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Strathmore 500 Illustration Board for Wet Media 15x22INSave Up to44%Off list…will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and… Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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Guerrilla Watercolor Board Half Sheet V 2.0Save Up to15%Off list…wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More
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Claessens Linen #15 Double Oil Primed Medium Texture Roll, 54" x 3 ydSave Up to66%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #13 Double Oil Primed Very Fine Texture Roll, 54" x 3 ydSave Up to66%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Ampersand Museum Series Aquabord 2" Deep Cradle Panel 15" x 22" (Box of 4)Save Up to42%Off listWhite Acid-free textured clay surface that absorbs watercolors like a fine paper Colors retain their purity and vibrancy on Aquabord in a way that even the finest watercolor papers cannot. This multimedia panel simulates the absorbency and texture of cold pressed paper but allows color to be lifted back to white easily while leaving the richest, most vibrant color possible. The surface is workable and can withstand color lifting and scrubbing even after the watercolor has dried. Glazes and transparent layers of color look amazing on Aquabord. It will not tear, shrink or buckle even under heavy water application. The Museum Series Aquabord is available in a 1/8" flat panel, or a 7/8", 1-1/2", or a 2" cradled panel. The 2" Deep Cradle eliminates the need for framing altogether. Stain, paint or wax the cradle edges and eliminate the cost of framing altogether! Key Features: * Acid-free textured clay surface absorbs watercolors like a fine paper * Available in 1/8", 7/8", 1-1/2", or 2" depth * Texture similar to cold-pressed watercolor paper * Unlike paper, it will never tear, shrink or buckle * Cradles constructed using premium grade 13-ply birch plywood * Archival, eco-friendly, and made in the USA Perfect For: * Watercolor, gouache, casein, acrylics, and inks * Painting bright, brilliant watercolors * Lifting color easily * Applying endless layers and glazes of color * Creating incredible details and highlights * Great for gouache, acrylic, and ink too! Frame Without Glass - Watercolors can be sealed and displayed without glass keeping colors and textures true to life! Artist and Environment Friendly - Ampersand Aquabordâ„¢ is made from sustainable forest products that ensure the protection of wildlife, plants, soil, and water. Always formaldehyde-free and no harmful volatile organic compounds. See More
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