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Da Vinci Pro Liquid Art Panel 30"x40", 1-1/2" Deep (Box of 5)Save Up to68%Off listWhite Professional Art Panels with 1/8" raised lip to contain media Contain Your Media While Your Imagination Runs Wild! The Da Vinci Professional Liquid Art gesso panels feature a 1/8" raised lip which is part of the frame around the panel itself. The natural wood can be left as-is or stained and painted for frameless presentations. Gessoed with a professional quality gesso and great for use with Fluid Acrylics, High Flow Acrylics, Glazing liquids, Pouring Mediums, Encaustics, Pebeo Resin Paints and Alcohol-based dyes. Available in several sizes, with a choice of 3/4" or 1.5" depth. Great for Fluid acrylics & High flow acrylics, Liquid art techniques and pouring paints & pouring mediums. Contain Your Media While Your Imagination Runs Wild! 1/8" raised lip in 3/4" or 1.5" cradle depths Key Features:* 1/8" raised lip to contain media* Choice of 3/4" or 1.5" cradle depths* Quality gessoed surface* Natural wood frame* Accepts various liquid media* Can be unframed, framed or shown in floater frame* See Videos and Jerry's LIVE Perfect For:* Allowing artisitc freedom while containing media* Resin-based paints * Acrylics and mixed media* Fluid acrylics & High flow acrylics* Pouring paints & pouring mediums* Encaustics* Resin pours, Alcohol inks & dyes* Gouache and pouring mediums* Watch Our Jerry's LIVE Demo on Painting & Pouring on our Liquid Art Panels Relax, play, and enjoy the process of producing a pouring painting with Turner Acryl Gouache and Pouring Medium, on a Da Vinci Pro Liquid Art Panel. No drawing or prior art skills required! Want the full supply list to follow along? Click Here Da Vinci Liquid Art Professional Panels with 1/8" raised lip is the only line to come in size 1.5" deep! See More
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Lineco Unbuffered Acid-Free Interleaving Tissue Paper - 30"x40" (12-Sheets)Save Up to26%Off listPerfect for archival storage! Lineco Unbuffered Interleaving Tissue Paper is acid-free and is recommended for use with colored prints, textiles, and watercolors. Cyanotype, dry transfer or chromogenic prints also require unbuffered tissue in order to be stored archivally. This tissue is an excellent… Perfect for archival storage! Lineco Unbuffered Interleaving Tissue Paper is acid-free and is recommended for use with colored prints, textiles, and watercolors. Cyanotype, dry transfer or chromogenic prints also require unbuffered tissue in order to be stored archivally. This tissue is an excellent choice for separating prints, drawings or lithographs and protecting artifacts. In addition, unbuffered tissue is used with silk, leather, and other animal protein based textiles. Lineco Unbuffered Interleaving Tissue Paper is very thin (.001) 16gsm and offers maximum translucency and protection. Key Features: * Acid-free * Very thin (.001) 16gsm * Maximum translucency and protection Perfect For: * Separating prints, drawings or lithographs * Protecting artifacts * Archival storage See More
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Lineco Unbuffered Acid-Free Interleaving Tissue Paper - 30"x40" (12-Sheets)Save Up to45%Off list…in archival art storage! Eternity Archival Clamshell Storage Boxes are bound in durable black book cloth and lined with matte black, archival paper. These deluxe archival boxes feature acid-free materials and durable, sturdy construction: perfect for safely storing your valuable art, photos,… Acid-Free, archival storage for valuable art and memorabilia! Eternity Archival Clamshell Art and Photos Storage Boxes by HG Art Concepts are the ultimate in archival art storage! Eternity Archival Clamshell Storage Boxes are bound in durable black book cloth and lined with matte black, archival paper. These deluxe archival boxes feature acid-free materials and durable, sturdy construction: perfect for safely storing your valuable art, photos, memorabilia, documents, ephemera, and more. Made from a sturdy board that resists denting or bending. The lid swings up for easy access to inner contents, and the box itself can be tucked away when not in use but is also attractive enough to use for display as well. Ensure your valuable drawings, paintings, posters, documents, and pictures will stand the test of time with new Eternity Archival Clamshell Art Storage Boxes! Each clamshell box has a standard amount of allowance (1/8"-1/4") so that artwork can easily be removed from the box. The size listed in the name of the product is the size of the artwork that the box can support. Each Box is bound in durable book cloth exterior! Organize & Ensure your valuable drawings, paintings, posters, documents, and pictures will stand the test of time. Key Features: * Acid-Free, Archival storage for art and more * Durable book cloth exterior * Lined with matte black, archival paper * Sturdy construction * Convenient clamshell design for easy access * Sturdy board resists denting or bending * Generous 2-1/4" interior depth for lots of usable space * Standard (1/8"-1/4") allowance interior * The sophisticated design is subtle and attractive * Available in a wide range of popular sizes * The ultimate in archival art storage! Perfect For: * Preserving your artwork, photos, and collectibles * Safe portable storage or display * Preventing yellowing over time * Home, office, classrooms and more * All matted and mounted artwork * Valuable drawings, posters, and documents * See More
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Sennelier Artist Dry Pigments Burnt Umber 140 gramsSave Up to37%Off listBrown An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Illustration Board Hot Press #201 14 Ply 30x40 Box Of 25Save Up to31%Off listWhite For those who prefer a hot press surface Crescent's illustration boards feature high-quality surface papers mounted to a rigid core. The hot press boards are perfectly smooth for ink and pen illustrations. The surface is acid-free helping you to preserve your best work for a lifetime. These multi-function boards can be used for all types of applications. Whether you are drawing with pencil, colored pencil, or ink, the Illustration Boards are a great canvas regardless of the tool. Key Features: * Hot press premium surface on rigid board * pH neutral * Smooth surface * Hold art media well * Warp resistant Perfect For: * Easy portability * All types of media such as pencils, colored pencil, or ink * Light collage No. 20 Series - Board is primarily for pen and ink techniques and whenever sharp detail is required. This single thick (14 ply) board has a crisp, smooth detail No. 201 Series - Highly recommended for pencil, pen and ink, Pitt Pens, Pigma Pens, water-based markers including Tombow pens and Conte Crayon. Has a high rag content surface and gray core. See More
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Crescent #300 Illustration Board Cold Pressed 30"x40" (Box of 25)Save Up to33%Off listWhite High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More
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Old Holland Classic Pigment Venetian Red 140gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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