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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Da Vinci Maestro Series 1505 Kolinsky sz. 4/0 X-Short SpotterSave Up to42%Off listMAESTRO The Ultimate Artists' Kolinsky Sable Watercolor Brushes! Only male Siberian Kolinsky Red Sable fur gathered in winter can earn the "Maestro" designation from da Vinci. da Vinci Maestro Kolinsky Red Sable Watercolor Brushes have an extra sharp point and longer tapered hair length that adds… MAESTRO The Ultimate Artists' Kolinsky Sable Watercolor Brushes! Only male Siberian Kolinsky Red Sable fur gathered in winter can earn the "Maestro" designation from da Vinci. da Vinci Maestro Kolinsky Red Sable Watercolor Brushes have an extra sharp point and longer tapered hair length that adds snap and precision to the brush. Anticipate amazing bristle spring and control along with unsurpassed water-holding capacity. Each brush has a brass-plated, nickel-plated, or gold-plated seamless ferrule that is rust-resistant. Before leaving the brush workshop, each brush is examined to make sure that the brush-head is flawless, and that the ferrule is firmly attached to the handle. The family-owned Da Vinci brush company has designed quality brushes for three generations in Germany. Utilizing the latest innovations, they produce brushes of unsurpassed quality, elegance, and durability. Key Features:* Male winter Siberian kolinsky red sable* Extra-sharp point* Longer tapered hair* Rust-resistant seamless ferrule * Spring and control* Unsurpassed water-holding capacity* Each brush is examined* Made in Germany* Perfect For:* Watercolor, rendering, illustration* Area work or fine details* Artist's seeking kolinsky red sable brushes* Students, teachers, professionals* Watercolorists and artists of all skill levels* Finessing delicate glazes with ease* Click on the yellow circle icon for size and set information See More
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Escoda Reserva Tajmyr Kolinsky Watercolor Brush Series 1212 Round #4X0Save Up to42%Off listFinest Kolinsky watercolor brushes! Considered by many to be some of the most beautiful watercolor brushes in the world, the Escoda Reserva line of brushes is pure luxury. Handcrafted from the best Kolinsky hair sourced from Siberia and using only the hair from male sables, Escoda Reserva brushes… Finest Kolinsky watercolor brushes! Considered by many to be some of the most beautiful watercolor brushes in the world, the Escoda Reserva line of brushes is pure luxury. Handcrafted from the best Kolinsky hair sourced from Siberia and using only the hair from male sables, Escoda Reserva brushes have more snap and control. This select hair is regarded as the best for watercolor because it points so beautifully and carries a tremendous amount of color. Carefully formed and cured to "remember" their shape, Reserva brushes have a signature snap and an unrivaled resilience. The perfect line for any watercolorist looking for an outstanding brush with excellent shape and control! Key Features: * Handmade by master brush craftsmen * Short, balanced, wooden handles * Series 1214 brushes with travel handle fold for easy transport * Brushes retain their tip and snap Perfect For: * Watercolor painting * Traveling or plein air painting * Artists of all skill levels See More
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Richeson Synthetic Watercolor Brush Series 9000 Round #0000Save Up to28%Off list…feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. These short handled rounds will hold plenty of watercolor, gouache, casein or acrylic, and release paint smoothly, giving the painter perfect control. * Its historic fine snappy point and its ability to… 9000 Round Series Synthetic Short Handle Rounds release paint smoothly, giving the painter perfect control. Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. The Richeson 9000 Round Series Short Handle rounds offer a quick, and flawless brush response coming to a split-proof, extra fine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. These short handled rounds will hold plenty of watercolor, gouache, casein or acrylic, and release paint smoothly, giving the painter perfect control. * Its historic fine snappy point and its ability to carry great volumes of color have kept it an industry leader * These brushes have seven different types of pointed synthetic fibers blended to create a marvelous artist tool.* The brushes have a silver seamless ferrule and a beautiful black handle with gold and yellow trim. 9000 Series Synthetic Watercolor Rounds Set of 5: Brush sizes included in this set: Round Size #2, #4, #6, #8, #12 See More
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Winsor & Newton Cotman Watercolor Brush - Series 111, Round #0000Save Up to40%Off listThese golden synthetic hair brushes are among the most advanced produced anywhere in the world today. By blending varying thicknesses of hair, Winsor & Newton has achieved the three most important qualities sought after by the artist. The thicker fibers contribute strength and spring, while the… These golden synthetic hair brushes are among the most advanced produced anywhere in the world today. By blending varying thicknesses of hair, Winsor & Newton has achieved the three most important qualities sought after by the artist. The thicker fibers contribute strength and spring, while the thinner fibers improve color holding capcity—together they retain a perfect point for rounds and a perfect edge for flats. All brushes with nickel plated seamless ferrules attached to metallic blue wooden handles. Series 111 Rounds - These brushes have large bellies to produce both wash and fine line stokes. Series 222 Designer's Rounds - These brushes are great for linear work because of their extra long hairs. Series 333 Riggers - These long thin round brushes are great for very detailed linear work, such as grass and telephone wires. Series 666 One Stroke - The long hair in these brushes makes it easy to produce crisp edges for washes and straight strokes. Series 667 Angles - The angle on this series of brushes is great for flowers, leaves, small corners and sweeping wash strokes. Series 668 Filberts - These sophisticated brushes combine the control of a One Stroke with the softer edge of a round. Series 777 Aquarelle - These brushes come equipped with a clear lucite handle for burnishing and scraping. Series 888 Fans - These fan brushes are popular for dry brush techniques like stippling, feathering grass, or hair effects. Series 999 Mops - These dome-shaped large brushes are great for expressive strokes and washes. Wash Brushes - These large brushes are great for background washes and large patches of color. See More
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Jack Richeson Grey Matters Series 9831 Short Handle # 4/0 Synthetic Watercolor RoundSave Up to28%Off list…distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time.… Annoying glare and reflections? Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features:* Anti-glare* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for water media Perfect For:* Watercolor applications* Defined brush strokes* Creating fine details* Professionals, teachers, students* Plein air or in the studio, and ideal for toned palettes and canvas Questions and Answers: Does Grey Matter? – Yes, The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? No, The filaments that make a synthetic brush can range wildly from student quality to Professional – Determined by the number of different fibers and type that make up the brush head. The fewer different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? No, however, the fibers of economy brushes are typically bleached white. A color such as the Grey in Grey Matters is done to accomplish a result (Neutral to the eye) What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – mixed to accomplish very specific firmness, softness, and paint loading properties. Can a grey Matters Watercolor Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange) Once used for a medium – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums – at best it is risky See More
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Fabriano 1264 Watercolor Spiral-Bound Cold-Press Pad - 11x15 Portrait, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Pad 140lb Cold Press 11" x 15"Save Up to35%Off listWhite Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More
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Strathmore Vision 140lb. Watercolor 11x15 In Pad 30 Sheets Tape BoundSave Up to26%Off listWhite Vision Watercolor - Let the world see your vision Tear off the top sheet and reveal your own customizable cover! An economic heavyweight watercolor paper with a cold press surface. This paper provides even washes and good lifts with wet media techniques. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue mixed media covers below. Tear off the top sheet and reveal your own customizable cover! Pad Features: Tape bound pads keep sheets in pad yet tear out cleanly. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. Watercolor Paper Weight: 140 lb. (24" x 36" x 500 sheets) 300 g/m2 Surface: Cold Press Customizable Cover Weight: 184 lb. (24" x 36"x 500 sheets) 300 g/m2 Surface: Medium 6" x 9" Tape Bound (6") 30 Sheets 9" x 12" Tape Bound (9") 30 Sheets 11" x 15" Wire Bound (11") 30 Sheets 18" x 24" Wire Bound (18") 30 Sheets Key Features:* Watercolor Paper Weight: 140 lb. 300 g/m2* Customizable Cover Weight: 184 lb.* Cold Press* Tape bound pads keep sheets in pad yet tear out cleanly* Medium Surface* Tear-off top sheet* Customized with your own artwork.* Availble in Tape and Wire Bound Perfect For:* All sizes feature high sheet counts* Sturdy chipboard backing and tear-off top sheets* Customizable, steel blue mixed media covers below* Paper provides even washes and good lifts* Mixed media artists Strathmore® Vision™ Artists are as unique as their vision. That's why we listened to requests for a series of artist pads with covers that can be customized. For the first time ever, our new line of pads features a tear away fly sheet that reveals a heavyweight, CUSTOMIZABLE, blank cover made from high quality, steel blue mixed media paper.Featuring extra high sheet counts and extra durability, this affordable line delivers key performance characteristics for sketching, drawing, mixed media and watercolor art. See More
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Canson XL Watercolor Pad, 11"x15" - 140lb, 30 SheetsSave Up to33%Off list…their XL Watercolor Pad line to serve just that purpose! An abundance of excellent quality watercolor paper at an exceptional value, XL Watercolor Paper Pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Watercolor Pads - This… High-Quality Watercolor Paper Pads At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their XL Watercolor Pad line to serve just that purpose! An abundance of excellent quality watercolor paper at an exceptional value, XL Watercolor Paper Pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Watercolor Pads - This sturdy, durable watercolor paper is designed to stand up to repeated washes and all sorts of artistic experimentation! The cold-press 140lb (300gsm) paper has a toothy surface for a variety of techniques and is perfect for watercolors, light acrylic washes, pastels, and dry drawing media. Each pad comes with 30 tape bound sheets and a chipboard backing. Key Features:* 140lb (300gsm) Weight* 30 Sheets* Tape Bound* Cold Press Perfect For:* Wet and Dry Media* Students* Artists Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More
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Strathmore 300 Series 140 lb Watercolor Paper Pad 11" x 15" Wire Bound (12 Sheets)Save Up to26%Off list…side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully… Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy weight student-grade paper Note:Watercolor, gouache, tempera or even acrylic See More
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Richeson Studio Watercolor Paper 11"x15" 135lb Cold Press, 110 Sheet BONUS PackSave Up to38%Off list…Studio Watercolor paper is ideal for work not only in watercolors, but also in gouache, light acrylic, pen and ink, pencil, charcoal and more! This Jerry's Exclusive offering is sure to become a staple in studios and classrooms everywhere! Key Features:* 135lb. cold pressed watercolor paper* Super… 110 sheets of watercolor paper perfect for students and practice! Acid Free Alpha Cellulose - Jerry's Exclusive! These economical packs of acid free, alpha cellulose-based paper are the perfect choice for use in classrooms, by students, or for any artist looking for high quality paper at an excellent value. With a 135 lb. weight and lightly textured cold pressed surface, Richeson Finest Studio Watercolor paper is ideal for work not only in watercolors, but also in gouache, light acrylic, pen and ink, pencil, charcoal and more! This Jerry's Exclusive offering is sure to become a staple in studios and classrooms everywhere! Key Features:* 135lb. cold pressed watercolor paper* Super Value Bulk packs of 110 sheets * Acid-free alpha cellulose composition* Available in 22.5x30.5" and 11x15" sheets* Full sheets for Classroom, practice and value! Perfect For:* Watercolors, gouache, light acrylic, pen & ink and more!* Sketching, practice and experimentation* Students, beginners and classroom use* Any artist in need of quality paper at a great value!* Trying a new technique, testing paint or a brush Richeson 110 sheets bonus packs in a resealable bag! - Jerry's Exclusive! Richeson has been one of America's top art material suppliers for decades, and now we are pleased to offer their new line of Finest Studio Watercolor Paper in generous bulk packs available only at Jerry's Artarama! For: Sketching, practice and experimentation-Students, beginners and classroom use - Teaching students to practice and expanding your programs - Not intended for professional use Run, do not walk, to get yourself some of this paper! It's a real deal and a pleasure to use. You don't have to be "precious" in your work because it is inexpensive and its great surface encourages painterly experimentation and discovery. - Cat, Belmont Ma See More
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Richeson Casein Artist Colors Titanium White 5 ozSave Up to43%Off listWhite From rich opaques of oil to thin watercolor washes - One of the most durable mediums known to man Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters. Richeson Casein is a versatile, professional, water-based medium known for its velvety finish! Richeson Casein Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Key Features:* Milk protein-based paints* Dries to a natural matte finish* Apply in any manner from impasto to watercolor* Casein can be used on interior walls, metal, wood, laminates, metal, glass or ceramics* Archival: Yes. Properly done and with a protective varnish * Good choice for dry and light, wet media sketching* Perfect medium to use for underpainting* Dries quickly* From rich opaques of oil to thin watercolor washes Perfect For:* Suitable for a variety of surfaces* Great for illustration work* Casein can be used on canvas, although only in very thin application* All-purpose paper in a sketching format* You can paint on 140lb. watercolor paper if the painting will be properly framed shortly after completion* You can apply casein "juicy" like watercolors, impasto like oils, or anything in between "Casein is a water-based paint medium with working properties that resemble gouache, cel vinyl—and, in some respects, oil. I've used all of those latter paints quite a bit, but casein has qualities all its own. It can be used transparently, but it has great opacity when you need it, something often lacking in acrylic. It's one of the oldest paint mediums, dating all the way back to the Egyptians – JAMES GURNEY" What is Casein? Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia. Later, the medium was used by Byzantine, Roman and Renaissance artists, including the Old Masters. Known for their versatility and array of capabilities, casein paints can be used to create a variety of effects from the rich opaques of oil to thin watercolor washes. Because casein has an exceptional integrity of color and always dries to a perfect matte finish, it is unexcelled for art reproduction. The velvety matte finish can also be buffed to a satin sheen or varnished to produce a resemblance to oils. Over time, casein pigments become resistant to moisture and as history has proven, the medium has a durability and permanence which has easily stood the test of time. Because it dries quickly, it is possible to lay down a glaze and move onto the next stage within a few hours instead of waiting for days, or even months, as with oils. Can I mix casein with other mediums? Yes you can! Use casein over watercolor or gouache or as an underpainting for acrylic, pastel or oils. If using casein under oils, apply a barrier layer of Damar varnish over the casein before the oil paint. Casein can also be used under oils as an excellent underpainting medium. See More
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M. Graham Oil Color 5oz - Zinc WhiteSave Up to40%Off listWhite M. Graham Oils - The only oil paint with Walnut Oil In the tradition of the masters, M. Graham artists’ oil paint is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives. Founded by artists, M. Graham Oils use only the finest vehicle, Walnut Oil to make some of the finest oil paints on the market! Walnut oil provides a "unique refractive index" and will not yellow over time, which allows for incredible paint brilliance. Walnut oil's unique body allows for an increased amount of pigment suspension in comparison with other oils, giving their paint higher color saturation and tinting strength, as a result. Manufactured with only the finest example of each available pigment source, their paints contain no fillers, extenders, or adulterants, which have negative effects on color and how the eye perceives it. Hand-crafted in small batches, attention is paid to adapting manufacturing processes to specific pigment "personalities" and requirements. Use of proper milling pressure for each pigment helps to achieve optimum pigment load and dispersion. Artists run the Quality Control Department at M. Graham, assuring the quality of everything they manufacture. A green company, their products and manufacturing is solvent-free. Green-minded artists can finally enjoy painting with high-end, professional quality oils, from an environmentally conscious company! Key Features:* Manufactured exclusively using pure walnut oil* Only finest, purest pigment source used in their paints* No fillers, extenders, solvents or adulterants added * Colors made in small, hand-crafted batches* Constantly tested against the competition for greater tinting strength and pigment load* Quality Control done by actual artists to ensure exceptional quality* Company founded BY Artists, FOR Artists! Perfect For:* Amateur to professional artists* Artists seeking pure, brilliant oils for their palette* Artists who want products made by artists, for artists!* Environmentally concerned, "Green" artists* Health-conscious artists* Artists seeking high color saturation and tinting strength* Oil painters concerned with paintings yellowing over time* Producing brilliant paintings!* Artists desiring superior, constantly tested oil paints Set of 5 with Mediums: Includes 37 ml tubes of Azo Yellow, Naphthol Red, Ultramarine Blue, Phthalocyanine Green, and Titanium White, plus free 59 ml samples of two M. Graham solvent free mediums: Walnut Oil Medium and Walnut Alkyd Medium. See More
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Speedball Professional Relief Ink - Diarylide Yellow 5ozSave Up to34%Off listYellow Produce stunning professional quality prints with these vibrant, premium relief inks! Speedball Professional Relief Inks Formulated to possess all of the working properties that artists demand, Speedball Professional® Relief Inks are made from the highest quality, lightfast pigments and contain no fillers. They roll out consistently and transfer beautifully, resulting in intense, crisp, archival prints. Containing (10) single-pigment colors and a Transparent Base, these professional-grade inks all carry the AP Seal and can clean up easily with soap and water or traditional window cleaner. Most notably, the Speedball Professional Relief series boasts its flagship color-Speedball® Supergraphic Black, created by world-renowned relief artist, Bill Fick. Key Features: * Highest quality, lightfast pigments * Contain no fillers * Designed for accomplished printmakers * Produces intense, crisp, archival quality prints * Holds fine details with beautiful transfer quality * Water miscible oil base makes for easy clean up * Professional-grade inks all carry the AP Seal Perfect For: * Professional printmakers * Block printing * Student artists * Linocut printing * Cleans up easily with soap and water or traditional window cleaner Speedball Professional Relief Inks are designed specifically for professional level printmakers. These premium quality relief inks offer viscosity similar to that of oil-based inks, rolling out consistently, transferring beautifully, and holding fine details to produce intense, crisp, archival quality prints. Extend the color range by combining these inks with Extender to produce transparent layers. With a water-miscible oil base, these true process relief inks are lightfast and easily cleaned up with a little soap and water. See More
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Isabey Vintage Series 6234I Blue Squirrel Quill Mop sz. 4X0Save Up to45%Off list…* Guilded brass ferrule * Outstanding water-holding capacity * Handle hanging loop promotes brush health Perfect For: * Controlled brushwork * Painting fine details * Watercolor, rendering, illustration * Artist's seeking a durable brush * Students, teachers, professionals * Travel and studio use! Best water holding capacity with a fine smooth stroke! Isabey Siberian Blue Squirrel Brushes celebrate the history and heritage of the Breton brushmakers that founded Isabey in 1895. Only the finest quality Blue Squirrel hairs are hand-selected to form each short handle brush. The natural squirrel bristle can hold a large amount of water and pigment for smooth color laydown. All Isabey brushes are shaped exclusively during the hair's mounting, without further cutting or re-shaping. The brush loop at the end of each handle lets your brush dry bristle pointed down. This downward-facing drying position prevents water from warping the wooden handle and helps maintain bristle shape while ultimately extending the life of your brush. Through passed-down practices, strict quality control, and unparalleled pride in artistry, Isabey brushmakers create brushes that are indeed works of art. Key Features: * Handmade with traditional techniques * Made of natural squirrel hair * Quill Mop, Cat's Tongue, Flat, Round, and Tracer shapes * Best absorption with a smooth fine stroke * Short wood handles * Beveled handle tip end for scraping * Guilded brass ferrule * Outstanding water-holding capacity * Handle hanging loop promotes brush health Perfect For: * Controlled brushwork * Painting fine details * Watercolor, rendering, illustration * Artist's seeking a durable brush * Students, teachers, professionals * Travel and studio use! See More
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Winsor & Newton Sceptre Gold II Short Handle Brush Series 101 Round #4X0Save Up to40%Off list…brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic color! This brush combines red sable hair with golden synthetic fiber. All brushes have good durability, excellent spring and lots of color holding capacity. Each brush with polished maroon wood handles and seamless polished gold tone metal ferrules. Great for watercolor, oil color, alkyds and acrylic color! See More
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Raphael Stradivarius Synthetic Kolinsky Brush, #4X0 RoundSave Up to45%Off list…Features: * Synthetic fibers imitate natural Kolinsky hair * Excellent spring and water retention * Vegan-friendly synthetic hair * Outstanding color carrying capacity Perfect For: * Watercolor painters * Creating fine details * Painting consistent brush marks * Professionals, teachers, and students A Synthetic Hair That Imitates The Look and Feel of Natural Kolinsky Based on Raphael's best-selling 840x natural Kolinsky series, the Raphael Kolinsky Synthetic Brushes feature a complete selection of indispensable round brushes, flats, spotters, and two new shapes: dagger and curved round. The Kolinsky Synthetic range completes Raphael's current catalog of synthetic sable brushes. These brushes are for the watercolorist who does not wish to use natural hair brushes any longer but still wants to enjoy the exceptional attributes of natural hair at an affordable price. The synthetic displays all the quantities and sensations of natural Kolinsky while being long lasting, completely vegan, and affordable. Key Features: * Synthetic fibers imitate natural Kolinsky hair * Excellent spring and water retention * Vegan-friendly synthetic hair * Outstanding color carrying capacity Perfect For: * Watercolor painters * Creating fine details * Painting consistent brush marks * Professionals, teachers, and students See More
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Golden OPEN Acrylic 5 oz Iridescent Pearl (Fine)Save Up to30%Off listIridescent Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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GOLDEN Heavy Body Acrylics - Turquoise (Phthalo), 5oz TubeSave Up to30%Off listBlue Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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