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Masters Choice Watercolor Block 140 lb Hot Press 9.06x12.2 in 20-SheetSave Up to36%Off listWhite Strong, robust paper for all watercolor techniques! Master's Choice Artists' watercolor paper and blocks by Baohung was painstakingly developed over three years by world-renowned artists and the small family-owned Baohong mill. Initially released in Australia, Baohong watercolor paper has a rabid fan base led by famous watercolorists such as David Taylor. Made with 100% natural cotton and sized internally and externally with traditional gelatin, the 140 lb. (300 gsm) paper is available in hot press, cold press, and rough textures in both sheets and blocks. The Masters Choice by Baohong watercolor paper blocks are glued on all four sides, eliminating the need to stretch the paper before painting, as the glue prevents the sheet from buckling during painting. Reasonably priced Master's Choice Watercolor Papers are durable and perform well against the top watercolor papers on the market. Whether you are painting with watercolors or drawing with ink, Master's Choice Artists' Watercolor sheets and blocks provide an extraordinary surface for creative expression. Key Features: * Acid-free 100% cotton paper * Chlorine-free, pH-neutral, and archival * 140 lb. (300 gsm) paper * Available rough, cold, and hot press * Natural gelatine sizing * Unrivaled workability * Durable paper less likely to curl or warp * Natural White, no optical bleaches * Compare with other named brand watercolor papers * Full sheets are deckled on all four sides * Watermarked sheets * Block contains 20 sheets * Blocks are glued on all four sides Perfect For: * Watercolor artists * Watercolors, gouache, acrylics, and ink * Wet and dry watercolor techniques * Repeated erasing and painting * Creating professional artwork * Sketching, printmaking or drawing * Blocks eliminate the need to stretch paper * Traveling or spontaneous creativity * Portable painting surface * Plein air artists! See More
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Enkaustikos Encaustic Mediums Carnauba Wax 16 ozSave Up to20%Off listA variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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Daniel Smith Watercolor Ground - Titanium White, 16ozSave Up to40%Off listWhite Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More
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Yes! Paste 1 PintSave Up to6%Off list…to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not… Non-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal and primed surfaces. Yes! Paste is also excellent for decoupage and collage work. See More
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Lineco Frame PVA Adhesive Glue, 16ozSave Up to19%Off list…properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should… The best glue for picture frames! Lineco Frame PVA Adhesive is a permanent PVA glue that dries quickly. Use this clear drying high-density wood glue to adhere frame moldings made of wood or MDF together. With excellent lay-flat properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should avoid freezing temperatures and only apply at room temperature. Key Features: * Adheres frame moldings * Permanent PVA adhesive * Dries fast and clear * Excellent lay-flat properties * Shake well and apply at room temperature * Do not store in direct sunlight * Buffered for added protection * Avoid freezing Perfect For: * Professional framers * Custom framing * Wood repair jobs * Mounting papers to wood * Archival preservation * No-hassle, everyday studio use See More
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