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Related Categories: Prussian Blue Watercolor Paint | Permanent Alizarin Crimson | Aureolin Watercolor | Mars Violet | Cadmium Scarlet | Opera | Iridescent Medium | Raw Pigments
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Stonehenge Aqua Watercolor Roll 31"x10 yd, 140lb Cold PressSave Up to38%Off listWhite Stonehenge Aqua is everything an expensive paper is without the expense. Stonehenge Aqua Professional Watercolor Blocks and Papers are as finely crafted as it is affordable. Performing way beyond its price point, it has been tested to its limits, and as it turns out, it has no limits. Wet-on-wet or wet-on-dry, it has a wonderful crispness that anchors beautiful work across every task and technique. With Stonehenge Aqua, blending is effortless, and lifting is no longer a chore. It welcomes masking while never relinquishing the control you both demand and desire. Bright colors dry bright. Blocks or sheets it’s flat paper that dries flat. Making possibilities a reality is why Stonehenge Aqua Watercolor Papers came to be. Watercolor is all about possibilities. Because it’s not just about beautiful paint. There’s another factor: a wonderfully whimsical element – water. Together, they allow for form and flow, chaos and connection, beauty and structure. Key Features: * Professional watercolor papers (140lb & 300lb) * Blocks, pads, sheets, and rolls * Cold Press and Hot Press * 100% cotton - acid, chlorine, OBA, and Lignin-Free * Neutral pH * Same surface on both sides * Buckle-resistant, dries flat * Sized for watercolor * Superior quality Perfect For: * Wet-on-wet or wet-on-dry techniques * Lifting and scrubbing color * It’s flat paper that dries flat * Multiple layers of wet media * Effortless Blending * Bright colors dry bright See More
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Strathmore Paper Roll 400 Mixed Media 42"x8yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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Caran d'Ache Museum Aquarelle Waterbrush, Fine NibSave Up to25%Off list…Waterbrushes are perfect for the studio or on-the-go. Each waterbrush has their own basin which can be filled with watercolor or water to enhance the properties of watercolor pencils or crayons. All of the waterbrushes create even strokes and are virtually mess free. Available with fine, medium… Take your watercolors anywhere, anytime! Built-in water reservoir Museum Aquarelle Waterbrushes by Caran D'Ache has a built-in water reservoir, making it ideal for travel, art classes, and on-the-spot sketching. Caran d'Ache Museum Waterbrushes are perfect for the studio or on-the-go. Each waterbrush has their own basin which can be filled with watercolor or water to enhance the properties of watercolor pencils or crayons. All of the waterbrushes create even strokes and are virtually mess free. Available with fine, medium and large nibs, Caran d'Ache Museum Waterbrushes work just like brushes and are much easier to clean and transport. The pump system makes it incredibly easy to clean the brush nibs's synthetic fibres with water. The large nibs are ideal for washes while the medium nibs are perfect for producing detailed sketches, calligraphy, and illustrations and the fine nibs are perfect for outlining, detailed work and controlled washes. Key Features:* Available in fine, medium and large nibs* Built-in water reservoir* Pump system makes it incredibly easy to clean* Virtually mess free* Work just like brushes* Large nibs are ideal for washes Perfect For:* Watercolor application* Blending and wetting watercolor pencils* Travel, art classes, and on-the-spot sketching See More
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Liquitex Acrylic Gouache Primary Colors Essentials Set of 12, 22ml BottlesSave Up to30%Off listAssorted Colors Ultra-pigmented Acrylic Gouache. Solid Matte Finish! Liquitex Acrylic Gouache has the most intense colors achieving a flat, matte effect. Liquitex Professional Acrylic Gouache has the highest intensity of pigment in any of the Liquitex paints, leaving you with a serious vibrant color. Single pigment primaries provide the cleanest mixes possible and are ideal for color theory and designers using the CMY system. No need to worry about brush strokes, cracks, or even diluting. Liquitex Acrylic Gouache Paint has superb fluidity and application. All with a permanent, water-resistant finish when dry. Most intense colors, flat matte effect, no brush strokes, no cracks and no need to dilute! Key Features: * Variety of 50 colors: 2oz / 59ml & Sets * Convenient squeeze bottles * Most opaque paint * Superb fluidity and application * Non-cracking * Ultra-pigmented acrylic, solid matte finish * The highest intensity of pigment in any of our paints * Smooth and fluid, ready to use from the bottle * Permanent water-resistant finish when dry Perfect For: * Gouache users and acrylic artists * Color blocking, illustration & design * Ideal for educational use * No need to worry about brush strokes, cracks, or even diluting * Cleanest mixes possible * See More
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