility unmatched in the history of watercolors. The unique formulation accentuates the luminosity and brilliance of each pigment even after drying, while providing the subtlety, transparency and flow of a great watercolor. Watercolors with color strength, range and versatility unmatched in the history of watercolors Key Features: * 11ml Tubes * Sets of: 6, 12 and 24 * More color strength than traditional watercolors * Features the exclusive Aquazol® binder * Vibrant, intense colors that stay brilliant even after they dry * Higher pigment density * Incredibly smooth transitions * Excellent glazing qualities * Highly versatile * Will not crack * Colors effortlessly blend together * Affordable price point per ml of watercolor * More density of color than traditional watercolors Perfect For: * Watercolorists of all skill levels * An incredible flow of color * Artists, students, teachers * Use with QoR watercolor mediums and grounds * Use in a studio, classroom or plein air * Painting large works of art * Easy clean up * Discerning artists * Practice or final works of art * Artists seeking a better quality watercolor QoR Watercolor Sets The colors in each set have been hand picked by professional watercolorists, to insure a balanced palette. * QoR Watercolor Mini Half-Pan Set of 12 - QoR mini fits 12 half pan watercolors in a tin smaller than an index card and an innovative non-staining silicone insert with embossed letters next to each pan. It fits perfectly in pocket or purse for urban sketching and plein air painting which will re-wet beautifully and deliver the lively painting performance artists expect. The deep, rich, beautiful color of QoR with its exclusive Aquazol binder provides more pigment in every brushstroke, while retaining the best qualities of traditional watercolors. Strength, versatility, and now convenience and mobility are part of the QoR story. - Click Here-> QoR Mini Color Chart > * QoR Introductory Set of 6 - Six 5ml tubes of watercolors. Colors include Indian Yellow, Cerulean Blue Chromium, Ultramarine Blue, Pyrrole Red Light, Permanent Alizarin Crimson, Burnt Sienna (Natural) * QoR Introductory Set of 12 -Twelve 5ml tubes of watercolors. Colors include Nickel Azo Yellow, Hansa Yellow Medium, Quinacridone Gold Deep, Quinacridone Magenta, Permanent Alizarin Crimson, Pyrrole Red Light, Phthalo Blue (Green Shade), Ultramarine Blue, Viridian Green, Burnt Sienna (Natural), Payne's Gray, Yellow Ochre (Natural) * QoR Introductory Earth Set of 6 - Six 5ml tubes of watercolors. Colors include Naples Yellow, Transparent Brown Oxide, Venetian Red, Sap Green, Indigo, Raw Umber (Natural) * QoR Introductory High Chroma Set of 6 - Six 5ml tubes of watercolors. Colors include Cobalt Teal, Green Gold, Quinacridone Gold, Transparent Pyrrole Orange, Quinacridone Magenta, and Dioxazine Purple * QoR Set of 24 - The new QoR® 24 Set from GOLDEN allows artists to experience a wide range of colors in one convenient set. Packaged in a versatile palette tin, this collection is comprised of a full spectrum of vivid colors, making it appealing to any watercolorist, whether they are a student, teacher or professional who wants to experiment with a modern watercolor. Twenty-four 5ml tubes of watercolors. Colors include Cadmium Yellow Primrose, Nickel Azo Yellow, Quinacridone Gold, Diarylide Yellow, Transparent Pyrrole Orange, Cadmium Red Medium, Permanent Scarlet, Permanent Alizarin Crimson, Quinacridone Magenta, Dioxazine Purple, Ultramarine Blue, Cerulean Blue Chromium, Phthalo Blue (GS), Cobalt Teal, Viridian Green, Sap Green, Green Gold, Raw Sienna (Natural), Burnt Sienna (Natural), Raw Umber (Natural), Van Dyke Brown, Paynes Gray, Neutral Tint and Titanium White. * See More
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Old Holland Cold Pressed Linseed 100 ml BottleSave Up to25%Off list…With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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Sennelier #Green for Oil Mediums - Solvent-Free Universal Medium, 100mlSave Up to35%Off list…Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100%… Non-Toxic Additives for Oil Paints with these eco-friendly alternatives to traditional solvents! Sennelier Green For Oil is a range of non-toxic, biodegradable additives for oil paint. These bio solvent based additives are created from sustainable, raw materials such as vegetable oils and grain. 100% safe and easily disposable, they are odorless and safe enough to bring onto a plane. Sennelier Green For Oil products are just as effective as traditional solvents and work wonderfully with both the Sennelier Artists’ Oils and Rive Gauche. Be aware that they cannot be used with solvent based mediums and it is important to abide by the slightly longer drying time. Brush Cleaner: This non-toxic liquid cleaner is perfect for deep cleaning of all types of brushes, knives, palettes and other containers before next use. Matte Varnish: This clear & quick drying varnish protects your finished work with a non-reflective, matte finish. It can be mixed with gloss varnish for a satin finish. Gloss Varnish: This gloss varnish will enhance the brightest and most vibrant colors in your painting with a glossy finish. This quick and clear drying varnish can be mixed with matte varnish for a satin finish. Thinner: This bio-solvent thinner replaces petroleum distillate to thin your oil paints. Mix the product with your paint to make it more fluid and more suitable for the first drafts of your painting. Universal Medium: A perfect substitute for universal medium, this medium will enable you to improve the consistency of your paste, create glazes and the other effects such as impasto. Also invaluable if working in cold temperatures and speeds up drying time & adds shine to your finished work! Gel Medium: This Carthame oil-based formula has been designed for artists work with thick paints to build up depth. It preserves the consistency of oil paints without making the product too fluid, enabling artists to superpose colors without diluting the bottom layers of color. This medium also speeds up drying time! Key Features: * Non-toxic, biodegradable, eco-friendly additive * Just as effective as traditional solvents * The product range includes Thinner, Gel Medium, Universal Medium, Gloss & Matte Varnishes * 100% safe & easily disposable Perfect For: * Replacing petroleum based additives * Artists that work with oil paints * Sennelier Artists’ Oils & Rive Gauche * Safe for elderly, pregnant & allergy prone artists * Can be brought on a plane Sennelier #Green - Non-Toxic Additives For Oil Paints All Green for Oil products are bio solvent based (meaning from sustainable raw materials such as vegetable oils and grain) and are biodegradable. 100% safe and easily disposable, they can be brought into a plane. Great packaging and remarkable capabilities. See More
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Old Holland Oil Painting Varnishes - Damar Picture Varnish, 100ml BottleSave Up to25%Off listHigh Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible,… High Quality Oil Painting Picture Varnishes Old Holland Oil Painting Medium thins oil paints, increases fluidity, and enhances flow. Made from a mixture of linseed oil, turpentine oil, and white spirit, it contains no resin or dryers. It reduces gloss and ensures that brush strokes remain visible, but does not affect the drying time. Retouching Varnish - Useful for reviving sunken (dull) areas on the painting while in process, bringing everything up to an even sheen. Can be used over drier paint to help bond new fresh painting layers. Dries within hours and is made with a ketone resin base. Used most popularly as a temporary varnish while the painting continues to oxidize, offering protection from dust and dirt until a final varnish can be applied. Mastic Picture Varnish - Hard Varnish that often turns slightly milky. Gives a high gloss, but will yellow slightly later. Made from pure mastic resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). Dammar Picture Varnish - Use as a final varnish for a lovely gloss finish. Produces an even, high gloss, yellows slightly later. Made from pure dammar resin dissolved in white spirit. Must not be applied before painting is thoroughly dry- a minimum of 12 months (longer depending on paint film thickness). See More
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Michael Harding, PM4 Beeswax Paste Medium, 100ml JarSave Up to25%Off list…and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More
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Montana Water Based Spray 300 ml Quinacridone Rose LightSave Up to30%Off listRed The Spray Paint of The Future! MTN Water-Based Spray Paints by Montana Colors are low-odor, water-soluble spray paints made with high-quality pigments. The safer low-odor color formulation is perfect for creating high-end studio art inside your studio. You can use the cap nozzles to produce various techniques and effects. Spray on canvas, wood, glass, metal, EPS foam, and more. The water-based paints are water-resistant once dry and have a matte finish. Responsive, fast-drying Montana Water-Based Spray Paints are ideal for creating graffiti art, fine art, and ornamental arts and crafts. Key Features: * Low odor water-based paint * High-quality pigments * Water-resistant once dry * Matte finish * Strong performance paint * 300 ml can format * Pocket cap nozzle * Perfect For: * Studio or indoor work * Painting canvas, wood, glass, metal, or EPS foam * Various spray techniques * Workshops and group activities * Graffiti art, fine art, and interior design * Crafts and hobbies See More
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Pebeo Studio Acrylics Mediums - High Density Modeling Paste, 100mlSave Up to25%Off listUnlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used… Unlimited opportunities for experimenting with creative inspiration Pébéo Mixed Media Studio Mediums offer an extensive line of acrylic mediums for creating an array of textures and dimensional effects. Ideal for mixed media applications, these mediums—once dry—can be used beneath acrylics as well as resins, solvent-based paints, ceramic paints, and more! Key Features: * Thick, richly pigmented acrylic mediums * Retain brush and painting knife strokes * Easily mixable with great light-fastness * Available in iridescent Dyna Perfect For: * Uncomplicated, spontaneous creativity! * Mixed media applications * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal * Children, students, and professionals Studio Acrylics Gloss Gel –non-yellowing acrylic gloss gel with translucent gloss finish. Studio Acrylics Matt Gel –non-yellowing acrylic gel with translucent matte finish. Studio Acrylics Bindex –non-yellowing fluid acrylic binder—dries translucent with a satin finish. Studio Acrylics Dyna Bindex –non-yellowing fluid acrylic binder with interference pigments for reflective, color-changing effects--available in blue, violet and green. Studio Acrylics Modeling Paste –highly textured, opaque white modeling paste used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a matte finish. Studio Acrylics Modeling Paste High Density -highly textured, opaque white modeling paste formulated with fine grain used for creating impastos and dimension—may be used alone or mixed with colors—retains tool imprints, keeps volume and dries to a white-gray porous surface. Studio Acrylics Crackling Effect Modeling Paste –opaque white paste used to create impastos with crackle effect—may be used alone or mixed with colors (75% modeling paste / 25% color)—to increase adherence and enhance the crackling effect, recommended to prime the surface at least 1 hour prior to applying the modeling paste. Studio Acrylics Sand Textured Gels –acrylic polymer with colored sand-based gel available in black, white, red, and yellow—apply with a painting knife and dilute with water or Bindex as needed. See More
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