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Related Categories: Iridescent Medium | Aureolin Watercolor | Cobalt Green | Prussian Blue Watercolor Paint | Mars Violet | Opera | Artist Light | Dry Paint Pigments
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Oil Venice Turpentine, 32ml BottleSave Up to31%Off list…as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More
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50Pk Arches Watercolor 156lb Hot Press Natural White 25.75X40Save Up to40%Off list…Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould… The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches 100% cotton rag watercolor paper is considered the most popular in the world! Each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Arches Aquarelle watercolor paper is one of the finest art papers in the world. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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