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Related Categories: Paper Cutter | 8.5x11 Paper | Paper Palette | Palette Tray | Pallette Pads | Mat Cutter | Logan Mat Cutter | Legion Mini Pads
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Arches Text Wove Paper 119 gsm 25.5x40" - Creamy White (10-Pack)Save Up to40%Off listWhite This softly woven cotton paper does not allow Ink to feather or bleed! The soft surface texture of Arches Text Wove Paper is perfect for hand lettering, drawing, bookbinding, and printmaking. Mouldmade in France from 100% cotton, the 120 gsm sheets are acid-free and have four deckle edges. Pen nibs glide smoothly across the creamy white surface with no ink feathering or bleed through. You can't find a better multi-use paper for drawing, etching, and calligraphy. Key Features: * 100% cotton, 120 gsm paper * Soft, medium-textured vellum surface * Acid-free and chlorine-free * Neutral pH- so you know your art will last * 4 deckled edges (sheets) * The surface is resistant to ink feathering and bleed through * Mouldmade in France Perfect For: * Calligraphy and bookbinding * Pen and ink * Pastel and charcoal * Relief printing and silkscreen * Letterpress and offset printing * Laser printing See More
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SoHo 110 GSM Sketch Paper Pad Spiral, 5.5"x8.5" 100-SheetsSave Up to57%Off listWhite Spiral-bound Hard Cover Sketch Pads Perfect For Dry Media When inspiration strikes, you want to jot down your idea in a sketchbook. That's why SoHo Sketch Pads are a wise sidekick for every artist to have on hand. Each spiral-bound pad has 100 sheets of 75 lb. paper and a durable 1.5mm cover, so it's easy to flip through the pad and lay it open flat while working. The medium-weight, fine-tooth paper is perfect for dry media like graphite, charcoal, colored pencil, Conté, and more. Whether you are an art student, seasoned artist, or just enjoy doodling, these SoHo Sketch Pads are perfect for all dry mediums and styles! Great Sketchbook for Field And Travel! Key Features: * 100 sheets, spiral-bound * Soft White, 75 lb. (110gsm) paper * Covers: 128gsm 1.5mm coated board * Medium weight * Fine-tooth surface * Acid-free * Pages lay open flat while working * Available in sizes 5.5x8.5", 9x12", and 11x14" * Perfect For: * All dry media * Graphite, charcoal, colored pencil, Conté, and more * Urban sketching * Travel or Plein air work * Journaling your thoughts and ideas * Seasoned artists & art students * Carrying in a purse or backpack * Everyday studio use See More
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Old Holland Classic Pigment Vermillion Extra 55gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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