SLI Search Template
-
Richeson Shiva Casein MediumsSave Up to30%Off list
Starting At: 10.31
Casein Emulsion - is the pure binder that is used to make casein paints. As such, it can be mixed with Casein paints to improve the flow or brushability without altering any other characteristics. All products in this category are Hazardous Materials: Cannot ship by Air/Next Day Services. Ground… Casein Emulsion - is the pure binder that is used to make casein paints. As such, it can be mixed with Casein paints to improve the flow or brushability without altering any other characteristics. All products in this category are Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More -
Lascaux Fine Art Fixative Archival Spray 12oz CanSave Up to41%Off list
Starting At: 29.42
World’s finest spray fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and resistant to aging. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely… World’s finest spray fixative Lascaux Fine Art Archival Spray Fixative has good adhesive properties with non-yellowing, lightfastness, and resistant to aging. The acrylic resin formula does not affect colour or the appearance of your artwork because it is as clear as water and extremely lightfast. Excellent for fixing and sealing works done with pastel, pencil, charcoal, wax crayon, india ink, tempera, and watercolor. Nothing beats Lascaux fix for sealing photographs, photostats, art prints, lithographs, proofs, and gold leaf. Lascaux Fixative seals without aging and forms a lightfast, invisible scratchproof seal. Contains no fluorocarbons. Imported from France. 12 oz (300ml) Aerosol can. Key Features: * 12 oz (354.882ml) Aerosol can * Acrylic resin fixative that resists yellowing * Non-matte * Fixes or seals * Excellent initial sizing on wood panels * Contains no flourocarbons * Good adhesive properties * Does not change the hue of colours upon drying Perfect For: * Fixing pencil, charcoal, pastels, and wax crayons * Protecting watercolors, Indian ink, and tempera * Photos, prints, lithographs, proofs, lettering, and gold leaf * Creating resistance to the effects of weather * Invisible fixing of drawings in pencil, charcoal, pastel and way crayons, particularly on delicate paper Spray Fixative is a finishing treatment for your artwork creating resistance to the effects of weather, soiling, and mechanical stress while making cleaning easier. Directions on How To Use Lascaux Fixative Lascaux Fixative is applied in a thin, even film by spraying from a distance of approx. 30 cm in a circular movement. For use on delicate drawing paper, the distance should be increased and care taken that the paper does not become soaked through. The spraying process can be repeated until the desired result is obtained. See More -
Gamblin Neo-MegilpSave Up to40%Off list
Starting At: 8.40
When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. See More -
Gamblin Cold Wax MediumsSave Up to40%Off list
Starting At: 8.40
Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More -
Bob Ross Odorless ThinnerSave Up to24%Off list
Starting At: 18.59
A pleasurable painting experience without the strong odor from turpentine Highly effective, this top quality thinner cleans oil paint from brushes quickly and thoroughly yet is still gentle on bristles. When used in a brush bath, it can be reused indefinitely. It can also be used to thin Ross oil… A pleasurable painting experience without the strong odor from turpentine Highly effective, this top quality thinner cleans oil paint from brushes quickly and thoroughly yet is still gentle on bristles. When used in a brush bath, it can be reused indefinitely. It can also be used to thin Ross oil paints and it is compatible with all Ross painting mediums. Painting is also a more pleasurable experience without the strong odor from turpentine. Key Features:* High-quality, odor-free thinner for oil paints* Pleasurable painting experience* Cleans oil paint from brushes* Gentle on bristles* NO strong odor like turpentine* Used to thin oil paints* Half-gallon(32oz.) plastic container Perfect For:* Painting without the strong odor from turpentine* Cleaning oil paint from brushes* Thinning oil paints NOTE: 1 quart container with child safety cap. 31.64 oz. Flammable: ships ground only. See More -
Williamsburg Damar CrystalsSave Up to30%Off list
Starting At: 26.45
…it yields a varnish which can be used as a final picture varnish or thinned with more turpentine and stand oil to make a glazing medium. Damar can be used in oil paint mediums to speed drying and add gloss. Key Features:* Damar Crystals 16oz* can be used as a final picture varnish* Used in oil paint… Highest quality, natural damar crystals from Indonesia Damar crystals come from the damar resin which is tapped from a family of trees found mostly in India and East Asia. Damar crystals are yellow and irregularly shaped with a dusty appearance. When dissolved in pure gum turpentine, it yields a varnish which can be used as a final picture varnish or thinned with more turpentine and stand oil to make a glazing medium. Damar can be used in oil paint mediums to speed drying and add gloss. Key Features:* Damar Crystals 16oz* can be used as a final picture varnish* Used in oil paint mediums* Speed drying and add gloss* Used on finished paintings as a transparent, removable high-gloss protective coating The crystals must be soaked in pure gum turpentine to produce traditional damar varnish See More -
DANIEL SMITH Original Oil MediumsSave Up toOff list
Starting At: 8.59
…leaving minimal brush strokes. Stand oil is an inappropriate vehicle for making oil paint, but it makes an outstanding painting and glazing medium when diluted with turpentine and damar varnish. It yields a tough paint film without the yellowing tendencies of refined linseed oil. Available in 8oz. Improve transparency and gloss! Painting with buttery oils requires a medium that helps alter paint consistency for color mixing, blending, and glazing. DANIEL SMITH Oil mediums improve transparency and gloss and, depending on the formula, can decrease drying time. DANIEL SMITH Oil Mediums allow artists to extend their oil paints and waste less paint; this is especially true with DANIEL SMITH Original Oils, which are highly pigmented. With DANIEL SMITH Oil Mediums, you can expand the value of your highly pigmented paint event farther! Key Features: * Accelerate or slow drying time * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Available in 3 different sizes Perfect For: * Traditional oil paints * Blending and glazing * Maintaining consistency * Preserving gloss * Speeding up drying time * Increasing the flow of oil paint Refined Linseed Oil- Its capacity to add gloss and transparency and yield a tough, strong paint film has made linseed oil the most conventional binder in oil paint for centuries. It may cause some yellowing with age. Cold-Pressed Linseed Oil- The simplest form of natural oil, cold-pressed linseed oil, is lighter in color and yellows less than hot pressed or solvent extracted oils. DANIEL SMITH Cold-pressed Linseed Oil also creates a stronger film. Stand Oil– Stand oil, thicker than Linseed oil, prompts oil colors to gradually self-level as they dry, leaving minimal brush strokes. Stand oil is an inappropriate vehicle for making oil paint, but it makes an outstanding painting and glazing medium when diluted with turpentine and damar varnish. It yields a tough paint film without the yellowing tendencies of refined linseed oil. Available in 8oz. See More -
Black Mountain Acrylic Gloss MediumSave Up to43%Off list
Starting At: 19.99
Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More -
Schmaltz Artist Oil Impasto Gel MediumSave Up to56%Off list
Starting At: 10.99
This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high… This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high quality alkyds and oils. Add it to your paint to create luminous, transparent full-bodied colors. The buttery gloss gel retains brush strokes and dries quickly, which makes it perfect for impasto effects and glazes. Pair with StudioSolv™ to reduce viscosity if a more leveled look is desired. Key Features: * Quick drying impasto gel * Increases shine and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork Schmaltzy! Why the name Schmaltz? We were inspired by the Yiddish word for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! See More -
Speedball Screen Printing MediumsSave Up to34%Off list
Starting At: 5.82
…Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler.… Acrylic Extender Base - Designed to mix any quantity with ink in order to create a transparent color. Diazo Photo Emulsion - Mix with Sensitizer for Photo Emulsion screen printing. Diazo Photo Emulsion Kit - Contains one 7 oz jar of Photo Emulsion, one 8 oz jar of Photo Emulsion Remover, and 1 oz bottle of condensed Sensitizer. Diazo Photo Emulsion Remover - When finished with an emulsion coated screen, apply remover to reclaim the screen with minimal cleaning effort. Diazo Sensitizer - Fill the bottle ¾ full with cold water and mix thoroughly. To be used with photo emulsion. Fabric & Acrylic Retarder Base - Slows the drying time of inks. Fabric & Acrylic Transparent Base - To create a transparent color mix with ink. This Transparent Base should not exceed 10 - 15% of the entire mixed quantity. Gloss Overprint Varnish - Preserves the screen printed inks against scuffing, weathering and water. Non-yellowing. Speed Clean - The only proven cleaner of screen filler. Screen Drawing Fluid - Applied before screen filler to areas intended to be printed. AP non-toxic filler. Screen Filler - Designed to block out areas not intended to be screen printed. AP non-toxic filler. See More -
Liquitex BASICS Acrylic Mediums Open Stock and SetsSave Up to30%Off list
Starting At: 7.97
…Matte Varnish can be mixed with Gloss Varnish to vary the final sheen of the work. Varnish is non-yellowing. Gloss Varnish 250ml: Permanent gloss varnish used to protect the finished painting. Gloss varnish may be mixed with Matte Acrylic Varnish to vary the sheen to satin. Varnish will not… Prep, Paint, and Finish Your Painting With Liquitex BASICS Mediums! Liquitex BASICS Mediums and Varnishes provide the dependable quality of Liquitex at an economical price! The Introductory Set of Liquitex BASICSMediums provides you with a warm intro to the world of acrylic mediums. The set of 75ml tubes includes Gesso, Gloss Gel Medium, Modeling Paste, Iridescent Medium, and Coarse Texture Gel. With the set you will find that you can adjust the texture, flow, and surface sheen of your acrylic paints by mixing them with different Liquitex BASICS Mediums. The Modeling Paste and Coarse Texture Gel can be used to create backgrounds for mixed media work while the Iridescent Medium is great for adding that extra shimmer to your paints. Liquitex Basics has also created a non-yellowing Matte and Gloss Varnish that can be used to permanently protect your finished acrylic paintings! Artists on a budget or students just starting out should know that Liquitex Basics Mediums and Varnishes are essential! Key Features: * 250ml, Mediums * Dependable and affordable * Adding extra shimmer to your paints * Adjust the texture, flow, & surface sheen * Permanently protect your finished acrylic paintings * Excellent working qualities Perfect For: * Students learning Acrylics * Artists painting large scale * Budget-minded Artists Gloss Gel Medium 200ml: A thick, transparent medium for mixing with acrylic paint to improve color blending, extend paint volume and drying time and increase paint transparency. Gloss Gel Medium can also be used as a glue for paper and canvas. Permanent, non-yellowing, flexible and water resistant when dry. Dries to a gloss finish. Modeling Paste 200ml: Opaque matte structure paste. Ideal for 3D effects, for use on canvas and wood. When added to acrylic paint it thickens the consistency of the paint. Produces brush stroke retention in paintings. The paste can be used on its own to build up the texture. Water resistant when dry. Coarse Texture Gel 200ml: Dries to a course 'sand' like finish. When dry can be painted with Liquitex acrylic colors or mixed with color before application. Iridescent Medium 200ml: Provides pearlescent effects when added to acrylic colors. Adds shimmer to paint. Mix with acrylic color before application or apply on top of dry painting. Matte Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an extra matte finish. Gloss Fluid Medium 250ml: Improves the flow of color for blending as well as increasing transparency. Can be mixed with Basics Acrylic Colors for an added gloss finish. Matte Varnish 250ml: Permanent matte varnish used to protect finished paintings. Matte Varnish can be mixed with Gloss Varnish to vary the final sheen of the work. Varnish is non-yellowing. Gloss Varnish 250ml: Permanent gloss varnish used to protect the finished painting. Gloss varnish may be mixed with Matte Acrylic Varnish to vary the sheen to satin. Varnish will not yellow over time. See More -
Jack Richeson Shiva Signature Oil MediumsSave Up to35%Off list
Starting At: 8.98
Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More -
Turner Acryl Gouache MediumsSave Up to70%Off list
Starting At: 3.79
…about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant… High-quality acrylic medium pastes and primers Turner has a rich tradition of manufacturing top-quality art supplies and has been supplying professional quality colors and mediums to artists since 1947. The Turner Company has a range of carefully created primers and mediums designed to fulfill any painter's ideas. You can paint on metal, wood, or glass with one of Turner's special primers or apply a final coat of varnish. Turner Retarder can also be mixed with traditional acrylics or acryl gouache to slow down drying and create special effects. Key Features:* Uses highest quality acrylic resins and materials* Create complex ground structures with Pastes* Surface primers for glass, wood, or metal* Perfect For:* Acrylic Painters* Faux Finishers* Artists of all skill levels* Experimenting with different textures and techniques Glass Primer: Used as an undercoat on glass with excellent adhesion. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Wood Primer: Used as an undercoat on wood to create good covering power and adhesion with acrylic paint. Wood Primer will block stains and seal porous surfaces to prevent colors from excessive soaking into the wood. Dilute with about 30% water to make a smooth and beautiful finish. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Metal Primer: Used as an undercoat on metal with good water and weather resistance. Brush out directly or with about 10% water. Apply one or two coats as thinly as possible for the best results. Dry thoroughly for more than one day before overpainting with Acryl Gouache. Fabric Medium: Turner Fabric Medium allows you to use Turner Acryl Gouache on fabric. It works well with water-based acrylic paints. Modeling Paste Pastel: Water-based paste in white color with high viscosity, which enables opaque and matte impasto. It gives an elastic film after drying and a pastel tone when mixed with acrylic paint. Please note that it shrinks by approximately 40% after drying. Impasto of about 3cm thickness will take about 3 to 6 days to dry at an ambient temperature of 20 C thoroughly. Gloss Varnish: Turner Gloss Varnish can be used as a final gloss coat on a completed painting or as a mix-in medium with other acrylic paints. The varnish has a milky-white appearance but dries clear and creates a water-resistant film. When mixed with a significant amount of Acryl Gouache paint, it produces a glossy translucent effect. Retarder: Turner Retarder slows the drying time of acrylic gouache paints. The clear retarder forms a water-resistant film once dry. Using too much Turner Retarder may cause the painting surface to be tacky for a few days. See More -
SpectraFix InstagritSave Up to15%Off list
Starting At: 12.69
Invisible traction precisely where you need it! Instagrit gives you TRACTION when you need it most! You know that dreaded moment when you can't add any more detail to a drawing because the surface is too slippery? Spetrafix has developed Instagrit so you can add grit where you need it for traction… Invisible traction precisely where you need it! Instagrit gives you TRACTION when you need it most! You know that dreaded moment when you can't add any more detail to a drawing because the surface is too slippery? Spetrafix has developed Instagrit so you can add grit where you need it for traction and deep layering of color pencil, oil pastel, wax crayon, and graphite. You can apply Instagrit by brush to areas in your drawings that have become slick. It dries clear and magically picks up color as soon as you pass your pencil over it. Instagrit works well on most papers, panels, and canvas. Use it for adding last-minute details and corrections. You can even create a toned background by adding watercolor paint to Instagrit. You can also use Instagrit to create darker blacks with traditional graphite pencils. Key Features: * Non-toxic and natural grit additive * ASTM D4236 certified * Odor-free * Fully archival * Not intended for use by children * Made in the USA Perfect For: * Adding traction to slippery sections of drawings * Creating colored grounds * Colored pencil, soft and oil pastels * Charcoal, graphite, and much more * Most papers, panels, and canvas * All drawing media Directions: * Stir very well before using. * Apply with a brush over slick areas. * Allow to dry and gently apply your next layers of color. * Repeat as desired. See More -
Pebeo Studio Green Phosphorescent GelSave Up to25%Off list
Starting At: 21.38
…a translucent, satin matt finish under light but shines bright in the dark. Pebeo makes its Phosphorescent Gel with recycled resins that emit 6 to 7 times less C02 than the petrochemicals in traditional acrylic gels. Key Features: * Produces glow-in-the-dark effect * Translucent, satin matt finish *… Eco-Friendly Formula Generates 6 to 7 Times Less C02 Pebeo Studio Green Phosphorescent Gel is an eco-friendly painting medium that produces a glow-in-the-dark effect. Apply the gel thickly with a palette knife to achieve the best glow. The dry gel has a translucent, satin matt finish under light but shines bright in the dark. Pebeo makes its Phosphorescent Gel with recycled resins that emit 6 to 7 times less C02 than the petrochemicals in traditional acrylic gels. Key Features: * Produces glow-in-the-dark effect * Translucent, satin matt finish * Eco-friendly recycled resin formula * Generates less CO2 * Can be mixed with acrylic paint * Use alone for best effect * Jars made from recycled materials Perfect For: * Creating glow-in-the-dark artwork * Thick application with a palette knife * Canvas and wood panels * Artists seeking sustainable alternatives See More -
Silver Brush Goat Hair Fans & Mops Brushes & SetsSave Up to35%Off list
Starting At: 6.27
…watercolors. Ultimate Varnish Mop: Soft synthetic filament. Ideal for finishing furniture and varnishing paintings. Soft and lustrous, the varnish brush will spread color and varnish on any surface without leaving any bubbles behind. This brush is perfect for use with water-based varnish and paints. Ultra-soft Natural goat hair and synthetic filament mops! Silver Brush Goat Hair Brushes are made of incredibly soft goat hair that is perfect for softening and blending value transitions. Ultra-soft white goat hair bristles stay soft when wet and are perfect for blending and softening oils or acrylics. The black goat hair stiffens when wet allowing for rougher treatment or creating texture when blending color. The ultra-soft goat hair bristles are ideal for oil and acrylic paint but can also be used to create sky washes with watercolor. Conservators favor the goat hair and the mop shape for dusting archival items. Silver Brush Goat Hair Fans and Mops are perfect for artists that work with acrylics, watercolors, and oils. A treat for any multi-media artist! You can use the mop brush shape to develop backgrounds and sky washes with watercolors. Soft synthetic filaments within the Ultimate Varnish Mop Brush spread water-based color or varnish on any surface without leaving bubbles behind. Each varnish brush is made with soft synthetic hair perfect for varnishing furniture or a finished painting. Key Features: * Ultra-soft white or black goat hair * Bristles stay soft when wet * Very soft hair stiffness * Natural goat hair mop brushes * Unique synthetic varnish brush filament * Mop shape in oval or round * Spread color and varnish on any surface without leaving bubbles * Short handle Perfect For: * Oils, acrylics, or watercolor * Creating background color or sky washes * Blending or softening color * Conservators * Water-based varnish and paints * Varnish application * Even gradation of brush strokes * Multi-media artists Artist Goat Mop Set: Our set includes a full size 1" oval and size 10 and 14 round ultra-soft white goat hair mop brush. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red polished wood handles. Ultimate Goat Mop Set: Our set of mops includes four round mops in sizes #12, #14, #16, and #20, plus two oval mops in sizes 1/2" and 3/4". White goat hair stays soft when wet while black goat hair stiffens and adds a delicate texture to your work. Each brush is impeccably fashioned within seamless nickel-plated brass ferrules attached to dark red or black polished wood handles. Short Handle Goat Hair Mop Set of 4: Our set of mops includes Size #10 White Round, 1" White Oval, #16 Black Round, and 3/4" Black Sky Wash. Ultra-soft goat hair bristles are perfect for blending and softening color with oils or acrylics. You can also use these brushes to create backgrounds and washes with watercolors. Ultimate Varnish Mop: Soft synthetic filament. Ideal for finishing furniture and varnishing paintings. Soft and lustrous, the varnish brush will spread color and varnish on any surface without leaving any bubbles behind. This brush is perfect for use with water-based varnish and paints. See More -
Winsor & Newton Galeria Acrylic Gel MediumsSave Up to30%Off list
Starting At: 9.79
…Galeria range. Ideal for creating strong surface texture and very high peaks. Smooth and flexible. Heavy layers are easily and quickly built up. Satin finish prevents thick layers from looking too plastic. Sand Texture Gel - Helps you create a finer and more consistent texture. The gel contains… Push the performance of Acrylics further with Galeria Gel Mediums! Winsor & Newton’s Galeria Acrylic Gel Mediums are texture additives that pair perfectly with their Galeria line. Explore the full range of Gel Mediums to create different textures with acrylic paint. An extensive and versatile range, the Galeria Gel Mediums provide great value and are easy to use. Key Features: * Additives for Different Effects * Alter Texture and Paint Structure * Designed for Galeria Acrylics * Economical Gel Mediums Perfect For: * Students and budgeting artists * Adding texture to your acrylic paintings * Adding weight and structure to paint * Dimensional build-up of Acrylics Black Lava Texture Gel - Granular paste containing fine particles of black flint. It can be used alone or mixed with acrylic paint. The gel allows you to achieve a heavier and more pronounced texture. Glass Beads Texture Gel - This medium comprises small, spherical glass beads suspended in a thick, clear acrylic gel. When used with transparent color, the effects are arresting and jewel-like. Heavy Structure Gel - The heaviest gel available in the Galeria range. Ideal for creating strong surface texture and very high peaks. Smooth and flexible. Heavy layers are easily and quickly built up. Satin finish prevents thick layers from looking too plastic. Sand Texture Gel - Helps you create a finer and more consistent texture. The gel contains refined and purified sand to ensure the most interesting sand grain texture. Structure Gel - Add to acrylic color to create high peaks. Smooth and flexible, it provides a gloss finish with good clarity. See More -
GOLDEN Acrylic AdditivesSave Up to30%Off list
Starting At: 8.32
Reduce surface tension and increase paint flow Additives serve a similar function to mediums. The difference is that additives don't contain acrylic binders (like mediums do), so you must follow the label and use them in correct proportions. Most mediums can be added to the paint in any amount until… Reduce surface tension and increase paint flow Additives serve a similar function to mediums. The difference is that additives don't contain acrylic binders (like mediums do), so you must follow the label and use them in correct proportions. Most mediums can be added to the paint in any amount until you've achieved the desired effect, but additives can weaken the color and adhesion of the paint when overused. GOLDEN offers these two additives, which are a useful addition to any painters studio. Wetting Agent: Formerly known as Acrylic Flow Release - an additive used to reduce the surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint waste * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces The retarder does not contain binding agents. To ensure adhesion, the addition of Retarder should not exceed 15% (1:6)when mixed with colors or mediums. See More -
GOLDEN Matte MediumsSave Up to30%Off list
Starting At: 13.64
Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More -
GOLDEN Gloss MediumSave Up to30%Off list
Starting At: 14.27
General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More -
GOLDEN Silkscreen MediumSave Up to30%Off list
Starting At: 10.49
Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic… Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More -
GOLDEN Open Acrylic MediumsSave Up to30%Off list
Starting At: 4.68
OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More -
Matisse Antiquing Patina and Marbling MediumsSave Up to50%Off list
Starting At: 87.25
Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More -
Sennelier Extra Fine Artist Acrylic GessoSave Up to33%Off list
Starting At: 23.56
High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable… High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More -
Amsterdam All Acrylic MediumsSave Up to30%Off list
Starting At: 12.61
Your Creativity Run Wild With These Premium Mediums! Talens Amsterdam All Acrylics offers a wide range of auxiliary acrylic mediums to achieve virtually any special effect you can dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your… Your Creativity Run Wild With These Premium Mediums! Talens Amsterdam All Acrylics offers a wide range of auxiliary acrylic mediums to achieve virtually any special effect you can dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your whim and your painting style- make paint thicker, thinner; glossier, more matte; or model to high textural peaks. Available in convenient 250ml and 1 liter sizes. Gel Medium (Gloss) - Increases the gloss and transparency of acrylic colors while retaining the viscosity. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Gel Medium (Matte) - Reduces the gloss and increases transparency of acrylic colors, while maintaining the viscosity. Milky white, dries to a colorless and transparent matte finish. Use as an adhesive on all sorts of materials. Modeling Paste - Creates strong relief grounds. Paste can be used on its own or in combination with acrylics in any ratio, but as the paste has a white pigment, the color of the paint will be lighter. Can be painted over with acrylics or oil paint. Waterproof and non-yellowing, can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors, with a shiny gloss. Gives acrylic colors a thicker consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors, with a matted finish. Gives acrylic colors a pasty consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors quickly, with a shiny gloss. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors quickly, with a matted finish. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent matted finish. Use as an adhesive on all sorts of materials. Key Features: * Additives for acrylic paints * Thin acrylic paints for glazing * Add body or texture to acrylics * Mediums dry clear Perfect For: * Acrylic Artists * Acrylics and mixed media * Students and professionals alike * Achieving multiple effects See More -
Daler-Rowney Gesso PrimersSave Up to34%Off list
Starting At: 21.96
Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable… Gesso Primer That Dries quickly leaving a white matt surface Daler Rowney Gesso has been specifically formulated as a "value" Gesso Primer for use as a ground for both acrylic and oil painting. Daler Rowney Gesso provides great coverage at a fantastic price and comes in a convenient stackable rectangular container.* Gesso Primers in 32oz & 128oz* May be applied with a brush or a roller without diluting* Can be used on any non-oily surface i.e. plywood, canvas, cardboard, plaster* Dries quickly leaving a white matt surface* Can be tinted with any Daler-Rowney Acrylic colors (except metallic colors)* In sturdy rectangular tubs with handles See More -
Chroma Atelier Interactive Ground PreparationsSave Up to40%Off list
Starting At: 8.31
Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More -
Liquitex BASICS Acrylic GessoSave Up to35%Off list
Starting At: 7.45
Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers,… Opaque, Matte, White Acrylic Gesso! Liquitex Basics Acrylic Gesso is made of an excellent student-quality formula that is ideal when you're starting out on a budget or when you're experimenting. This white priming ground can be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Can be tinted with acrylic colors before application for brilliant colored grounds. Key Features: * Opaque, matte finish * Titanium White Acrylic Gesso * Improves adhesion & durability of canvas * Non-yellowing * Dries within minutes Perfect For: * Traditional or colored ground * Artists, crafters, students * Acrylic, oil, tempera, or casein * People on a budget * Application on a variety of absorbent surfaces See More -
Lascaux Acrylic Primer GessoSave Up to38%Off list
Starting At: 60.73
A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry… A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More -
Prima Economy Acrylic GessoSave Up toOff list
Starting At: 49.83
Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily… Excellent covering power for an economical price! Prima® White Gesso has excellent covering power for an economical price. Prima Gesso contains pure Titanium White pigment in an acrylic 100% polymer emulsion. They provide an excellent flexible film and fine-tooth surface to canvases and non-oily surfaces for acrylic, oil, watercolor, tempera, gouache, etc. Ideal for professional artists, hobbyists, decorative, and beginner painters. Available in 16 oz. and a gallon jug. The gallon size has a built-in carrying handle and a stay-tight lid. The pint-size (473ml) comes in a flexible squeeze bottle container with a flip-top lid perfect for smaller projects. Key Features:* Pure Titanium White pigment* 100% polymer emulsion* Flexible film with fine tooth Perfect For:* For acrylic, oil, watercolor, gouache* Professional artists* Decorative and hobby use See More -
Chelsea Classical Studio Clarified Fat Medium LavenderSave Up to50%Off list
Starting At: 13.63
…to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither… A handcrafted oil medium that improves glossiness & dry time! A "Fat" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. The Clarified Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The Clarified Fat Medium is made with linseed oil that is purified and de-yellowed by traditional, natural processes that strive to make the palest, cleanest, pure linseed oil for artists’ to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither turpentine nor petroleum is used. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:* Handmade from the highest quality ingredients* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* No carcinogenic fumes since neither turpentine nor petroleum is used* Improves glossiness of paint when dried* Quick drying time* Recommended for use in later stages of painting Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean See More -
Chelsea Classical Studio Clarified Lean Medium LavenderSave Up to50%Off list
Starting At: 13.63
…controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed… Handcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it decreases drying time and thins the paint It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes that strives to make the palest, cleanest pure linseed oil for artists’ to use. A "Lean" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, improves paint drying time and gloss. Where: Made in the USA from Old World Master Techniques * Decreases drying time * For use in earlier painting stages Key Features:* For the oil painter* Handmade from the highest quality ingredients* Safer alternative to Turpentine* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* Thins paint consistency* Decreases drying time* Palest, cleanest pure linseed oil for artists’ to use* Crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time* Thinning oil paints* Use in studios or professional classrooms* Use in early layers of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More -
M. Graham Oil Painting MediumsSave Up to40%Off list
Starting At: 12.65
Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More -
Da Vinci Professional Oil Color MediumsSave Up to50%Off list
Starting At: 7.15
Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal… Paint Fit for Masters™These mediums are formulated and produced with the same high-quality standards found in Da Vinci Paint Colors. Alkyd Gel Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and increase color transparency. Will maintain a soft and creamy consistency. Copal Painting Medium Substitute - Formulated to dilute oil paints in glazing applications or for thin applications. Will dry faster than linseed but slower than alkyd resins. This is made up of alkyd resin, linseed oil and odorless thinner. Oil Gel - This medium is the ideal transparentizer for Da Vinci Oil Colors. Linseed Oil - Pure and refined for diluting oil colors without the use of harsh, toxic solvents. Can also be used to clean brushes when changing colors. Liquid Alkyd Quick Drying Medium - Mix 1:1 with oil colors to accelerate drying time and reduce viscosity. Safflower Oil - Pure and refined for diluting light colored oil paints. Using safflower, rather than linseed, to dilute whites will help reduce yellowing. See More -
Schmincke Oil Painting MediumsSave Up to10%Off list
Starting At: 13.85
Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More -
Sennelier Oil Color MediumsSave Up to37%Off list
Starting At: 11.23
Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field