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Related Categories: Clear Gesso | Professional | Acrylic Gesso | Clear Acrylic Gesso | Gesso Paint | Primer | Gesso 5 Gallon | Gessoed Canvas
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Liquitex Acrylic Gesso Surface Prep Neutral Grey 5 Gesso 8 ozSave Up to39%Off listGrey Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Clairefontaine Paint'ON Mixed Media Pad 7x10" GreySave Up to20%Off listGrey Made right to inspire. Made tough to perform. PaintON® is an extra heavyweight art paper designed to support almost any medium. The sturdy 115 lb (250 gsm) paper is perfect for playing with pen & ink, gouache, pastels, acrylics, collage, and more! PaintON® sheets are double-sized to resist buckling, so you don't have to hold back. You can paint as many layers as you want because the paper has exceptional wet strength. A very light grain surface makes the paper ideal for precise drawing. The surface can even withstand repeated erasing without pilling. PaintON® pads are available in 4 neutral background tones: White, Natural, Grey, and Black. Colored paper pads are deep-dyed, so there are no annoying white cores to uncover. Key Features: * 100% cellulose paper with a very light grain * 20 Sheets per pad * Heavyweight 250 gsm paper – accepts layers of wet media without warping or buckling * Double-sized for exceptional wet strength * Pigments remain high on the surface for color vibrancy * "Drawing-friendly" surface withstands repeated erasing without pilling * Supports blending, layering, and lifting of color * Paper shades are deep-dyed – no white core * Acid-free, pH Neutral, archival quality * PEFC forest certified Perfect For: * Wet and dry mixed media * Pen & ink, gouache, and pastels * Light watercolor washes * Acrylics, collage, and more! * Oil pastels and pencil * Smooth applications of paint * Painting immediately, no extra priming necessary * Inking techniques without feathering or bleeding * Perfect for use en Plein air or indoors * Works in both dark and light media * Dimensional dramatic art See More
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Canson XL Sand Grain Dry Mixed Media Gray Pad 11"x14", 40 SheetsSave Up to31%Off listGrey Innovative paper made from organic, renewable materials Canson's new XL Sand Grain paper is made from a mixture of renewable organic materials. The sandy textured finish is perfect for drawing with graphite, colored pencil, pastel, and charcoal. You can work with many layers of color because the gritty surface holds dry pigment well. It's easy to erase mistakes, and both sides of the paper are usable, so the pad is ideal for sketching in the studio or on the go. Each Canson XL Sand Grain Pad is bound with a spiral binding and contains 40 sheets each. Ideal for drawing and sketching with graphite, colored pencil, pastel, and charcoal/ Key Features: * 98 lb (160 gsm) multimedia paper * Made from organic, renewable materials * Acid-free paper with a sandy surface * No optical brightness or additives * Complies with ISO Standard 9706 * Front and back sheet use * Spiralbound on the short side * 40 Sheets per pad Perfect For: * Graphite, pastel, charcoal, colored pencil * Sketching and drawing * Erasing mistakes and adding highlights * Applying many layers of color without fixative * Everyday studio use * Urban sketching on the go * Travel See More
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Strathmore 500 Charcoal Paper 19"x25" - #136 Blue Gray, Pack of 25Save Up to33%Off listBlue 100% Cotton Acid Free Premium Charcoal Paper/Pads The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Colors include bright white, white, black and nine tints. Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media Key Features: * 64 lb. 95 g/m2* Laid Surface* 100% cotton fiber* Raised texture* Acid-free paper* 24 Sheet Pads: Wire Bound Perfect For: * Graphite pencil* Colored pencil* Charcoal* Sketching stick* Soft pastel* Mixed media Its raised texture is also suitable for pen, pencil, or art crayon Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Colors in pad include 3 sheets each of eight colors.Please note: The manufacturer reserves the right to substitute colors in assorted packs. Colors may be different than pictured. See More
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Art Spectrum Colourfix Pastel Primer Jar 250 mlSave Up to33%Off listGrey This primer allows you to work in several layers with little to no fixing and allows the use of wet media such as oils, watercolors and acrylic colors for mixed media works. Colourfix primer is available separately and is the same used for priming the sheets. Use them to prime any paper or board or to cover unwanted passages or to "touch up" smudges or for reverse painting effects. Primers may be mixed to create unique hues. Clear Primer makes virtually any surface, even glass, a pastel surface and is excellent for experimenting allowing you to add pastels into your watercolors, acrylics or oil colors. Supertooth Pastel Primer available in Natural/Clear 250 ml Jar. See More
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Strathmore 400 Mixed Media Toned Gray Pad 11x14 InSave Up to33%Off listGrey High Performance Heavyweight, toned mixed media paper pads! Toned Tan, Gray and Blue Strathmore 400 Series Toned Tan, Gray and Blue Mixed Media Pads combine the utility of Strathmore’s heavyweight mixed media paper with the toned surfaces of their toned sketch paper. Available in warm tan and cool gray, this paper is intended specifically for use with light and dark media. This paper allows for a wider range of values by providing the middle value needed to clearly distinguish highlights and shadows. At 184 lb., this paper is heavyweight enough for wet media with a medium drawing surface for the finish of a drawing sheet. It's the perfect hybrid of two of our most loved papers: 400 Series Toned Sketch and 400 Series Mixed Media. Heavyweight paper that has the attributes of a watercolor paper but with a vellum drawing finish. Suitable for wet and dry media, these toned paper pads are ideal for artists working in multiple mediums. Perfect for various wet media applications: Watercolors, Acrylics, Gouache, Graphite, Pen & Ink, Colored Pencil, Marker and Collage Key Features: * Made in the USA * Heavyweight, 184 lb / 300gsm * Surface: Medium drawing surface with the wet media characteristics of a watercolor sheet * Available in warm tan and cool gray and toned blue for light and dark media * 100% recycled with 30% PCW * Acid Free Perfect For: * Various wet media applications * Finished artwork * Graphite, colored pencils, markers, acrylic, watercolor, gouache, pen & ink, charcoal, gel pens and more! * Artists looking for heightened value ranges See More
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SoHo Open Bound Sketchbook 11 x 14 in (120 sheets) GreySave Up to59%Off listGrey Open Coptic binding allows the book to lay flat! Each SoHo Open Bound Sketch Book features 65 lb. (100gsm) paper stock and an open binding with visible stitching. Sometimes referred to as Coptic binding, the signatures are stitched in a way that allows the book to open completely. Sketchbooks using heavier weight paper usually don't lay flat, so this type of binding is perfect for a sketch book. The durable cover adds strength and protects the artwork within. Each book contains 120 sheets or 240 pages. When open the pages lay flat for satisfying panoramic drawings. Available in white, kraft, or grey paper, SoHo Open Bound Sketch Books are great for virtually all dry media and most writing instruments. Use the book as a journal for your thoughts and ideas or remove sheets using a precision craft knife for framing. Key Features: * Open Coptic binding with visible stitching * Acid Free 120 sheets (240 pages) * 65 lb. (100gsm) paper stock with slight texture * A durable cover protects the sketch paper * Available in white, kraft tan, or grey paper * Sketchbook will lay flat * Perfect For: * Virtually all dry media * Most writing instruments * Colored pencil and graphite * Travel or Plein air work * Journaling your thoughts and ideas * Drawings of panoramic landscape See More
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Stonehenge Printmaking & Drawing Paper Sheets 22"x30", Steel Grey (Pack of 100)Save Up to52%Off listGrey An American-made Drawing & Printmaking Classic! Stonehenge by Legion, a traditional fine art paper! This machine made sheet has a slight, even texture that compliments many artistic pursuits. It combines a 250gsm beefy weight, 2 deckle edges, strong surface, excellent acceptance of ink and wet media and pleasant feel. Internally sized, made of 100% cotton. * 22 × 30" Sheets 250 Gr/M2 weight. - 90lb.* Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.* Smooth, flawless surface* Machine-made in the United States* 100% cotton fibers, Acid-Free* Each sheet has two deckle edges* Sold In: Packs(10,25,100) & Rolls It is a favorite not only with printmakers but with artists that specialize in drawing and painting techniques in a variety of media including graphite, artist crayons, pastels, watercolor and colored pencils, inks, and light gouache. Stonehenge continues to be made in the USA as a high quality affordable paper that never compromises fiber composition, archival properties or its suitability for multiple mediums. Stonhenge papers are the "paper of choice" by the Colored Pencil Society of America See More
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Painter's Color Diary Empty Binder Box 9" x 12"Save Up to54%Off listBlue Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More
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Crescent Ragmat Museum Board 32x40" 4 Ply - Antique GreySave Up to33%Off listGrey RagMat Museum Boards Solid Colors - Unbuffered for photographs and textile matting! Crafted completely from pure 100% cotton, RagMat’s Museum Boards are specifically designed for textiles and photograph mounting and matting, which requires a low alkaline environment for the most archival finishing. Museum Boards come in 4 colors that have a solid color throughout, and have special surface sizing for French matting and art media. Recommended for fine art and limited edition art prints. Key Features:* Solid color throughout* 100% cotton, acid & lignin free* 4 ply, 32 x 40" board size* Mat & mount photos and textiles* Super strong and resilient Perfect For:* Matting low alkaline artwork* Textile and photo matting/mounting* Meeting the most stringent standards* Safest, most archival matting available See More
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Canson Mi-Teintes Pastel Pad 12x16" - Gray TonesSave Up to33%Off listGrey Beautiful, multi-hued pads of artists' pastel paper! These convenient pads feature color-themed selections of Canson Mi-Teintes Pastel Paper in assorted colors, earth tones, and gray tones. The paper is perfect for pastel paintings and tonal dry media drawings. Mi-Teintes paper is double-sided, acid-free, and lightfast. Pads are tape-bound with a chipboard backing and pastel paper in select theme colors. Mi-Teintes paper pads have a 65% rag content and a 98 lb. weight. Both sides of the sheet are gelatine sized making it very strong and allowing repeated reworking in a variety of media. The Mi-Teintes sheet has two distinct surface textures, one side smooth and the other grainy. Thus, the sheet is adaptable to an endless array of techniques. No matter what media you use, soft pastel, oil pastel, pencil, charcoal, colored pencil, watercolor, designers' colors, or acrylic, you'll find the Mi-Teintes sheets to be highly receptive and easy to work on. Key Features: * 65% cotton rag content * Gelatin sized * Acid-free, archival foundation for pastels and pencils * Lightfast colored sheets * Two distinct surface textures * One side smooth and the other grainy * 98 lb paper weight Perfect For: * Pastellists and colored pencil artists * Illustrators, designers, and fine arts * Use with charcoal, conte’ sticks, and oil pastels * Gelatin sizing accepts watercolor and gouaches * Use in mixed media Assorted Colors: Includes 24 sheets of Mi-Teintes Pastel Paper; 4 each of White, Champagne, Buff, Moonstone, Steel Gray, and Light Blue. Earth Tones: Includes 24 sheets of Mi-Teintes Pastel Paper; 4 each of Cream, Oyster, Hemp, Bisque, Sand, and Sepia. Gray Tones: Includes 24 sheets of Mi-Teintes Pastel Paper; 4 each of Pearl Gray, Pearl, Flannel, Steel Gray, Felt Gray, and Dark Gray. See More
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Somerset Velvet Printmaking Papers 250gsm 22" x 30" (Pack of 10)Save Up to42%Off listGrey The choice of artisans and printmakers worldwide Somerset Velvet Printmaking Paper is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. Somerset is a beautiful paper to work with, boasting a lightfastness rating of 7 on the Blue Wool Scale for all colors. Originally intended as a printmaking paper, they have been 'discovered' to also be highly suitable for pastel drawing. Mould-made 100% cotton, acid free with four deckle edges. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. Each sheet comes with 4 deckle edges and is watermarked (except for the book papers) for authenticity. It remains flat after printing and offers durability and long life to finished editions of work. Key Features:* Mouldmade in UK* Acid free acrylic primer* 100% Cotton* Neutral pH, Acid-Free* Chlorine Free* 4 deckles (2 natural deckles, 2 tear deckles)* Lightly sized, gentle texture surface* Specialty Paper, printmaking papers* Lightfastness rating of 7 on the Blue Wool Scale Perfect For:* The choice of artisans and printmakers worldwide* Any printmaking application* Highly suitable for drawing, charcoal & pastels* Letterpress, engraving, foil stamping and offset* Remaining flat after printing* Durability and long life to finished editions of work See More
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Saral Transfer Paper Pack of 12 Sheets, 18" x 24" - Sally's GraphiteSave Up to50%Off listGrey Wax-Free Precision Tracing on any Surface! Use Saral Wax Free Transfer Paper like carbon paper to transfer, trace a design, or sketch to any other surface - paper, wood, glass, acetate, metal, cloth, canvas, ceramics, and more! The all-purpose, acid-free coatings can be used several times each to render crisp, clean tracings. The tracings are easily erased like a pencil and do not smear. The tracing can be inked or painted over with no bleeding. When used with fabric, the transfer lines can be washed or brushed off and will not set into the fabric, even when used with a hot iron. Saral WAX FREE Transfer Paper is available in 5 colors: Graphite, White, Blue, Yellow, and Red in rolls of four sheets measuring 12" x 3 feet for a total of 12 feet each box. A larger size is available in a 12-Pack of 18" × 24" sheets in Sally’s Graphite transfer paper. All Saral transfer papers conform to ASTMD-4236 and are certified by The Art & Creative Materials Institute as non-toxic. Key Features:* Available in 5 colors: Graphite, Blue, Red, White, and Yellow* Wax Free Transfer Paper, 4 Sheets* 4 sheets per box - 12" x 3 ft each sheet* For tracing a design or sketch to another surface* The ability to use each sheet multiple times* Conforms to ASTMD-4236 and are certified non-toxic Perfect For:* Fine Arts and Watercolor painting * Tole painting, Scrapbooking * Fabric painting, Quilting, Sewing * Graphic Arts, Architecture * Woodworking, Ceramics, Stained Glass, Metalworking See More
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Stillman & Birn Nova Series 5.5X8.5 Softbound Grey SketchSave Up to20%Off listGrey Premium Softcover Sketchbooks - High-Performance Art Papers Stillman And Birn Nova Series Sketchbooks are ideal for a wide range of media. The medium grain 93lb (150 gsm) paper can withstand multiple erasures. The unique Nova softcover sketchbooks hold 46 sheets of a beige, black, or grey toned paper. With Stillman and Birn Nova Series Sketchbooks, anyone can confidently experiment on a paper that will support the most demanding techniques. Rounded corners give these sketchbooks an upscale look and help to prevent fraying edges. Key Features: * High-performance, robust art papers * Rugged softcover binding * Rounded edges to prevent fraying * Exceptional paper strength for layering and lifting wet media * Beige, Grey, or Black paper * 46 acid-free sheets / 92 pages * 93 lb (150 gsm) * Note: Click on Yellow Icon Next to each product for more details Perfect For: * Mixed Media * Colored pencils, inks, gel pens, paint markers * Watercolors, gouache, chalk pastels, oil pastels * Water-soluble graphite, charcoal, and Conté crayons * Ink and liquid watercolor See More
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Stillman & Birn Nova Series 7X10 Wirebound Grey SketchSave Up to20%Off listGrey Premium Wirebound Sketchbooks - High-Performance Art Papers Stillman And Birn Nova Series Sketchbooks are ideal for a wide range of media. The medium grain 93lb (150 gsm) paper can withstand multiple erasures. The unique Nova Wirebound sketchbooks hold 50 sheets of a beige, black, or grey toned paper. With Stillman and Birn Nova Series Sketchbooks, anyone can confidently experiment on a paper that will support the most demanding techniques. Key Features:* High-performance, robust art papers* Rugged wire binding* Exceptional paper strength for layering and lifting wet media* Beige, Grey, or Black paper* 50 acid-free sheets / 100 pages* 93 lb (150 gsm)* Note: Click on Yellow Icon Next to each product for more details Perfect For:* Mixed Media* Colored pencils, inks, gel pens, paint markers* Watercolors, gouache, chalk pastels, oil pastels* Water-soluble graphite, charcoal, Conté crayons, colored dry pigments* Ink and liquid watercolor See More
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Bob Ross Gray Gesso 16oz (473ml) BottleSave Up to29%Off listGrey Non-toxic smooth, flexible, flat finish on artwork surfaces These top quality Bob Ross Gessos are non-toxic acrylic primers produce an excellent dry base coat with perfect tooth for the Bob Ross method of painting. White and Black gessos are packaged in convenient 16.9oz squeeze bottles with non clog tops. Once dry, this flat, acrylic liquid gesso gives you the perfect base for mastering the Bob Ross Wet-on-Wet Technique® Bob Ross Gesso contains pure pigments formulated in a 100% acrylic polymer emulsion which when dry produces a smooth, flexible, flat finish on artwork surfaces. It is ideal for the Bob Ross painting techniques with oil colors as well as other art media including acrylics, tempera, watercolors, ink, pencil, and more! Conforms to ASTM D4236. Key Features: * White, black or grey gesso * 16.9oz / 500ml squeeze bottles with non clog tops * Top quality non-toxic acrylic primers * Produces an excellent dry base coat * Perfect tooth for the Bob Ross method of painting * Pure pigments * Formulated in a 100% acrylic polymer emulsion * When dry produces a smooth, flexible, flat finish on artwork surfaces * Conforms to ASTM D4236 Perfect For: * Mastering the Bob Ross Wet-on-Wet Technique * Oil, acrylic, tempera, watercolors, ink, or pencil * Classrooms, Universities, Art Leagues * Artists priming large canvases * Painting Party venues * Art Journaling * Better bonding surface for acrylic or oils See More
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Opus 4 x 6 in Pencil Closure Journal Espresso Black & Dip Glass Pen SetSave Up to76%Off listBlack Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the pencil closure Opus Journals come in three unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown and Espresso Black! Key Features: * Genuine leather cover, soft & durable * Pencil closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Dark Brown or Espresso Black * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Rembrandt Pastel Paper Pad (50-Sheet) 120lb 8.3 x 11.7 Industrial GreySave Up to25%Off listGrey A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More
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Opus 4 x 6 in Wrap Journal Dark Brown & Dip Glass Pen SetSave Up to76%Off listBrown Intricately handmade genuine leather! Reminiscent of the notebook styles of the Renaissance, the wrap closure Opus Journals come in two unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown and Espresso Black! Key Features: * Genuine leather cover, soft & durable * Wrap closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Dark Brown and Espresso Black * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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Winsor & Newton Pastel Paper 75 lb 9x12 Pad Grey Colors 24-SheetsSave Up to41%Off listGrey Archival, High cotton content, pastel paper! You can create dynamic pastel and charcoal drawings on Winsor & Newton's Pastel Paper. Pads are available in two color pallets of six assorted earth or grey tint colors. The paper mill uses hydroelectric power to reduce greenhouse emissions and FSC certified pulp to protect forests. Winsor & Newton dyes the high cotton content pastel papers in a pulp bath to give each sheet the appropriate texture and strength for pastels. The neutrally sized paper has a grainy, rough surface that is ideal for dry pigment uptake. Free from acids and optical brighteners, this paper is archival and resistant to aging. Key Features: * 75 lb, 160 gsm pastel paper * Neutrally sized, grainy, rough surface * Available in two assorted color pallets * 6 Earth colors: Bianco, Crema, Banana, Sahara, Tierra di Siena, and Caffe * 6 Grey colors * High cotton content paper * Free of acids and optical brighteners * Archival and resistant to aging * Lightfast paper colors * Hydroelectric power used to reduce greenhouse emissions * FSC certified pulp to protect forests Perfect For: * Pastellists * Sketching and drawing * Pastel, graphite, charcoal, and sanguine * Illustrators, designers, fine arts * Emphasizing shading and highlights * Dry drawing techniques * Dry pigment uptake * An endless array of techniques * Archival foundation for pastel and pencil See More
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Sennelier La Carte Pochette 11.8" x 15.75" - 6 Pack, Light GreySave Up to45%Off listGrey Specially Developed for Pastel Painting! La Carte Pastel Cards are professional acid-free and lightfast pastel paper cards designed explicitly for pastelists. Each paper card has a 170 lb. (360 gsm) stiff weight, similar to Bristol. It's hard to fold, crease, or puncture the card, unlike other pastel papers. The surface has a neutral pH, slightly abrasive vegetable fiber coating that reacts with soft and oil pastels to enhance adhesion, thus reducing the need to fix artwork heavily. The card has a soft, uniform tooth that grabs and holds soft pastel, graphite, and charcoal. Each pochette includes six paper cards measuring 11.8" x 15.75". Key Features: * Each pochette includes 6 paper cards (11.8" x 15.75") * Available in 4 beautiful colors * Stiff 170 lb. (360 gsm) weight * Neutral pH surface * Velvety textured surface with a smooth tooth * Made of ground vegetable fiber and cork * The surface can hold up to 25 layers of soft pastel! Perfect For: * Soft pastels, charcoal, and graphite * Pastellists and colored pencil artists * Drawing on a colored background * Mixed media artists * Illustrators, designers, and fine arts * Experts and enthusiasts See More
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Soho Hard Cover Heavy Drawing Pad 4"x6", 135 lb. (50 Sheets)Save Up to55%Off listWhite The Perfect Paper for Sketching and Illustration SoHo drawing paper is available in two weights, standard and heavyweight. The standard 92 lb. paper has a uniform surface that is ideal for working with graphite, charcoal, and colored pencil. While the heavyweight 135 lb. paper can be used with wet and dry sketch media. Artist drawing papers typically weigh between 80 and 100 lbs. Our SoHo papers are much thicker, and the quality is noticeable. With a SoHo pad, you can rework areas, make corrections, and erase aggressively, knowing the paper will hold up. Both drawing papers are acid-free and have an even surface for precise marks and clean erasing. Key Features: * Drawing 92 lb. (150gsm): 24 sheets per wire-bound pad * Heavyweight 135 lb. (220gsm): 50 sheets per wire-bound pad * Acid-free dual-sided paper * Micro-perforated sheets * Available in multiple sizes Perfect For: * Quick studies and fine drawings * Capturing fine details * Finished illustrations * Repeated erasing and reworking * Spontaneous creativity * Travel SoHo Drawing Pads Wire-Bound Softcover - Acid-free drawing paper perfect for use with dry media such as pencil, pen & ink, charcoal, and more! 92 lb (150gsm), wire-bound with 24 sheets per pad. SoHo Heavyweight Drawing Pads Wire-Bound Hardcover - Acid-free drawing paper perfect for use with graphite, colored pencil, charcoal, pen & ink, marker, soft pastel, oil pastel, and light washes of wet media. 135 lb (220gsm), wire-bound with 50 sheets per pad. Whether you are an art student, a seasoned artist, or just enjoy sketching, these SoHo Drawing Pads are perfect for all dry mediums and styles! See More
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U.Go Plein Air Wet Panel Carrier, Medium (9" x 12" or Less)
Starting At: 110.95
Grey Stores 4 Standard Thickness Panels, Back-To-Back The u.go™ Plein Air Wet Panel Carrier offers a durable design to transport and carry wet painting panels safely. The rugged, waterproof exterior is made of solvent-resistant material to protect your wet paintings from the elements, while the rigid aluminum interior provides maximum protection. A track system inside the carrier allows you to fit different panel sizes. Carriers are available in both Large and Medium. Each carrier includes 2 u.go 1" Panel Reducer Tracks to carry panels of different widths. The Reducer Tracks can be placed in multiple positions within the central track system to hold your desired panel widths. Key Features: * Lightweight panel carrier design * Easy to adjust, shoulder strap * Waterproof and solvent-resistant exterior * Rigid aluminum frame for ultimate protection * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Made in the USA of U.S. and imported parts Perfect For: * Professional artists and students * Transporting wet painting panels * Holding multiple wet panels * Plein air traveling * Everyday studio use 2 Sizes Available Medium: * Exterior Dimensions: 10x2x12.5" * Weight: 3.10 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 9x12", 8x10", 8x8", 9x6", 6x8", and 5x7" * Panel Height: Holds 10" or less Large: * Exterior Dimensions: 13x2x16.5" * Weight: 4.75 pounds * Includes two u.go 1" Panel Reducer Tracks * Stores 4 standard thickness panels 0.20 or less, back-to-back, in the 2 tack systems * Common Sizes Held: 12x16" , 12x12", 11x14", 10x12", 10x10", 9x12" 8x10", and 6x12" * Panel Height: Holds 16" or less See More -
Fabriano Cromia Paper, Pale Gray 19.6"x25.5" 220gsm (10 Sheets)Save Up to32%Off listGrey Master Quality Papers That Stand the Test of Time Fabriano Cromia paper is an archival, acid-free paper perfect for drawing with colored pencils, pastels, graphite, and charcoal. The sheets are made of 50% cotton and 50% alpha-cellulose and have a soft feel with a significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x 25.5", and weighs 220gsm. Key Features: * 220 gsm archival, acid-free paper * Contains 50% cotton and 50% alpha-cellulose * Soft feel and great tooth on both sides * No optical brighteners * Best possible lightfastness * 2 deckle edges per sheet * Made in Italy using hydro-power Perfect For: * Drawing with pastels and charcoal * Use with colored pencils and graphite * Illustrators, designers, and fine artists * Light washes of color * Mixed media techniques See More
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Magnani 1404 Pescia Printmaking Paper 140lb - Grey, 22" x 29.9" (Pack of 10)Save Up to40%Off listGrey Top-quality 100% Cotton Printmaking Paper. Love Your Paper! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Pescia Printmaking Paper is perfect for anyone who desires the highest quality paper available Pescia Printmaking Paper is made by evenly distributing cotton fibers on a slowly rotating wire cylinder before it is pressed onto special marking felts and dried. The paper's smooth surface and delicate sizing make it ideal for etching, engraving, intaglio, aquatint, stone litho, and silkscreen. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, archival printmaking paper * 140lb (300 gsm) weight * Very soft surface texture * Delicately sized for better prints * Mould made on a cylinder machine * Available in white, soft white, cream, grey, and light blue * Sheets have 4 deckled edges and a watermark * Acid-free, pH-neutral, and chlorine-free * No optical brighter agents used * Made in Italy Perfect For: * Professional printmakers * Etching, engraving, intaglio, aquatint, stone litho, and silkscreen * Drawing with pen and ink * Any printmaking application * Remaining flat after printing * Students, teachers, and artists See More
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Phenomenon Shell Paper 5-Pack - Warm GreySave Up to78%Off listGrey Coated with an emulsion made with real seashell powder! Shell Paper is a paper made with actual shell emulsion, specially designed for multimedia to accept acrylics, watercolors, inks, pastels, and even oil pastels! This paper easily mounts to any board surface to make unique Plein air painting boards. Imported from Vietnam, this paper will open new creative avenues for artists everywhere. The colors are organic pigments with natural white to add a beautiful pearlescent effect to transparent washes. Surface is lustrious and semi-absorbant. The calcium in the shell coating allows for wet media techniques, making Shell Paper the ideal surface for multimedia expressions using a wide array of media from crayon and charcoal to fluid acrylics and inks. The paper is handmade sheet by sheet, so each piece of Shell Paper is unique and somewhat different than the next. All sheets are 20x24" in size and are available in 5 sheet packs with resealable clear bags plus in packs of 25 sheets wrapped in paper. Key Features:* Acid-free and archival* Unique characteristics* Actual shell emulsion* Imported from Vietnam Perfect For:* New exciting creative avenues* Works well with dry art media and wet media* Block printing, screen printing, monotype printing* Pen and ink, marker, crayon, pastel, charcoal and stamping techniques Shell Paper Art Gallery See More
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Pastelmat Board - Sienna, 50 x 70 cm (Pack of 5)Save Up to20%Off listGrey A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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Strathmore 400 Series Softcover Recycled Art Journal 7-3/4x9-3/4" (112 pg) - GraySave Up to33%Off listGrey Fine art paper in finely crafted journals! Strathmore 400 & 500 Series Softcover Art Journals give artists the choice of high quality sketch, toned sketch, drawing, watercolor and mixed media papers. The velvety soft, flexible cover is a rich, dark brown color, and the durable Smyth-sewn binding allows pages to lay flatter. These beautiful lightweight journals are available in convenient, portable sizes -- making them perfect for artists on-the-go! * 400 Series Watercolor Softcover Art Journal- 140lb. 300 gsm, / 48 pages - This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. * 500 Series Mixed Media Softcover Art Journal- 90 lb. 190 g/m / 64 pages - This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. It is comprised of 100% cotton fiber, and is acid free, 90lb., lignin free, and archival. Ideal for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. * Eco-Friendly 400 Series Toned Sketch Softcover Art Journal- Toned Gray & Tan Journals - 80 lb. 118 gsm / 112 pages - This medium surface, 80lb. sketch paper is ideal for use with graphite, chalk, charcoal, sketching sticks, markers, china markers, colored pencils, pens and white gel pens. A unique quality of this sketch paper is that it is 100% recycled and contains 30% post-consumer fiber -- making it an eco-friendly product! Available in Warm Tan and Cool Gray. Acid free. * 400 Series Toned Sketch Softcover Art Journal - 60 lb. 89 gsm / 160 pages - This general purpose, white, medium surface, 60lb., heavy weight sketch paper is intended for practice of techniques or quick studies with any dry media. It is ideally used with graphite pencil, colored pencil, charcoal, sketching stick, soft pastel and oil pastel. Acid Free. * 400 Series Drawing Softcover Art Journal - 80 lb. 130 gsm / 96 pages - This cream colored, medium surface, 80lb., drawing paper is ideal for sketching and finished work. This paper was engineered to work best with mediums such as graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel and oil pastel. Acid free. * Jerry's Strathmore Sketching Gift Set - This Gift Set from Strathmore, out right in time for the holidays includes everything you need to start sketching better today! This set includes a Softcover 400 Toned Gray Journal, a 12 pack of SoHo Compressed Charcoal (Midnight Black), a Creative Mark 12x16" Mesh bag and two 3-packs of SoHo Sketch Squares. See More
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BFK Rives Printmaking Papers Grey, 22" x 30" 280gsm (100 Sheets)Save Up to50%Off listGrey Professional 100% cotton and no optical brightening agents Arches BFK Rives Printmaking paper is mould-made in France and has a smooth, absorbent surface. Soft, yet with enough body and substance to give good support to the print. It is half sized to give a good balance between good ink absorption and ink holdout. Acid-free and buffered. White has 4 deckle edges, Cream has 3 deckle edges. Rives BFK Paper is made of 100% cotton, are soft-sized, and buffered. Rives is perfectly suited for lithography, intaglio, screen printing, relief printing, linocut, collotype, and drawing. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). 100% cotton – Made on a cylinder mould Key Features: * Composition: 100% cotton – Made on a cylinder mould * Grammages: 250, 270, 280gsm * Texture: Cold Pressed- light fine grain with a smooth surface * Colors: white, cream, grey, tan and black * Edges (sheet): 4 deckle edges * Watermark (sheet): "BFK Rives® France" * Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) * Uses: lithography, intaglio engraving, letterpress, screen-printing, blind embossing, gold tooling, linocut, gravure process, calligraphy drawing * Free of any optical brighteners (OBAs) See More
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Pastelmat Pad Palette No. 6 - Charcoal Grey, 24x30cm (12-Sheets)Save Up to20%Off listGrey A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey. Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering   Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More
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Opus 4 x 6 in Key Journal Dark Brown & Dip Glass Pen SetSave Up to76%Off listBrown Intricately handmade genuine leather! Styles of the Renaissance Reminiscent of the notebook styles of the Renaissance, the key wrap closure Opus Journals come in four unique colors that are sure to inspire. These intricately handmade genuine leather journals are the perfect companion for any artist. The Smyth-bound blank pages have a slight tooth ideal for writing or drawing, and the durable leather cover will protect your sketches wherever you go. Leather journal cover available in Dark Brown, Black, Honey, and Turquoise! Key Features: * Genuine leather cover, soft & durable * Key warp closure * Smyth binding * Premium handmade, acid-free, 125gsm paper * 80 sheets (160 pages) * Removable cover * Three card pockets on the inner cover * Dark Brown, Black, Honey, and Turquoise * Perfect For: * Sketching * Journaling * Writing notes * Pencil, charcoal, pen, pastel, and other dry media * Protecting your sketches * An heirloom for generations to enjoy Please note: Due to the nature of genuine leather and the tanning process, inconsistencies, such as variations in color and other blemishes, are expected. Take care to store your leather journal away from porous materials such as fabrics and papers. It is possible for the natural oils and excess dye found in leather to transfer to other materials. The cover is removable, but we do not sell replacement pads for the journal at this time. See More
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SoHo Brick Grey Paper Journal 5.5x8.5in 100gsm, 80 SheetsSave Up to60%Off listGrey The perfect "go anywhere" sketch pad! Need the perfect "go anywhere" sketch pad? We've got the best selection for you! Our SoHo Brick Journals come in five alluring paper selections that you won't be able to resist. Black, Grey, and Kraft paper colors are just for starters because our journals come in three different paper thicknesses! The 100gsm Grey, Kraft, and White Sketch journals are perfect for all dry media. If you want something bolder, our 150gsm Black paper compliments opaque pastels and gel pens perfectly. We know you'll enjoy using the 200gsm Mixed Media journals because the White paper accepts dry media, gel adhesives, light watercolor washes, and more. All SoHo Brick Sketch Pads feature an ultra-durable 2mm (0.08") thick front and back cover. The special Coptic binding helps the blank pages lay open flat so you can work without interruption. Each SoHo Brick Journal comes in either a 5.5" square or 5.5 "x8.5" rectangle size. You can use the pads for journaling, mixed media, or sketching on the go! SoHo Brick pads are great to have in the studio or when traveling and make a fabulous gift for artist friends. Key Features: * Durable 2mm (0.08") thick cover and backing * 80 Sheets: Black, Grey, Kraft and Sketch * 40 Sheets: Mixed Media * Lay flat Coptic binding * Available in Black, Grey, Kraft, Sketch, and White Mixed Media * Elastic band holds journal closed for travel * Grey, Sketch, and Kraft for all dry media * Black paper for opaque pastels and gel pens * White mixed media paper for all dry media, gel adhesives, and light washes * Perfect For: * All dry media * Most writing instruments * Colored pencil and graphite * Travel or Plein air work * Journaling your thoughts and ideas * Traveling * Sketching * Gifts See More
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Michael Harding Non-Absorbent Acrylic Primer Neutral Grey N7 1LSave Up to25%Off listGrey Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Creative Mark Original FX Effects Spatcher, 1" FlatSave Up to70%Off listGrey The Original Spatcher by Creative Mark. Apply, Spread, Scrape, Lift, Mix - Create The silicone Spatcher blade provides a smooth laydown of color or medium while still being robust enough to spread and manipulate the thickest paints and mediums. Each Spatcher features a nickel-plated brass ferrule that is glued into the paddle-style varnished wood handle. Two finishing nails secure the ferrule in place for years of carefree use. You can quickly clean the blade with soap and water or wipe clean with solvents. If acrylic paint dries on the blade, you can peel it right off. The tapered edge provides crisp and exact strokes and allows for many creative techniques. Available in 1", 2", and 3" widths. If you don’t have a tool like this in your studio, you need to buy one! Key Features: * High-quality silicone blade * Fine edge, tapered shape * Firm blade * Nickel-plated brass ferrules * Varnished wood paddle handles * Available in 1", 2", and 3" widths * Strong enough to push through thick paints * Easy to clean with soap and water or solvents * The blade will not absorb medium or paint Perfect For: * All viscosities of paint and medium * Applying, removing, scraping, and moving color * Oil, acrylic, modeling paste * Smooth laydown of color * Developing new and exciting effects * Spreading gesso or large areas of paint * Faux finishing effects There are endless applications for this tool, but the most common uses are: Applying paints, gesso, and mediums: Spreading paint with a brush has all sorts of drawbacks. Hair sheds, brushes hold various amounts of paint, so you end up with excess paint in some areas, and brushes are hard to clean. With Spatchers, you can put color on the surface directly and let the tool do the work of spreading it on canvas, board, or panel. If you like, you can soften any marks with a soft brush. Applying layers of colors in multiple ways: Here is where your creativity takes over. You can add colors with a basic spread of paint or use the edge to add linear shapes and layer color. If still wet, you can scrape into the bottom layer to create interesting effects. You can inversely take away by lifting paint off your substrate. For the application of modeling paste: Use the Spatcher as a trowel and then easily build up the impasto regions to your liking with the fine tip. In mixed media, apply 2D or 3D objects with various glues, polymer medium, or gel mediums. See More
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Ampersand Museum Series Pastelbord Single 6" x 6" 1/8" flat woodSave Up to32%Off listGrey Pastelbord - The Solid Choice for Pastels and More! Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Pastelbord is a clay and gesso coated hardboard panel with a granular marble dust finish comparable to a sanded pastel paper except more durable and more versatile. The coating is pH neutral and non-yellowing, making it a truly permanent museum quality surface. Available in 1/8" flat Gray, Green, Sand, and White for hand-tinting. Conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel Key Features:* 1/8" flat wood panels* More durable and more versatile than paper* The coating is pH neutral and non-yellowing* Truly permanent museum quality surface* Marble-dust tooth holds more layers than pastel paper* Holds artwork still eliminating excessive pastel dust collecting inside the frame* Available in white, gray, sand, and green tones* Archival, Handcrafted in the USA Perfect For:* Soft or oil pastels and pastel pencils* Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more* Exquisite Sanded Surface* More durable and more versatile surface Ampersand™ Pastelbord wood panels are Archival, Handcrafted in the USA, made from FSC certified sustainable US forest products. We use completely green manufacturing processes that protect the natural environment. No harmful chemicals used, no dangerous emissions for artists. A smart choice. Made with conservator quality wood materials and sealing processes, no other panel on the market protects an artist’s work like an Ampersand panel. Unmatched Techniques - Perfect for soft or oil pastels and pastel pencils. Pastels go on smooth, blend beautifully, and colors stay rich and vibrant. Exceptional for both wet and dry pastel painting. Not Just for Pastels - Achieve amazing results with acrylics, oils, watercolors, gouache, charcoal and more Exquisite Sanded Surface - Ampersand Museum Series Pastelbord's unique surface is a hand-applied kaolin clay ground textured with fine marble dust granules. Amersand Pastelbord holds more pastel layers than any other surface! Available in Gray, Green, Sand, and White for hand-tinting. Video - See Video on Colored pencil on Ampersand Pastelbord, blending with solvents in our "Video Tab" See More
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Sennelier La Carte Pastel Paper - Dark Grey, 19"x25" (Pack of 10)Save Up to47%Off listGrey Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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