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Strathmore 400 Series Artagain 12"x18" Black Drawing Pad, 24 SheetsSave Up to33%Off list
Starting At: 5.19
Black Create Dramatic Effects And Drawings That Pop! Strathmore 400 Series Artagain Paper Pads allows you to produce unique, daring effects using light-colored media on coal black paper. Artagain is a 60lb (160 gsm) lightly-textured, acid-free, medium-surface drawing paper that contains 30% post-consumer recycled fiber. You can use white charcoal, colored pencils, gel pens, metallic inks, pastels, and other light dry media to fabulous effect on this coal black paper. Key Features: * Coal black paper * 24-sheet pad * 60 lb (160 gsm) * 30% recycled fiber * Acid-free * Medium-surface * Lightly-textured * 3 pad sizes: 6"x9", 9"x12", 12"x18" Perfect For: * Creating unique, dramatic effects * Urban Sketchers * White charcoal and colored pencils * Soft pastels or oil pastels * Gel pens and metallic inks * Lightweight and portable * Value-conscious artists who demand quality See More -
Yasutomo Washi 6ML Kozo Paper 18"x30' Roll - WhiteSave Up to25%Off list
Starting At: 11.28
White Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More -
Fabriano Cromia Paper, Black 19.6"x25.5" 220gsm (10 Sheets)Save Up to32%Off list
Starting At: 74.99
Black Master Quality Papers That Stand the Test of Time Fabriano Cromia paper is an archival, acid-free paper perfect for drawing with colored pencils, pastels, graphite, and charcoal. The sheets are made of 50% cotton and 50% alpha-cellulose and have a soft feel with a significant amount of tooth on both sides. Cromia paper is durable enough to handle light washes of color and mixed media techniques. Fabriano makes the sheets without optical brighteners, which means they offer the best possible lightfastness. Each sheet features two deckle edges, measures 19.6" x 25.5", and weighs 220gsm. Key Features: * 220 gsm archival, acid-free paper * Contains 50% cotton and 50% alpha-cellulose * Soft feel and great tooth on both sides * No optical brighteners * Best possible lightfastness * 2 deckle edges per sheet * Made in Italy using hydro-power Perfect For: * Drawing with pastels and charcoal * Use with colored pencils and graphite * Illustrators, designers, and fine artists * Light washes of color * Mixed media techniques See More -
Creative Mark Universal Mixed Media Pad 6 x 8 in (20 Sheets)Save Up to58%Off list
Starting At: 3.38
White Withstands virtually any media type! After years of research, Creative Mark has created a universal pad for mixed media art applications. The 90 lb. (200gsm) sheets withstand virtually any media and stand up to the roughest handling and gluing. Use the pages for anything from drawings and designs to light collage. Each pad contains 20 white sheets, glue-bound on top. Available in four sizes. Key Features:* 20 white sheets (40 pages)* 90 lb. (200gsm) paper stock* Glue-bound top binding* White paper* Withstands the roughest handling* Perfect For:* Acrylic inks and traditional gouache* Turner Acryl Gouache* Glue and light collage* Most writing instruments* Colored pencil and graphite* Travel or working outside* Your thoughts and ideas See More -
Artfinity Synthesis Multimedia Watercolor Paper Pad, 11"x14", 10 SheetsSave Up to53%Off list
Starting At: 3.59
White This mind-blowing surface improves vibrancy and provides warp-resistant strength! Artfinity® Synthesis is a smooth, non-porous, 74 lb. synthetic paper that is exceptionally strong and warp-resistant. Traditional watercolor paper absorbs paint like a sponge, making your watercolors look muted on the surface compared to your palette. With Synthesis multi-media paper, your juicy paint colors sit on top of the surface. Colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. Best of all, you save money by wasting less paint! The ultra-smooth surface allows you to build layer upon layer, which is impossible with regular watercolor paper. Traditional watercolor paper is unforgiving if you make a mistake, but if you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted. Tree-free Synthesis paper is perfect for watercolors, alcohol ink, acrylic paint, oil pastel, graphite, charcoal, and silkscreen. Key Features: * White 74 lb., 200gsm synthetic paper * 90% Polypropylene/ 5% Polyethylene/ 5% Polystyrene * The strong multi-media surface resists tearing and buckling * You can recycle the paper into plastic particles * Colors look more vibrant on "Synthesis" compared to standard papers * Acid-free, waterproof, and stain-resistant paper * Remove any mistakes with an eraser or wet sponge * Durable, non-tearing construction * No more wasted paint – the paper is nonabsorbent * Flawlessly smooth, pH-neutral * Pads are tape bound on the short side * Sheets remain perfectly flat while you paint Perfect For: * Creating vibrant art and wasting less paint! * Building paint layers * Acrylics, alcohol inks, and watercolor * Debossing, monotype, and oil pastel * Graphite pencil * Silkscreen and Sumi-e ink * Watercolors and acrylics * Eliminating the need for soaking, stretching, or taping Advantages of Artfinity® "Synthesis" Paper Colors look more vibrant on "Synthesis" compared to standard papers. Synthetic paper that is exceptionally strong and warp-resistant, your juicy paint colors sit on top of the surface and colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. If you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted! **Please note: the rinse technique works best on wet watercolor and wet acrylic paints. You can use a damp sponge to remove dried sections of water-based media. Once you have completed a piece, it is important to use a finishing spray to stabilize the work. We recommend that you use several light coats of a non-yellowing acrylic fixative rather than one heavy coat, which could pool or drip. See More
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