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Related Categories: Cobalt Green | Cadmium Yellow Oil | Turquoise Deep Oil Paint | Mars Violet | Black Light Paint | Paynes Grey Oil | Iridescent Medium | Transparent Oils
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Sennelier Rive Gauche Oil 200ml, Zinc WhiteSave Up to30%Off listWhite Artist Quality Fine Oil Colors Bound with Safflower Oil Made in France, from the famed Parisian riverside that once inspired artists such as Matisse and Picasso. Sennelier’s line of fine oil paint offers the City of Paris in both 40ml and 200ml tubes! Made from a rich, balanced blend of cadmium substitutes, Rive Gauche Fine Oils are highly pigmented, producing colors with an opaqueness and luminosity equivalent to that of real cadmium. Bound with safflower oil, Rive Gauche fine oils have a lower level of yellowing, and are designed to dry twice as fast as classic oils without losing workability. With its thick, creamy consistency, oil colors mix clearly, and each paint stroke is smooth and uniform; drying to an intense satin finish. Featuring 60 colors in 40ml tubes and 56 colors in 200ml tubes, Sennelier’s Rive Gauche Fine Oil Paint brings the City of Lights to artists all over the world with its wide range of bright, brilliant colors. Excellent for students and professionals alike. Key Features:* Oils dry twice as fast * Bound with Safflower Oil (vegan based)* Lower level of yellowing* Thick, uniform texture with a satin finish* Made of cadmium substitutes* Produce highly-pigmented, luminous colors* Colors mix clearly* Single series with 60 colors in 40ml tubes and 56 colors in 200ml tubes* Perfect For:* Working twice as fast as classic oils without losing workability* Artists who do not want to be restricted by their paint’s drying-time* Great for underpainting or large scale projects* Student to professional works* Artists who desire affordable, high quality oil paint * Made In France Dries twice as fast!Whilst retaining the key characteristics of oil painting, Rive Gauche fine oils dry twice as fast as classic oils. The outcome of this is a shortened drying time that does not restrict an artists possibilities of working with fresh paint. Oils that yellow two times less! Safflower oil is used to make the 60 colours. It is characterized by its low level of yellowing (50% less than linseed oil) and its excellent compatibility with pigments. See More
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Sennelier Latour Pastels Fixative Spray 400ml CanSave Up to37%Off list…Sprays To Protect Drawings And Pastels Sennelier's line of fine art fixatives is like no other. Each spray provides a degree of archival protection for different media types. The non-yellowing sprays are clear and protect graphite, charcoal, oil pastel, and soft pastel drawings. Key Features:… Archival Fixative Sprays To Protect Drawings And Pastels Sennelier's line of fine art fixatives is like no other. Each spray provides a degree of archival protection for different media types. The non-yellowing sprays are clear and protect graphite, charcoal, oil pastel, and soft pastel drawings. Key Features: * Fixatives for different media types * Archival * Clear and non-yellowing * Adds a final layer of protection * Resin and alcohol-based solutions Perfect For: * Graphite and charcoal drawings * Dry media and oil pastels * Preventing your artwork from smearing! * Fixing soft pastel works * Protecting oil pastel art D'Artigny Spray Fixative for Oil Pastels: This transparent fixative contains a blend of vinyl resin and alcohol base. The spray leaves a clear glossy film that protects oil pastels against dust and smears. Latour Spray Fixative For Pastels : A resin and alcohol-based solution that protects soft pastel artwork and seals them to the support. Delacroix Spray Fixative for Pencils & Charcoals: Specially formulated for work in pencil, charcoal, and graphite powder. The spray is similar to Latour fixative but is stronger, and that's why we don't recommend using it with soft pastels. HC10 Universal Fixative Spray: Sennelier fixative is made from a protective acrylic resin. The resin base makes spray perfect for Artists who want a more powerful fixative that will not alter their work's appearance. See More
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