Your Cart
SLI Search Template
Related Categories: Mars Violet | Earth | Sennelier Products | Dry Paint Pigments | Prussian Blue Watercolor Paint | Iridescent Medium | Opera | Aureolin Watercolor
There were no results that contained all of the words in your query. These results contain some of the words.
-
Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
-
GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
-
Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
-
Fluid Watercolor Paper Pad 140lb Cold Press 11" x 15"Save Up to35%Off listWhite Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
-
Speedball Block Printing Water-Soluble Ink 5oz - GreenSave Up to46%Off listGreen The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
-
Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
-
Fabriano 1264 Watercolor Spiral-Bound Cold-Press Pad - 11x15 Portrait, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
-
Strathmore Vision 140lb. Watercolor 11x15 In Pad 30 Sheets Tape BoundSave Up to26%Off listWhite Vision Watercolor - Let the world see your vision Tear off the top sheet and reveal your own customizable cover! An economic heavyweight watercolor paper with a cold press surface. This paper provides even washes and good lifts with wet media techniques. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue mixed media covers below. Tear off the top sheet and reveal your own customizable cover! Pad Features: Tape bound pads keep sheets in pad yet tear out cleanly. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. Watercolor Paper Weight: 140 lb. (24" x 36" x 500 sheets) 300 g/m2 Surface: Cold Press Customizable Cover Weight: 184 lb. (24" x 36"x 500 sheets) 300 g/m2 Surface: Medium 6" x 9" Tape Bound (6") 30 Sheets 9" x 12" Tape Bound (9") 30 Sheets 11" x 15" Wire Bound (11") 30 Sheets 18" x 24" Wire Bound (18") 30 Sheets Key Features:* Watercolor Paper Weight: 140 lb. 300 g/m2* Customizable Cover Weight: 184 lb.* Cold Press* Tape bound pads keep sheets in pad yet tear out cleanly* Medium Surface* Tear-off top sheet* Customized with your own artwork.* Availble in Tape and Wire Bound Perfect For:* All sizes feature high sheet counts* Sturdy chipboard backing and tear-off top sheets* Customizable, steel blue mixed media covers below* Paper provides even washes and good lifts* Mixed media artists Strathmore® Vision™ Artists are as unique as their vision. That's why we listened to requests for a series of artist pads with covers that can be customized. For the first time ever, our new line of pads features a tear away fly sheet that reveals a heavyweight, CUSTOMIZABLE, blank cover made from high quality, steel blue mixed media paper.Featuring extra high sheet counts and extra durability, this affordable line delivers key performance characteristics for sketching, drawing, mixed media and watercolor art. See More
-
Canson XL Watercolor Pad, 11"x15" - 140lb, 30 SheetsSave Up to33%Off list…their XL Watercolor Pad line to serve just that purpose! An abundance of excellent quality watercolor paper at an exceptional value, XL Watercolor Paper Pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Watercolor Pads - This… High-Quality Watercolor Paper Pads At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their XL Watercolor Pad line to serve just that purpose! An abundance of excellent quality watercolor paper at an exceptional value, XL Watercolor Paper Pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Watercolor Pads - This sturdy, durable watercolor paper is designed to stand up to repeated washes and all sorts of artistic experimentation! The cold-press 140lb (300gsm) paper has a toothy surface for a variety of techniques and is perfect for watercolors, light acrylic washes, pastels, and dry drawing media. Each pad comes with 30 tape bound sheets and a chipboard backing. Key Features:* 140lb (300gsm) Weight* 30 Sheets* Tape Bound* Cold Press Perfect For:* Wet and Dry Media* Students* Artists Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
-
Strathmore 300 Series 140 lb Watercolor Paper Pad 11" x 15" Wire Bound (12 Sheets)Save Up to26%Off list…side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully… Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy weight student-grade paper Note:Watercolor, gouache, tempera or even acrylic See More
-
Richeson Studio Watercolor Paper 11"x15" 135lb Cold Press, 110 Sheet BONUS PackSave Up to38%Off list…Studio Watercolor paper is ideal for work not only in watercolors, but also in gouache, light acrylic, pen and ink, pencil, charcoal and more! This Jerry's Exclusive offering is sure to become a staple in studios and classrooms everywhere! Key Features:* 135lb. cold pressed watercolor paper* Super… 110 sheets of watercolor paper perfect for students and practice! Acid Free Alpha Cellulose - Jerry's Exclusive! These economical packs of acid free, alpha cellulose-based paper are the perfect choice for use in classrooms, by students, or for any artist looking for high quality paper at an excellent value. With a 135 lb. weight and lightly textured cold pressed surface, Richeson Finest Studio Watercolor paper is ideal for work not only in watercolors, but also in gouache, light acrylic, pen and ink, pencil, charcoal and more! This Jerry's Exclusive offering is sure to become a staple in studios and classrooms everywhere! Key Features:* 135lb. cold pressed watercolor paper* Super Value Bulk packs of 110 sheets * Acid-free alpha cellulose composition* Available in 22.5x30.5" and 11x15" sheets* Full sheets for Classroom, practice and value! Perfect For:* Watercolors, gouache, light acrylic, pen & ink and more!* Sketching, practice and experimentation* Students, beginners and classroom use* Any artist in need of quality paper at a great value!* Trying a new technique, testing paint or a brush Richeson 110 sheets bonus packs in a resealable bag! - Jerry's Exclusive! Richeson has been one of America's top art material suppliers for decades, and now we are pleased to offer their new line of Finest Studio Watercolor Paper in generous bulk packs available only at Jerry's Artarama! For: Sketching, practice and experimentation-Students, beginners and classroom use - Teaching students to practice and expanding your programs - Not intended for professional use Run, do not walk, to get yourself some of this paper! It's a real deal and a pleasure to use. You don't have to be "precious" in your work because it is inexpensive and its great surface encourages painterly experimentation and discovery. - Cat, Belmont Ma See More
-
Bee Creative Art Journal 160lb Heavyweight Draw Paper 5.5X8Save Up to23%Off listWhite Express your creativity your way. Designed for artists specializing in watercolor, colored pencils, mixed media, marker art, and drawing. Each journal has the highest quality paper for your media of choice, making them the perfect choice not only for your practice work but your finished pieces as well. These journals feature a wire-bound, true-sized micro-perforated sheets with a sturdy black chipboard cover. The double wire binding creates a flat surface, allowing the artist to work across the page. The sturdy black cover is made of 100% recycled chipboard and can be customized with your media of choice: stickers, gel pens, and even paint. Key Features: * Acid-free paper * Double wire binding * Sturdy 100% recycled chipboard cover * Micro-perforated sheets Perfect For: * Your media of choice: Marker, Watercolor, Colored Pencil, Mixed Media * Practice work * Finished pieces Marker Art Journal Weight: 110lb. (180 g/m2) Surface: Ultra smooth Color: Bright white Media: Pen & ink, crowquill pens, technical pens, water-based, & permanent markers Designed specifically for detail work, this smooth paper allows the artist to maintain sharp edge with even the thickest of markers. Approved for use with both Copic & Touch Markers, this marker art journal can withstand heavy use with no bleed! Mixed Media Art Journal Weight: 93lb. (150 g/m2) Surface: Dual surface, textured & smooth Color: Natural white Media: Pencil, pen & ink, crayon, chalk, charcoal, pastel, & light washes Distinctly two side with a cold-pressed pronounced texture for dry media on top and a smoother hot-pressed surface for en & ink, & light washes on the flipside, allowing artists to create in the media of their choosing. Colored Pencil Art Journal Weight: 90lb. (147 g/m2) Surface: Hard textured Color: Natural white Media: Pens, pastels, charcoal, & drawing pencils Hard, textured surface and 30% post-consumer waste recycled paper is perfect for colored pencil shading and highlighting. Other dry media perform exceptionally on the paper and allow for great detail. Watercolor Art Journal Weight: 140lb. (300 g/m2) Surface: Cold pressed and toothy Color: Natural white Media: Pencil, pen, charcoal, pastels, watercolor, and acrylic Cold pressed sheet composed of 100% cotton. The European milled paper is of immense quality and can handle even some of the heaviest washes. Heavyweight Draw Art Journal Weight: 160lb. (260 g/m2) Surface: Toothy, rough vellum surface on one side and a smooth surface on the other Media: Pencil, pen & ink, crayon, chalk, charcoal, pastel, and light washes Acid free, superior archival quality, heavyweight sheet is composed of 25% cotton. Pronounced surface lends itself to drawings and preliminary artwork designs. Contains 35 heavy duty sheets in each spiral bound book. See More
-
Strathmore 400 Series Softcover Recycled Art Journal 5.5x8" (112 pg) - TanSave Up to40%Off listWhite Fine art paper in finely crafted journals! Strathmore 400 & 500 Series Softcover Art Journals give artists the choice of high quality sketch, toned sketch, drawing, watercolor and mixed media papers. The velvety soft, flexible cover is a rich, dark brown color, and the durable Smyth-sewn binding allows pages to lay flatter. These beautiful lightweight journals are available in convenient, portable sizes -- making them perfect for artists on-the-go! * 400 Series Watercolor Softcover Art Journal- 140lb. 300 gsm, / 48 pages - This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. * 500 Series Mixed Media Softcover Art Journal- 90 lb. 190 g/m / 64 pages - This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. It is comprised of 100% cotton fiber, and is acid free, 90lb., lignin free, and archival. Ideal for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. * Eco-Friendly 400 Series Toned Sketch Softcover Art Journal- Toned Gray & Tan Journals - 80 lb. 118 gsm / 112 pages - This medium surface, 80lb. sketch paper is ideal for use with graphite, chalk, charcoal, sketching sticks, markers, china markers, colored pencils, pens and white gel pens. A unique quality of this sketch paper is that it is 100% recycled and contains 30% post-consumer fiber -- making it an eco-friendly product! Available in Warm Tan and Cool Gray. Acid free. * 400 Series Toned Sketch Softcover Art Journal - 60 lb. 89 gsm / 160 pages - This general purpose, white, medium surface, 60lb., heavy weight sketch paper is intended for practice of techniques or quick studies with any dry media. It is ideally used with graphite pencil, colored pencil, charcoal, sketching stick, soft pastel and oil pastel. Acid Free. * 400 Series Drawing Softcover Art Journal - 80 lb. 130 gsm / 96 pages - This cream colored, medium surface, 80lb., drawing paper is ideal for sketching and finished work. This paper was engineered to work best with mediums such as graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel and oil pastel. Acid free. * Jerry's Strathmore Sketching Gift Set - This Gift Set from Strathmore, out right in time for the holidays includes everything you need to start sketching better today! This set includes a Softcover 400 Toned Gray Journal, a 12 pack of SoHo Compressed Charcoal (Midnight Black), a Creative Mark 12x16" Mesh bag and two 3-packs of SoHo Sketch Squares. See More
-
M. Graham Oil Color 5oz - Zinc WhiteSave Up to40%Off listWhite M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More
-
Speedball 5 oz Fabric Block Print Ink BrownSave Up to34%Off listBrown A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field