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Canson Fanboy Paper Comic Strip Board 5x17 (14 Sheets)Save Up to33%Off list…acid-free, heavyweight illustration paper. Live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing paper, 12 sheets. 11×17". Comic Book Layout Pages - 50 lb sketch paper, 35 sheets. Pre-printed layout templates. 8.5×11".… * How-to-draw instructions inside * No buckling or bleed through on large inked areas * Smooth texture, ideal for scanning * Can be used with lightboxes * Acid-free with no optical brighteners * Extra white color for excellent contrast * Good resistance to erasing and scraping Canson's Fanboyâ„¢ papers, offered in industry standard sizes for comic strips, comic books, and manga, are designed to appeal to both novices and established illustrators. Fanboy's comic and manga products fulfill professionals' needs while offering beginners the tools needed to create their own comic and manga characters and stories. All papers are acid-free, and are specially formulated for use with pens, pencils and markers. Comic Book Art Boards - made with Canson's specially formulated, acid-free, heavyweight illustration paper. Full trim format shows live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing board, 24 sheets. 11×17". Comic Book Cover Sheets - made with Canson's specially formulated, acid-free, heavyweight illustration paper. Live and trim areas indicated by non-reproducible blue guidelines. For pencil, ink, and marker. Includes instructions. 150 lb drawing paper, 12 sheets. 11×17". Comic Book Layout Pages - 50 lb sketch paper, 35 sheets. Pre-printed layout templates. 8.5×11". Comic Strip Boards - Industry standard 5×17" size with 4×13" boarders for daily strips. Non-reproducible blue guidelines provide precision inking capabilities pros need and packaged with instructions to get beginners going! 150 lb drawing board, 14 sheets. 5×17". Concept Sketch Pad - 100 lb bristol board, 10 sheets. Pre-printed sheets. Smooth for pen and pencil. 8.5×11". Concept Sketch Paper - Pre-printed sheets for working out story details and page ideas. Contains smooth, acid-free bristol board that is ideal for pencil and pen. See More
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Asagami Art Paper Sheet 43gsm, 5"x10" (20 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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Lefranc & Bourgeois Flashe Vinyl Paint - Vermilion Red, 400 ml JarSave Up to30%Off listRed Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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