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Rembrandt Pastel Paper 75lb 11.7 x 16.7 Pad Light Colors 30-SheetSave Up to25%Off listLight Tones A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More
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Van Gogh Black Watercolor Paper Pad 140lb Cold Press 11.7x16.7inSave Up to20%Off listBlack Create stunning paintings on the black matte paper Van Gogh Black Watercolor Paper Pads provide the perfect surface for metallic and interference watercolors. You can create stunning paintings on the dark matte paper with acrylic inks, gouache, or colored pencils. Each pad includes twelve sheets of internally sized, acid-free, 140 lb (360 gsm), 100% cellulose cold-press paper with a fine grain texture. One side of each pad is glue-bound for easy sheet tear away. Key Features: * 12 sheets of Black paper * Cold press watercolor paper * Internally sized * 140 lb / 360gsm * Acid-free * 100% cellulose fine grain structure * Gummed glue top edge * Easy sheet tear away * No residue on the tope paper edge * Made in Italy Perfect For: * Creating impressive paintings on a dark background * Metallic, opaque, and interference colors * Watercolor, acrylic, and gouache * Colored pencil drawings * Pencil drawings * Lifting techniques * Other opaque media See More
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Jacquard Dye Additive Sodium Alginate SH 2 oz BagSave Up to10%Off list…5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Masterson Sta-Wet Painter's Pal Palette 9"x12"Save Up to15%Off list…Takes 9 × 12" acrylic palette paper film or any 9 × 12" disposable palette pad. The special acrylic film is placed over a damp sponge to create a humid environment for your paint. * Each Sta-Wet Painter’s Pal contains: * Five sheets of "Sta-Wet" acrylic palette paper * Cellulose Sponge * Palette… Masterson Patented Sta-Wet System No more wasted paint! The Sta-Wet palette system was developed by Masterson over 25 years ago and is unmatched in its level of functionality. Masterson’s Sta-Wet system keeps acrylics and other water-based paints moist on the open palette for hours. Once the lid is closed, the paints will stay in workable condition for days, even weeks. A wet sponge and special permeable palette paper provide the paint with a constant source of moisture. Your paints will not dry out. The airtight container can be used to store oil paints as well. When used to store oil paints, a palette conducive to oils is recommended. New Wave Artist Palettes, sponge packs, and acrylic film packs produced by New Wave Art, are compatible and sold separately. Key Features: * Patented Sta-Wet palettes * The secure seal keeps out air * Paints will not dry out * Accessories sold separately Perfect For: * Professional Artists * Students* Acrylic and oil paint Sta-Wet Painter's Pal Palette: The revolutionary palette is more than just an airtight 9 × 12" palette system; it's a complete easy-to-carry palette box. It Takes 9 × 12" acrylic palette paper film or any 9 × 12" disposable palette pad. The special acrylic film is placed over a damp sponge to create a humid environment for your paint. * Each Sta-Wet Painter’s Pal contains: * Five sheets of "Sta-Wet" acrylic palette paper * Cellulose Sponge * Palette Tray and Lid * Injection molded palette Tray and Lid * Five Paint Cups & Detachable Lids * One Solvent Cup with Attached Lid * Storage area beneath the Removable Cup Holder Tray * Complete instructions for preparation and use * Dimensions: 12" x 13" x 1-1/2" * Palette Size: 9" x 12" * Made in the USA of tough yet lightweight plastic * Additional paper, sponges & cups sold separately Solvent Cups Store turpentine, mediums, and solvents in these sturdy lidded containers. Ten 0.5 oz cups per package. Cups measure 1-1/2 "Dia × 3/4 "D. * Each Sta-Wet Premier Palette contains: * Five sheets of "Sta-Wet" acrylic palette paper * Cellulose Sponge * Palette Tray and Lid * Complete instructions for preparation and use * Palette measures 12" x 16" x 1-3/4" * Additional paper and sponges sold separately See More
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