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Fredrix Red Label Medium Tooth Gallery Wrap - 30" x 30" (Box of 3)Save Up to50%Off listWhite Superior quality duck canvas! Fredrix Red Label Gallery Wrap Canvas is a medium-textured, superior-quality duck canvas. The acid-free double acrylic 12oz primed cotton surface is suitable for paintings in oils, acrylics, or alkyds. The canvas is mounted on 1-3/8" heavy-duty stretcher frames for double the standard thickness. The canvas is stapled on the back to allow painting on all sides. It can hang with or without a frame. Key Features:* Acid free double acrylic primed cotton surface* Medium texture 100% Cotton Duck Canvas* Mounted on 1-3/8" heavy-duty stretcher frame* Back stapled* 12oz Acrylic Primed* Painting on all sides* Perfect For:* Great for acrylics, alkyds and oils* Showing 4 sides of paining* Hanging with or without frame See More
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Old Holland Classic Pigment Vermillion Extra 55gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Jacquard Procion MX Dye 2/3 oz FuchsiaSave Up to20%Off listRed Ideal for dyeing plant-based fibers such as cotton, linen, and rayon! Jacquard Procion MX Fiber Reactive Dyes are vibrant "cold water dyes" that you can fix chemically to plant-based fibers with soda ash. Procion MX powder dye does not require electricity and is ideal for batik, tie-dye, shibori, ice dyeing, low water immersion dyeing, printing, and direct painting. This fiber-reactive dye is known for the permanent wash-fast bond it creates with cellulosic fibers like cotton, linen, canvas, hemp, jute, ramie, sisal, paper, and rayon. Procion dyes are permanent, colorfast, and very washable. Generally, one 2/3 oz jar will dye more than one pound of fabric. As a fiber-reactive dye, Procion MX forms a strong covalent bond with cellulosic fibers, making it the most permanent and washfast of all dyestuffs: FABRIC/FIBER/SURFACES: cellulose fibers: cotton, linen, canvas, hemp, jute, ramie, sisal, paper, rayon and more Key Features: * Powdered cold water dye * Concentrated powder * Extremely brilliant and wash-fast colors * Will not bleed or fade with washing * Vibrant, permanent color * Use Soda Ash (to make colors permanent) * Use Urea to enhance dye color Perfect For: * Dyeing cellulose fibers * Cotton, linen, canvas, hemp, jute, ramie, sisal, paper, and rayon * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Fabric dyeing * Direct painting or printing applications * Surface design Instructions and Color Mixing Chart! See More
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Liquitex Heavy Body Acrylic - Cadmium-Free Red Light, 4.65oz TubeSave Up to74%Off listRed "My choice for over 50 years" - Cisle Studio (Belfast, Maine) Heavy Body Artist Color, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Liquitex Heavy Body Artist Colors are made with high pigment loads, which produce rich, brilliant, permanent color. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. Please note: packaging style may vary. Key Features: * Range of 105 professional colors * Flexible when dry * Smooth, thick, buttery consistency * Outstanding clarity and brilliance of color * 7 NEW Cadmium-Free Colors * * Liquitex Heavy Body Acrylic Paint Color Chart Perfect For: * Artists of every skill level * Small and large works of art * Plein Air * Artwork requiring a wide range of colors * 7 NEW Cadmium Free Colors The NEW Cadmium-Free range carries an AP (Approved Product) Seal from the The Art and Creative Materials Institute, Inc. (ACMI). ACMI-certified product seals (AP Approved Product and CL Cautionary Labeling) indicate that these products have been evaluated by a qualified toxicologist and are labelled in accordance with federal and state laws. Cadmium-FREE Colors: The Colart Innovation & Development laboratory applied several tests to demonstrate that the Cadmium-Free range is technically on par with the equivalent cadmium colors, for example: * Lightfastness to assess longevity * Color mass tone for brightness and overall match * Color reduction 10:1 with Titanium White to compare color strength and shade when mixed * Viscosity and rheology for handling properties * Specific gravity to test weight * Opacity check over black and white test card to assess coverage See More
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