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Grumbacher Academy Acrylics Alizarin Crimson 90 mlSave Up to60%Off listRed Medium Bodied Highly Pigmented Acrylic Paint Made in the USA Creators of Art Materials Since 1905, Grumbacher Academy® Acrylics, a line of 48 brilliant process colors, sets, metallic and iridescent colors, as well as the most sought-after traditional colors comprise the improved line of Grumbacher Academy® acrylics. All colors have an ASTM lightfast rating of 1- Excellent. Academy Acrylics are a medium-bodied acrylic paint, highly pigmented, and have superior tinting strength, but at a single student price. Available in 90 ml metal tubes. Made in the USA. Academy acrylic colors provide the artist with a versatile option for painting and crafting. Thinned with water, the paint can be applied in delicate, translucent layers much like watercolor. Straight from the tube, or thickened with a medium, these colors can be applied to a canvas with the same techniques used for oil color. Academy acrylics can also be thinly applied to layers of paper for a decoupage effect. The possibilities are as limitless as the artist's imagination. Academy Acrylics create cleaner mixes and more accurate color matching without sacrificing tinting strength, opacity, or lightfastness Key Features: * 48 brilliant colors * Medium bodied * Great pigment load * Metallic and iridescent colors * Highly pigmented * Superior tinting strength * 90ml metal tubes * Strong adhesion * Made in the USA Perfect For: * Artist grade paint * Genuine and pure pigments * Pure cadmiums * Colors are lightfast * All colors have an ASTM lightfast rating of 1- Excellent and are labeled AP Acrylic paint is a relatively new medium in the pantheon of artistic media. Developed in the mid part of the 20th century as a house paint, acrylics were first used in the art realm by muralists. It covered large areas fairly quickly and had a much faster drying speed than oil based paints. Grumbacher® Academy® Acrylics follow that chain of artistic evolution See More
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Goldfaber Dual Aqua Marker, Warm GreySave Up to20%Off listGrey Countless techniques, Fine or flat drawing, dry or wet! Faber-Castell Goldfaber Aqua Dual Markers open up all sorts of design possibilities because the dye-based ink is fully water-soluble. The ink of the creative markers is odorless, acid-free and pH-neutral. Each marker has a soft, flexible brush nib for painterly brush strokes and a metal-encased fineliner tip (0.4 mm) for details and contours. The paint is in the marker! To start creating mesmerizing watercolor artwork, you simply add pigment to the paper and then add water with a brush. Goldfaber Aqua Dual Markers are perfect for calligraphy, detailed watercolor painting, dry brushing, sketching, coloring, and more! Goldfaber Markers are an ecologically responsible product. Each pen barrel and cap is made from post-consumer recycled plastic. In addition, all the sets come in cardboard packaging made from recycled paper. Key Features: * Each pen has 2 nibs; a brush tip and a fine nib * Dye-based ink is fully water-soluble * Acid-free, odorless, and pH neutral * Streak-free smooth color laydown when used wet or dry * Ink won't bleed through most papers * The cap and barrel are made from 100% recycled material * Cardboard packaging is made from recycled paper Perfect For: * Dry and wet drawing techniques * Detailed watercolor painting * Sketching, illustrating, and coloring * Calligraphy lettering and more * Comic and mandala artists * Achieving swaths of color and thin and thick lines * Drawing fine details and lettering * Creating with confidence * Ages 13 and up Wallet Set of 24: Contents Include: #107 Cadmium Yellow, #109 Dark Chrome Yellow, #122 Brilliant Red, #121 Pale Geranium Lake, #128 Light Purple Pink, #284 Purple, #137 Blue Violet, #449 Azure Blue, #356 Light Cobalt Green, #171 Light Green, #283 Burnt Siena, #115 Dark Cadmium Orange, #104 Light Yellow Glaze, #196 Lavender Light, #137 Blue Violet, #277 Titanium Violet Light, #116 Apricot, #281 Sand, #164 Water Blue, #228 Magenta Bright, #272 Warm Grey III, #183 Light Yellow Ochre, #163 Emerald Green, #110 Phthalo Blue and #199 Black. Wallet Set of 18: Contents Include: #107 Cadmium Yellow, #109 Dark Chrome Yellow, #122 Brilliant Red, #121 Pale Geranium Lake, #128 Light Purple Pink, #284 Purple, #137 Blue Violet, #449 Azure Blue, #356 Light Cobalt Green, #171 Light Green, #283 Burnt Siena, #115 Dark Cadmium Orange, #228 Magenta Bright, #272 Warm Grey III, #183 Light Yellow Ochre, #163 Emerald Green, #110 Phthalo Blue and #199 Black. Wallet Set of 12: Contents Include: #107 Cadmium Yellow, #109 Dark Chrome Yellow, #122 Brilliant Red, #121 Pale Geranium Lake, #128 Light Purple Pink, #284 Purple, #137 Blue Violet, #449 Azure Blue, #356 Light Cobalt Green, #171 Light Green, #283 Burnt Siena and #199 Black. Wallet Set of 6: Contents Include: #107 Cadmium Yellow, #122 Brilliant Red, #128 Light Purple Pink, #449 Azure Blue, #171 Light Green, and #199 Black. Tuscany - Wallet Set of 6 - Contents Include: #267 Pine Green, #283 Burnt Siena, #446 Sky Blue Pastel, #269 Green Ochre, #186 Terracotta, and #190 Venetian Red. Portrait - Wallet Set of 6 - Contents Include: #281 Sand, #116 Apricot, #114 Pale Pink, #195 Vintage Pink, #283 Burnt Siena and #186 Terracotta. Lettering - Wallet Set of 6 - Contents Include: #185 Naples Yellow, #114 Pale Pink, #125 Middle Purple Pink, #446 Sky Blue Pastel, #174 Chromium Green Opaque, and #199 Black. Shades of Grey - Wallet Set of 6 - Contents Include: #279 Purple Grey, #282 Hyacinth, #277 Titanium Violet Light, #230 Cold Grey I, #233 Cold Grey IV, and #199 Black. Graffiti - Wallet Set of 6 - Contents Include: #228 Magenta Bright, #229 Pink, #208 Middle Chrome Yellow, #163 Emerald Green, #137 Blue Violet, and #199 Black. Flowers - Wallet Set of 6 - Contents Include: #126 Permanent Carmine, #229 Pink, #197 Lavender Dark, #119 Light Magenta, #208 Middle Chrome Yellow, and #174 Chromium Green Opaque. Fantasy - Wallet Set of 6 -Contents Include: #249 Mauve, #113 Orange Glaze, #104 Light Yellow Glaze, #151 Helioblue Reddish, #279 Purple Grey, and #199 Black. Candy Shop - Wallet Set of 6 - Contents Include: #107 Cadmium Yellow, #121 Pale Geranium Lake, #128 Light Purple Pink, #249 Mauve, #154 Light Cobalt Turquoise, and #112 Leaf Green. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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